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Written in 1912 this book is well written for its time. Captain Carter is telling the story form memory as an old man of his adventures here on earth and on the planet of Barsoom (Mars). There are encounters with many strain creatures, situations, and yes even a 'Princess of Mars'. The forward to the book alone will capture your imagination.
"A Princess of Mars" is the first of eleven novels in the Martian Series by Burroughs, most of which seemed to avoid the pitfalls of some of ERB's lesser Tarzan novels. If Dejah Thoris is not the most beautiful woman in the history of fantasy and science fiction, then she certainly has the all-time best name. John Carter is able to take advantage of the Red Planet's lesser gravity to do great feats of leaping about, but it is his innate intelligence and intense sense of personal honor that make him almost idealistically noble. When I first read every ERB novel I could get my hands on in Middle School, Tarzan was always Tarzan, but there was something about John Carter that somehow made him the greater hero in my eyes. Maybe it was the way he handled a sword or how he was always determined to make Barsoom a better place that made him seem Burrough's finest creation while Tarzan was finding lost civilizations in the interior of Africa. Certainly you will find ERB's most imaginative work, including the great game of Martian Chess, in this series. Do not stop at the first book, because while these novels are fast approaching being a century old, they hold up much better than the writings of Jules Verne or H. G. Wells. Not in terms of science, of course, but rather in terms of adventure fantasy.
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This novel features very few of the inconsistencies--both internal and with other books in the series--that mar every previous Carter novel. There are some, however. For example, the great Scarlet Tower of Greater Helium is referred to in this book, whereas in previous novels, this tower was referred to as being in Lesser Helium, and besides which, was destroyed in book 5, "The Chessmen of Mars." More of a problem in the current volume are the book's implausibilities. For example, Carter & company jump out of their spaceship on that Martian moon, without bothering to check on the moon's breathable air. Fortunately, the air is just fine, thank you, although Burroughs makes nothing of this...surprising, given the pains he had taken in previous books to explain the breathable air on Mars itself. The invisibility-inducing hypnosis that the moon people use against Carter is a bit much to buy, but that's alright; it's all in good fun. But Burroughs' theory that a person who lands on this 7-mile-wide moon would be the same relative size that he would be on Mars--in other words, that he would shrink in proportion to the planetoid's mass; his so-called "compensatory adjustment of masses"--is, as Carter puts it, "preposterous," though, as it turns out, such is the case in the book. Like I said, it's all in good fun. And this book IS as fun as they get.
Oh...one other nice touch. As pointed out in the ERB List, a fine Burroughs Website, if you take the first letter of each first word of each chapter in this book, you will find a secret message that Burroughs incorporated for his new bride. A nice touch.
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This book is easy to read. If you can find it buy it. I only read Louis L'amour when it come to western's. But this guy is good.
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'Fighting Man' is the seventh book in ERB's Mars series and differs from most volumes in the series in that John Carter, gentleman of Virginia and Warlord of Barsoom (Mars) is only a peripheral figure.
The adventure is narrated in the first person by Hadron of Hastor, a warrior in the service of John Carter. Hadron's family is rich in honor but not in material possessions and when he falls in love with the wealthy Sanoma Tora, she snubs him. For months, the soldierly Hadron haunts the palace of Tor Hatan, Sanoma Tora's father, but his hope of winning her are vanishingly small until she is abducted one night by a mysterious flier.
The strange ship is armed with a weapon that disintegrates the metal of a pursuing flier, and the Warlord realizes that there is now a new weapon of mass destruction let loose upon the dying seas of Barsoom (it's hard not to adopt ERB's style after reading one of his books).
Hadron is promised Sanoma Tora's hand if he can rescue her. The Warlord dispatches the doughty warrior in search of his love, and asks him to keep an eye peeled for the new metal-disintegrator weapon.
Since this story was originally written to be serialized, there is a cliff-hanger at the end of every chapter. Hadron's flier is shot down by the terrible green warriors of Barsoom. He escapes and is trapped in a deserted tower by a man-eating white ape. He escapes, rescues a slave named Tavia from the green men and the two of them take to the air in Tavia's flier.
Unfortunately, they are forced to land in the demesne of a very paranoid tyrant. While Hadron is confined in the tyrant's Pit, he learns the secret of the invisible metal-disintegrating ray from a fellow prisoner.
Hadron, now under a sentence of death must escape to save both Sanoma Tora and all of Helium (John Carter's Barsoomian kingdom).
Our hero battles his way across the dead seas of Barsoom, evading or slaughtering cruel tyrants, mad scientists, formidably-tusked green warriors, etc. until the final reaches of chapter seventeen when he resolves all of the plot lines and finds his own true love (not who you might think).
