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This volume has two weakneses. The images are often too small to accurately reproduce the detail that Adams intended us to see in the foregrounds and backgrounds, and many are over inked. Second, the introduction by William A. Turnage is not up to his usual standards. He makes a number of strange assertions such as that Moonrise, Hernandez, New Mexico, 1941 (poorly reproduced in this volume) is "beyond doubt, his most famous photograph." Hmmm. What do you think? In other places though, Turnage adds interesting details about Adams' introduction to the Southwest and the influence on his photography of Paul Strand.
The book contains many letters from Adams about his experiences in taking the photographs, including many near disasters with his station wagon breaking down. One of the really interesting ones is to Patsy England in 1936 in which he says that in many ways the "Carlsbad Caverns are symbolic of my life; beautiful and exquisite things that exist only in the light of the moment." That may be the finest characterization of Adams' work that I have read.
Here are my favorite images (as reproduced here) in this book:
Saint Francis Church, Ranchos de Taos, New Mexico, c. 1929
Monument Valley, Arizona, 1937
Canyon de Chelly National Monument, Arizona, 1942
Georgia O'Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona, 1937
White House Ruin, Canyon de Chelly National Monument, Arizona, 1941
Big Room, Carlsbad Caverns National Park, New Mexico, 1942
Burro Mesa and the Chisos Mountains, Big Bend National Park, Texas, 1942
Farm, Autumn, near Glendale, Utah, c. 1940
Tree Against Cliff, Zion National Park, Utah, 1947
In Cedar Breaks National Monument, Utah, 1947
Manly Beacon, Death Valley National Park, California, c. 1952
Grand Canyon from Yavapai Point, Grand Canyon National Park, Arizona, 1942
Grand Canyon from Yavapai Point (Bright Angel Canyon), Grand Canyon National Park, Arizona, 1942
After you have finished reading about Ansel Adams' adventures and learning in the Southwest, I urge you to take your own driving trip through this beautiful country. Be sure to visit the spots that Adams did. I also suggest that you be sure to add Sedona in Arizona, Mesa Verde, the Meteorite Crater in Arizona, Frank Lloyd Wright's Taliesen West in Scottsdale, and the Navajo reservation to the areas depicted here.
See the most beautiful places you can as often as possible! The beauty will seep into your soul.
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I am not sure that the notes are relevent to the subject of the book, but then again the book is marketed towards gift shops and vistor centers. The ideas conveyed by the authors are pretty standard (I assume) for books published by the Sierra Press. The general theme is nature worship, but if that is not your style it does not detract from the overal impact of the visual presentation.
I do not have anything specific to compare this book with as it is my only photographic book on the Grand Canyon. That is why I gave it four stars. I enjoy the book for its beauty, but find the outdoor photography composition and technique just as stimulating. I would recommend the book to any outdoor enthusiast who also enjoys fine photography.
The book is about 8X8 inches and is ideally suited as a unique coffee table book for any fan of natural beauty. The average picture size is about 5X7 inches. I own the softcover edition but would rather own the hardcover as mine has not handled standard wear very well.
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Grand Canyon QSO is one of six stories, and was my favorite of the series.
Tommy is a teenager involved in Ham Radio, and each story uses his involvement in the hobby and the knowledge he's gained from it to get him through various dangers. In "Grand Canyon QSO" Tommy is on a rafting trip down the Colorado River, and their trip is plagued by criminals on the run.
For today's world he comes across as extremely "squeaky clean". Just a little too perfect, but the characterization by Tompkins is sincere, what might for the time be considered the "ideal teenager".
The villians are a little predictable, but I'll admit that is from the perspective of an adult reading a juvenile story.
I would recommend this to any kid ages 12-15 and to anyone of any age who has an interest in Amateur Radio.
