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A cultural atlas presents its readers with a tremendous amount of information. Even a casual browsing through this work reveals enough information to provide the seeker of knowledge with a firm grasp on the history, geography, and culture of the efficient, effective "Warriors of the North" known as Vikings or Northmen.
This atlas explains and defines the Viking Age, beginning in the 8th century and ending in the 11th century with the creation of the Scandinavian nations of Sweden, Denmark, Norway, and Iceland. These tall, blonde, blue-eyed Vikings also left their mark on lands from North America, across Europe into Russia -- which was named for the Rus, a Swedish tribe -- and into the Byzantine Empire of Asia Minor and beyond. The Vikings endowed the Europeans who followed them with the Viking genes for bravery, impudence, physical beauty, and intelligence, genes which Viking warriors spread widely in the Northern Hemisphere.
The compilers of this work, edited by James Graham-Campbell, present the reader with a plethora of charts, maps, and captioned photographs illustrating and enriching cogent expository text.
Everyone on the planet, ... will recognize this book as a valuable tool in the study of a great European people.
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He delivers Joyce's theory of art, (alone worth the price of the tapes), relates the texts' themes to mythology and philosophy, and generally provides a wonderful sense of James Joyce as a brilliant man of sorrows, acquainted with grief, who labored mightily to bring forth the Big Three. Perhaps even on a level with Stuart Gilbert's "James Joyce's Ulysses".
These tapes are a great buy for anyone interested in Joyce.
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The problems of using source documents are detailed as well as the triumphs of modern archealogy in expanding our understanding of this period of history.
The photographs, drawings, and maps compliment and support the text nicely.
Highly recommended as an introduction to the period and its people.
The physical presentation of the book is far more attractive than is usual for textbooks. It is in a large format and lavishly illustrated, including a number of color pictures, and has several good maps of England (although it is curiously lacking in maps illustrating the European context of English history, and it could also use genealogical tables to help sort through some of the myriad characters). The bibliography is good up to 1981, the original date of publication, but unfortunately it was not updated when Penguin reissued the book, and thus cannot take account of the scholarship of the past two decades. It also has, regrettably, "secret" endnotes at the back of the book, not signaled in the text, which often lead the reader to primary source material and some secondary discussions; it is well worth the reader's effort to seek out the endnotes periodically.
In short, The Anglo-Saxons is highly recommended for anybody seeking a general introduction to the history of this period. My highest praise is that when I taught a university course on Anglo-Saxon history, this is the only book I considered for a main textbook.
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And one thousand pages for $15? C'mon, this is well worth the price of a pizza! Of course, this is not something you would read word for word, but I have used it more than once to help me understand a play that I was about to see. However, you need to set aside the better part of an hour to read the article on the history and background of any one of his plays. There is also plenty of info on his other writings, including the sonnets. Besides visiting the reconstructed Globe theatre (which I have had the privilege of doing), owning this book is the only other requirement for the serious Shakespearean student/fan.
My sole complaint is that the lettering is rather small (is is 7 pt or 8 pt? my eyes couldn't tell--ouch!). But hey, what do you expect for $15? A 2,000-page book?
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Campbell spent ~4 years, if memory serves, on this book. He said he finally had to get away from the Wake because everything he read started to sound as though it was from the Wake..
Having been an avid reader of Joyce for the last 5 years, Campbell's KEY is to my mind THE definitive work on the Wake. Anyone can criticize another's work, and perhaps it is unreasonable to expect a critic to be as brilliant as the victim of his wiseacreing, but to my mind criticisms of this beautiful and inspired work are rather worthless..
The Key is always my primary reference for the Wake. "Annotations" is just a phone book of references; the Key is first-rate scholarship. Infallibility is not a requirement for brilliance, assuming there is merit to criticisms of this work.
But as Joseph Campbell would say, don't buy a book because it is said to be important; buy it because it "catches" you. Campbell's grasp of the Wake is a wonderful help to appreciating the Wake in less than a lifetime.