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Lulamae Barnes wanted to re-invent herself. She picks a new name, Holly Golightly. I feel she has picked this new name to reflect the persona she wants to project; someone who was always on the go-someone not too easily tied down. She is a little gullible, a little naïve, and also outspoken. Holly Golightly is someone you love intensely for the short while she is in your life and someone you long for long after she has exited. I also feel that everyone could relate to her at some point in her life (all the way from the pain in her childhood, when she felt like she never belonged anywhere or to anyone, to the time she lost her brother, Fred).
Holly was a young woman who had quite a few gentleman callers. She seems to fall for the older men in her life. Holly suffers from this 'father complex.'
My favorite character is the narrator of the story. He is an older gentleman as well. He is in his sixties and a writer. As they developed their friendship, he also developed a fascination with Holly. He reminds her of Fred, so she asks if she can call him Fred, and he graciously accepts. As the two interact as friends, 'Fred' quietly falls in love with her.
I was most disappointed that Holly never quite knew of his love for her. I think that if she had known then maybe she could have had a better life with him.
I rated this novel with five stars because I could not put this story down until I had finished it. I am not an avid reader so that is saying a lot for this story. If I can't wait to finish a book, then I feel the author had captured my heart for the length of time it took me to put it down. It is almost like getting a kiss from a long lost lover.
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Most of the book is told from the perspective of Jennings Faulk, Truman Capotes cousin. Long summer days were spent as curious children growing up in Monroeville. Page after page detail the antics and schemes these young ones got into and you can see how many of the children's real life experiences were translated to the pages of both Capote and Harper Lee's novels. We also get a sad peek into some of the turmoil that Capote faced because of his troubled family life. Knowing his history will give you a better appreciation for his writing and will entertain you at the same time. This is an easy, light read and in many ways will bring you back to your own childhood days of playing outside in the summer time.
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The people of Joel's new world are colorful, often pathetic, and sometimes grotesque; at times it really feels like Capote is putting on a human freak show for the thrill-seeking reader. He leads us through a world of decaying old buildings and broken spirits. But Capote always respects the essential humanity of his troubled characters.
There is a pronounced theme of alternative sexuality and/or gender identity throughout the book. Capote establishes this theme early on in his description of the main character. Joel is described as not looking like a "'real' boy": "He was too pretty, too delicate and fair-skinned." "Other Voices" thus has a lot to offer readers with an interest in gender issues as they have been explored in American literature. Capote also does an interesting job of portraying a mixed-race household where the African-American servants are as vividly drawn as the Caucasian family members.
Throughout the book there is some richly descriptive language, as well as intriguing representations of American vernacular English. Although at times "Other Voices" seems more an exercise in style than a fully satisfying narrative, it is for me quite a remarkable coming-of-age story.
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about a college professor embroiled in a sex scandal . . . Newtown Arvin published groundbreaking literary studies in his 37 years at Smith College, and he cultivated friendships with the likes of Lillian Helman and Truman Capote . . . a social radical and closeted homosexual, he somehow survived McCarthyism.
But in September of 1960, his apartment was raided and his
collection of erotica was confiscated . . . it was then that his
troubles began . . . he was brought to trial, and in doing
so, he also named names of other so-called pornographers.
I found this part of the book particularly fascinating, in that
it helped give me a better feel for America's moral fanaticism
during that time period . . . even if you're not a fan of
biographies, you might find yourself pleasantly surprised
if you give this one a chance.
There were many memorable passages; among them:
The following day he [Newton] wrote to her again:
"I realize how good I ought (and must) be to you in
order to make you happy and keep you by me. I wish
that I could be a god and a saint and a knight and a
good companion for your sake." If Arvin was to fail as
a husband, it would not be for want of trying.
[from his journal] Reading of student papers, bluebooks,
etc. a form of torture, though inescapable at best. What
gives the extra turn of the screw is, of course, the
debased English in which most of them are written.
Reading them is a matter of rubbing an iron file over
one's teeth, or holding urine in one's mouth, or having the
racket of a bulldozer in one's ear for an hour or two on
end. Physical tiredness inevitably ensues.
The sudden seizure of his secret history completed the
shattering of Arvin's world. When he saw police returning
with the slender volumes, opening them, flipping through
their limited pages--beginning to decipher the penciled
hieroglyphics that unlocked his innermost life--it was as if
there was nothing left of him to take or preserve. He was
in utter panic, shaking his face fallen.
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Nonetheless, this book has all the beautiful Capote observations in it as well. Whenever Capote describes something or someone I am completely amazed. The visuals he brings forth in the readers mind are like no other. This one's a quick read. I was a lil' angry it was short because I wanted more beautiful sentences.
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If you are interested in Capote at all - as writer or as personality - this book is a great source of insight, anecdote and interesting detail.
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