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While non-climbers may find its sometimes-terse descriptions lacking in comforting detail ("From the Tonto you can climb down Serpentine Canon to the River and routes go to the river in Copper Canyon and across from Hakatai Canyon." "Ruby has a cairned bypass to the right of the fall."), I found these tantalizing comments more useful than the replies from the BRO on the question of Tonto-to-River routes in Serpentine and Ruby-"Wouldn't even try it."-"Maybe if you used ropes."
To a climber, a "ropeless" route offers encouragement. A non-climbing backpacker, however, will balk at the mere presence of the word "rope" in a trail description. Green frequently offers more hiker-friendly information, such as, "...Travertine Canyon provides a not-too-difficult access for hikers wanting to reach the Colorado River." Green's limited descriptions of little-traveled routes must be contrasted to Butchart (who ignores Travertine, and says of Ruby and Serpentine, "...there are routes...almost surely in Ruby, and certainly in Serpentine..." though Butchart's marked map of the area shows none) and Annerino (regarding emergency hiking to the river from the Tonto between Hermit and Bass, "hike to the river...using either Boucher Creek, Ruby Canyon, Serpentine Canyon or South Bass Trail."). Green's guide gives us Tonto-to-River routes at Travertine, Boucher, Sapphire, Turquoise, Ruby, Serpentine and of course Bass.
The narrative makes enjoyable reading, laced with the mythology of some of the Canyon's unusual place names, historical vignettes and personal experience. Green recounts numerous confrontations with the reclusive Grand Canyon Rattlesnake as well as several near-fatal mishaps and unfortunate turns in the weather.
"Making the summit late in the day, darkness fell during the return series of rappels through the Supai cliffs north of the peak. The storm made me hypothermic and when clouds cleared the temperature dropped sharply. In the darkness my flashlight dropped, going out some forty feet below me. Not having made it past the cliffs I was unable to get back to my sleeping bag that night. It was a very cold December night as the South Rim recorded a temperature of 0 degrees. Unable to continue in darkness for fear of running out of rope the option for a very cold night seemed logical. Without a stove or a sleeping bag and only wearing a wool sweater, the situation was serious. To stay alive that night I burned some of my climbing sling along with every dead bush within reach. NPS frowns on open fires, especially those using native vegetation as fuel, but as the saying goes, "desperate times call for desperate measures!" It was one of the most miserable nights I have ever spent and I learned a great deal from it."
His comments on water sources are a welcome addition to descriptions of less-traveled areas. "This rough trail makes a rapid descent to the saddle below Shiva Temple, where water-filled pot holes remain for a week or more after rainstorms."
Numerous hiker and climber routes are described for Marble Canyon, below the East Rim Drive, below the Walhalla Plateau, Main Corridor, Clear Creek, the threshold trails from Indian Garden west to Hermit, west from Hermit to Havasupai, west of Bright Angel to Kanab, Tuweep to Kelly Point, National to Diamond, and both the south and north sides of the Canyon at Lake Mead. Most of the trail descriptions for the heart of the Canyon include little-known alternate routes, such as hiking up the Redwall and Supai at the head of Hermit to reach Dripping Springs Trail. Some are clearly described as hiker trails, some as climber's routes, and still others as "rugged route."
The volume is well illustrated with topo maps and historical photos. A real treat was the inclusion of sections of Harvey Butchart's hiking map, marked with his wanderings. (This reviewer was stunned by the sheer mileage represented on them. In comparison to Butchart's three tiny volumes, the map is an awesome testament of the 20,000 Canyon miles covered by the legendary hiker.) A ten-page index references all place names, numbered peaks and canyons. An annotated bibliography lists 77 references, as well as Green's comments on their value and where they may be obtained.
This book is not for the novice planning a first hike. But after the second or third Canyon hike, an ambitious hiker or climber will discover in its pages answers to the questions that usually elicit a shrug from many backcountry rangers. [E.g. busy trying to bite J.D. Green and Jim Ohlman.]
This solidly bound paperback is difficult to find in bookstores, and difficult for booksellers to special order, since it is "self-published." to the inner canyon routes, La Siesta Press, Glendale, CA (1970). 72pp. Also G.C. Treks II and III.
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