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Carter's books before I met her 2 years ago. I remember the excitement I felt when I saw "American Junk" for the first time.
A woman after my own heart! (I have been making art from junk for the last 6 years.) Thank you Carter (she prefers to be called that), for helping us to see so many fun ways to decorate inexpensively and recylce, reuse, and clean up the environment.
Carter writes in an inviting, cozy manner that makes you feel like an old friend. And I really enjoyed watching her photograph
for my chapter, no fussy rearranging of things, she captures the
images as she sees them and moves on. Packed full of inspiration!
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An unlikely candidate for "Queen of Junk," Ms. Carter is the Vice President of Advertising at Polo/Ralph Lauren. With her husband and two sons she maintains homes in New York City and Duchess County, New York, where, as she says, there's too much junk. Nonetheless, she abides by her motto "Never stop to think, do I have a place for this?"
With over 400 lush colored photographs and a state by state guide for junking forays, Kitchen Junk is the ultimate guide for shoppers. Helpful information offered includes a dress code and tips on haggling: "Most dealers worth their junk expect a bit of a tug-of-war."
One of the most appealing chapters, "A Checkered Life," is devoted to red and white checked items. These pages are replete with tablecloths, napkins, dish towels, aprons, gingham, oilcloth, mitts and even a rooster in those trademark all-American colors. Ms. Carter demonstrates how to set a table with these items and create an atmosphere based on "the fantasy of the farmyard."
Such aprons you have never seen - a bib apron embellished with a picture of a young girl cleaning her plate, a half apron fashioned of a cloth decorated with kitchen tools, a "Some Like It Hot" barbecue apron for him, a strawberry pattern for her. Prices of the items and where they were found are also noted.
Stating that 50% of kitchen time is spent at the sink, the author spruces up that area with an enamel soap dish found for $3.00 at a New York flea market, French agatewear bowls - a steal at $10.00 per, and vintage cut glasses discovered at garage sales for an average of 50 cents each.
Everyone knows what the staff of life is and bread boxes abound from "A hinged lift-top bread box decorated with a frieze of teapots and kitchen ware. It beckoned from a yard sale in Virginia for $3.00." to a "1930s English enameled bread bin."
Few how-to's and where-to's are overlooked in this enthusiastic paean to collecting. With Kitchen Junk in one hand and a Mapsco in the other many will prove the old saw that one man's trash is another man's treasure. Happy hunting!
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Ms. Carter has a superb eye when she chooses to exercise it (check out which of those decrepit metal chairs on page 172-3 made it home to glory on page 42 -- not to mention the superb "city house" Adirondack chair on page 179, and many other "found" icons throughout). Her prose is both witty and chipper, yet deeply feeling for the simple things of the world, and the homely pleasures they offer.
Of course, everyone will find her accepting to a fault with regard to some item or another; but given her "whole greater than the sum of the parts" approach, its no surprise that these soul-invested objects all manage to find acceptance somewhere.
I feel that I've met a dear friend in the pages of this book; someone who lives the transforming power of love and has invited us into her very special world. To think that this exuberant spirit is not only a full-time junker, but also a wife and mother -- and a VP at Ralph Lauren! I'm curious to know what her husband is, besides one lucky hombre. I'd give a lot of stuff (and tolerate even more) to call a woman of this quality my own. And she takes excellent pictures, too....
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This is not to say the book isn't fun. It is fun. And it is very fair: Carter gives very specific information about how much things cost (or don't) and where they were found. She provides lists of flea markets and thrift shops in the major metropolitan areas she covers. Her method is to focus on individual collectors in locales like New York, San Francisco and LA, profiling how they find their stuff and what they do with it.
Like a novelist who succeeds in creating a world and staying true to it, Carter has established a vision that makes junk matter. I need open, less cluttered surfaces in my own environment, but when I read the Junk series, I can certainly enjoy that collectible urge.