'Fighting Man' has all of the color and breathless dash of its predecessors in ERB's Mars chronicles. It's okay to start your adventure on Barsoom with 'Fighting Man,' although I would strongly recommend beginning at the first volume, "A Princess of Mars." 'Fighting Man' can stand alone because ERB includes a long forward in which he describes the flora, fauna, principal races, and wars of Barsoom.
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"Tarzan of the Apes", the first of 23 Tarzan adventures by Edgar Rice Burroughs, is full of surprises. The Tarzan of this book is not the Johnny Weissmuller or Ron Ely that you might know. He is not raised by gorillas (as I had thought) but by mythical 'anthropoids', a sort of missing link between man and gorilla, with rudimentary speech and a social structure that includes ritual and dance. This is a science fiction tale, a sort of "Lost World" meets "Jungle Book". Tarzan befriends and converses with (and kills and eats) a variety of beasts.
There are aspects of the story that modern readers will find as hard to swallow as some of Tarzan's raw meat dinners. For example, this jungle is populated with lions, hyenas and elephants, creatures that in reality never go near rain forests. We are also asked to believe that Tarzan teaches himself to read and write from books that he finds.
Many modern readers will also find the racialism difficult to take. He boasts of being "Tarzan, killer of beasts and many black men". Coming on a village deep in the jungle, he immediately readies his bow and poisoned arrows. When his European companion admonishes him that it is wrong to kill humans, the hero protests "But these are black men". (Correct me if I am wrong, but I don't believe that scene was included in the Disney version). This is a 1914 American novel, with all the prejudices intact.
It's quite well written; Burroughs is very readable. The plotting is a strange mixture of ingenuity and clumsiness. There is a very clever device that involves Jane thinking there are two ape-men, one an admirer, the other her rescuer. But the plot also requires three separate mutinies, two of which just happen to involve cousins, to take place off the same remote African beach. This is beyond coincidence.
So is this genre classic still worth reading? I think so, for the same reason "Dracula" and "The Virginian" are still worth reading; this is the book that started it all.
The Weissmuller movies didn't get him right. The TV series haven't got him right. And the Disney movie CERTAINLY won't get him right. Burrough's original narration of the story of Tarzan is a mix of bloodthirsty savagery and unrestrained suspension of disbelief that few would attempt to capture these days.
The Tarzan series is unique among his author's body of work. Where the Barsoom, Pellucidar and Caspak series concern modern men travelling to exotic lands and falling in love with native women, this time around it is a modern woman who comes to the wilderness and steals the heart of the savage protagonist, who must now step up to her civilized ways.
The tale is laced with bloody scenes of man-against-man and man-against-beast rampage. The great apes among which Tarzan grows are a cannibal species, who eat the prisioners of raids against other simian clans. The king ape kills Tarzan's father in a moment where he is caught off guard, mourning the recent death of his wife. When Tarzan first encounters men (an African tribe), he hunts and kills one of them to steal his arrows (killing being the way of the jungle, since Tarzan knows nothing of human behavior). Also, these men turn out to be cannibals too. And when the white men finally arrive, they raid their village and kill almost every one in an attempt to rescue a captured comrade.
After growing wild among beasts, Tarzan (whose name menas White Skin) realizes that he is different from his ape family. And through a series of inventions of his own (like making a rope) and fortunate coincides (like the use of a found hunting knife), he steps up the evolutionary ladder by himself. The moment he learns to read and write from illustrated primers and a dictionary is among the most improbable in the whole book. But if we have kept up with it until now, allowing ourselves to accept that a human child can be raised by apes, then his ascension to superiority isn't that hard to embrace.
Tarzan turns out to be the primeveal lovesick nerd. After the first time he sees Jane Porter (the first white woman he ever casts his eyes on), his heart is all for her. He writes her a love letter, which smacks of the most pityful puppy love ("I want you. I am yours. You are mine... When you see this you will know that it is for you and that Tarzan of the Apes loves you"). Yet our hero is true and noble, and he holds the upper hand in his homeland. The girl can't do anything but be carried away by her primeveal pretender.
I recommend you get this edition I'm reviewing, the one by Penguin. Besides the introduction which gives a valuable background to the place of Tarzan among popular literature and some details on the life of Edgar Rice Burroughs, it contains a series of notes that signal where he took some liberties with his story's setting (like placing American plants in the African jungle).
The English is a little bit archaic, the characterization tends to cartoon and stereotype, but the story is powerful and nothing captures the beauty of the original like the original itself. Read Tarzan of the Apes, and meet again for the first time an archetypical hero of timeless charm.
Glenn
New Orleans