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Nothing could be further from the truth about Butler's book. After I read it, I bought numerous copies and sent them to my friends. Butler has an acute understanding of the Vietnamese experience, and in particular, the immigrant experience in the US. How did he know these feelings? How did he get such a good grasp of the culture?
It is a extremely moving book. Several times I had to put the book down because I was so choked up. Butler is an incredible writer. Each chapter is a self-contained short story. Sometimes told from the perspective of a woman, other times a man. In either case, Butler's keen awareness of Vietnamese culture is apparent from the sensitivity of his stories.
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i thought fiona's story was excellent , yet sad....
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If you want to read a better, even great, Vietnam novel, I'd recommend you try Fields of Fire by Webb, or Close Quarters by Heinemann, or Better Times than These by Groom. Fragments pales in comparison to those works.
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"Mr. Spaceman" as a feature-length exposition goes a lot further toward redeeming his wanderlust than the dozen short stories in "Tabloid Dreams." At least here he takes the time to develop the rhythms of his characters, and to bring some "humanity" to his oddball cast and that, ironically, includes the forlorn but ultimately likable Spaceman himself, Desi. Through a series of interviews with his abductees, Desi (and the reader) learn of the lives, loves and fears of this busload of gamblers, and it is their stories, not Desi's, where Butler's humanity and compassion most reveal themselves.
But alas, the overriding premise is tough sledding. The nuggets of Butlerisms are cold comfort in a novel this obtuse, and ultimately one wishes Butler would choose to exercise his gifts in a format with less baggage.
Perhaps, having gotten it out of his system, next time he will.
The alien Desi works as a wonderful device to get inside the heads of a real variety of characters; as we share and re-live their experiences, we get the full force of what they went through followed by interesting commentary and observations of the outsider Desi. Much of it is humorous and touching as we dip into the unique voices of all these characters. We see truck drivers, Harvard graduates, young teen rebels with piercings and everything in between. Butler's skill at presenting all these different types of people is astonishing.
An interesting critical point is the way in which Desi struggles with words themselves; Desi comes from a culture that has long since abandoned speech and the written word, and he is constantly questioning it's abilty to convey what we really mean. Despite this, Desi finds a real source of beauty in language and comes to unique undestandings about how we relate to one another.
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Unfortunately, "Tabloid Dreams" seems to be the exception. The gimmick here is that he has fashioned a dozen stories to explain a dozen tabloid headlines (real or made up? It doesn't really matter.) The problem is, with such outrageous premises, the stories do little more than expand on an already-ridiculous idea, and the reader is never fully "vested" in the story. There are some clever turns, and here-and-there he approaches the tenderness and compassion of his earlier short stories, but on the whole this collection falls flat with a resounding thud.
Now that one of the stories ("Help Me Find My Spaceman Lover") has been expanded into Butler's next novel ("Mr. Spaceman") I'm revisiting "Tabloid Dreams," but I'm afraid my opinion of it hasn't mellowed any since I first read it 4 years ago.
Ray Schmitz III
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The stories in Good Scent/Strange Mountain are told from the perspectives of Vietnamese immigrants, both male and female, living in the United States after the war. Fair Warning is told from the point of view of an attractive, successful young professional woman in modern New York. Neither is the vantage one expects from a white American male. I found this approach astonishing in Good Scent/Strange Mountain, but just entertaining in Fair Warning.
The subject of the latter book is the worthy matter of peoples' relationships to objects of possession. This is potentially its most interesting aspect, but is treated too lightly to be completely fulfilling.
There are moments of wry humor in Fair Warning, but not quite enough to overcome the lack of originality in the characters. I would recommend Fair Warning only as light reading. It is not for the reader seeking emotionally stimulating, thought-provoking literature.
Move over Bill Henderson, Katrina Keneson, and Larry Dark. Watson's in the house!