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I guess it took me about half the book to find out what his general points were going to be. To me the book made connections between the nature of the universe and all things (particularly humans) in it.
I really wanted to closely scrutinize the chapters on sound (I am a musician and scientist). Unfortunately, by that last third of the book, I was too fatigued by the writing style. I ended up reading a few paragraphs in each section and skimming the rest, knowing (or making a logical guess) about the rest of the material. The author's basic points had already been made.
Furthermore, I felt unsatisfied by the author's overall treatment of art (particularly music). I was hoping for something more "insightful." It seems somehow self evident that particular sights and sounds are "appealing" to us given our physiology, evolution and their relationship to the nature of the universe itself. These arguments seem like tautologies; We like what we like because we are who we are. In the end, this isn't very interesting. On the other hand I could plead guilty to expecting too much.
There is more to art and music than meets the direct senses. When you try to explain what is "more" about music, you lose the meaning. Maybe the lesson is to just play the music and let it speak for itself. If the author was trying to make this point (indirectly) it is now very well taken. It's better to explain the beauty of music with selections of Joco Pastorius...
Finally, I thought the book was in places too human centric. Clearly books are intended to be read by humans. But I thought some of the author's points of view bordered on saying human animals were somehow more "important" than others. The universe doesn't make conscious choices to anoint one animal over another. Those evaluations are (too often, unfortunately,) made by us, not nature. Free will does exist.
Given these points, I do think the book was worth reading and might even be suitable for a seminar. I took about 4 days to read the book, but maybe should have taken more time. Anyway, at best, I think this book is worth 3 stars; Not bad, not great, but worth reading and discussing with others.
In The Artful Universe, Barrow explores in great and fascinating detail just exactly how the fine structure of the cosmos bears fruit in the structure of the human body, and in particular the structure of our ideas, preferences, values, aesthetic reactions, ways of thinking; our minds. The primary thrust of this wide-ranging survey is that animal minds and bodies subjected to natural selection are in big trouble if they embody propositions about the world, and therefore about the appropriate way to behave, that are in any important way essentially wrong. He argues that just as the structure of the eye constitutes evidence one way or the other for the correspondence to reality of our ideas about light, so the structure of, e.g., our mathematical faculties constitutes evidence for the mathematical structure of reality.
Barrow is terrifyingly erudite, and a clear, graceful writer. He manages to convey boatloads of highly technical concepts from numerous fields in crystalline arguments accessible to anyone with a basic scientific education. You will learn a ton from this book. You'll work for it - Barrow never condescends - but you will be well rewarded.
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This book is more a scientific explanation with charts and dwawings, but - not always easy - understandable for the layman.
I missed the speculation of a John Gribbin or a Martin Rees.
As in his other excellent book 'Theories of Everything', the author believes that "One day we may be able to say something about the origin of our own cosmic neighbourhood. But we can never know the origins of the universe. The deepest secrets are the ones that keep themselves."
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When we wrote the book, we had in mind intermediate Windows users -- people who already know the basics, but need to look up seldom-used commands and troubleshoot problems. We've included lots of step-by-step procedures as well as explanations of Windows concepts.
If you use Windows 98 or Windows XP, we have editions for those versions as well ("Windows 98: The Complete Reference" and "Windows XP: The Complete Reference") -- they also come with complete e-book editions on their CDs.
Enjoy!
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The book does an excellent job of fleshing out the people behind the myth. Although I assumed there was some "Hollywood" tampering with the facts of the film, I was more impressed with how accurate the 1967 film actually was in terms of documenting the events. The book fills in the gaps and expands not only on the personalities, but on several key events in the criminals spree that couldn't be included in the 1967 film. While the '67 film tended to humanize Barrow and Parker, this book cuts straight to core of the unbalanced and unsocial behavior of the two.
If you're a fan of the film, or at all interested in the history behind Barrow and Parker, this is the book to read.
I really enjoyed it!
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Barrow's consideration of the human mind ("What are minds for?", chapter 4) is essentially useless. His conclusions (chapters 8 and 9) are interesting but don't warrant reading the entire book to reach them: "If this book has taught the reader anything, I hope that the notion of impossibility is far subtler than naïve assumptions ... would lead you to believe."
Likely, this is one of John Barrow's weakest efforts. To the reader interested in the interplay of physics and philosophy I recommend Paul Davies' The Mind of God. For the reader who is interested in logic, this book may suffice as a brief introduction to the idea of limit and to Gödel's Incompleteness Theorem. Reading Immanuel Kant, one of the most finely disciplined minds in scholastic history, would be of greater value. Pass on this one.
Without minimising the great merit in Barrow's approach, I feel that finding limits to scientific development is like learning to swim: no matter how much the instructor tells you before hand, you only learn after you have stepped into the water. While it is useful and desirable to have an idea of the limits which may beset scientific inquiry, it is imperative that scientists, at any given time, pursue research on the premise that further progress in science is always achievable.
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The title of every chapter is quite attractive to those interested in the fundamental problems of physics and cosmology and in their relations to, or a physicist's view of, other disciplines of mathematics, aesthetics and religion. Barrow's writings are sometimes not easy to follow, but are marked by originality of ideas.
For example: In the chapter "Why is the Universe mathematical?" the author first mentions that the sorts of answers depend upon what we think mathematics. Then he puts a puzzle, which is more fundamental in the laws of Nature, symmetry or computation. In the final paragraphs, Barrow states that the science is the search for algorithmic compressions of the world of experience, and comes to the conclusion that mathematics is useful in the description of the physical world because the world is algorithmically compressible. I have difficulty in finding how the earlier paragraphs are related to the last ones. However, the conclusion seems to be simple and persuasive, and would be paraphrased as follows: Mathematics is useful in the description of Nature because she has the characters of orderly complexity.
Only if you haven't read other books by Barrow and want to know his ideas, this would be a good buy.
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More irritating than its content limitations is the book's precious and trying-so-hard-to-be cute writing style. Every section begins with a smirky little paragraph which manages neither to amuse nor inform. Not for me.