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I have recommended this writer to many friends and have bought the soft cover prints for several.
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This highly influential work has a very simple message: live like Christ. Presented in this book, it is a very strict message. Thomas takes a very strict interpretation of following Christ and the message is very much rooted in the idea of works. It is the actions that one must perform, and not so much the inner state (though he does stress that the inner state is important). This would be a difficult message to take or to give, but again, we must consider the audience: monks living in a monastery. They must live a harsher life and because of their vows, this devotional makes perfect sense.
This can be read as a historical document in Christianity or as a devotional. Either way, one can find great value and and some illumination of the words of Christ through this volume.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
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Tuchman obviously regards Stilwell as the hero of the tale. It's hard to come to any other conclusion about this deeply humble but brilliant, unwearying but always frustrated man. Yet she is quite fair in assessing the difficulties faced by Stilwell's close-to-home antagonist, Chiang Kai Shek. She is also not sparing in describing the courage, success and tactical genius of Claire Chennault, whose (clearly wrong-headed) conception of the War was opposed to that of Stilwell.
The story of America in China in WWII and its aftermath is so fascinating, so HUGELY important - and still so relatively little publicized - especially in relation to the affairs of MacArthur, Nimitz and Halsey in the Pacific or Eisenhower, Bradley and Patton in Europe.
I long for a movie that will show the fascinating struggle among Stilwell, Chiang, and Chennault in relation to the Japanese and Mao's Communists. It can be said that America's foreign policy in 1943-50 has far less immediate impact in post Cold War Europe today than in Japan, China, Burma, and Indonesia. America's two costly wars since WWII have been in Asia. This book gives a wonderful background to anyone interested in how did the existing state of affairs in China come to pass?
America was intimately involved - particularly two Americans - 1) Claire Lee Chennault, a maverick Cajun from Louisiana who resigned from the American Air Force in rage at their refusal to adopt his revolutionary views on fighters and bombing - and became the head of China's Air Force in 1937; 2) Joseph Stilwell, an upper middle class WASP from a family that went back to the early 1600s, who had been intimately involved with China since the 1920s.
It's just a great story, and it's unlikely you know much of it.
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Typically, Brady obsesses over the Willie Horton episode, even though he does dislodge the pervasive myth that Atwater was somehow the prime mover behind this over-hyped episode. Still, these pages would have worked better as a more detailed account of the strategy behind the '88 campaign. (That's why I bought the book -- not to read more re-hashing of the Horton claptrap.) After enjoyable and vivid accounts of Atwater's early South Carolina campaigns, Bad Boy starts to disappoint and doesn't shed much more light on the politics of the 1980s and beyond.
Atwater may be called the master of negative politics, but after watching the latest episode in Florida and recalling the impeachment ordeal, I doubt that this is what will distinguish him in the pantheon of political masterminds in years to come. Atwater's legacy will be that of a strategist who had a unique sense of what was really going on in his generation, and one of the first to recognize the current transformation of politics from a battle between left and right to contest between libertarian-minded thinkers who relish progress and freedom and traditional populists who want to control it.
Still, the book is well-crafted and does an excellent job of chronicling Atwater's life. It is especially admirable for revealing the truth about Atwater's alleged deathbed renunciation of hardball politics -- which never really happened. The real story is far more interesting.
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Conrad's works have, of course, been reviewed to exhaustion; the only thing that I could hope to add would be my emotional response to the novel as a reader.
Personally through the majority of the novel I found Heyst to be the only truly well defined character. Much of what we learn of him is revealed indirectly through the observations of others, but somehow Conrad manages to use this method to flesh out a complex and intriguing figure in Heyst. The remanding characters, while interesting, serve mostly as scenery. The villains Jones and Ricardo, while interesting, struck me not so much as human characters but as forces of impending doom; they could have as easily been an approaching storm or a plague or any other brand of natural disaster. The girl Lena in the end is the one exception; perhaps the one thing that I found most gratifying is the way in which her character developed as the novel neared its climax.
The Penguin Classics version is well footnoted for those of you (like me) that would have missed some of the more obscure Biblical references and allusions to Paradise Lost. The notes also comment on the narrator's shifting viewpoint, and on revisions Conrad made to subsequent editions. For those readers interested in an insight into Conrad's thinking I'd recommend this version.
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The book is mainly about two men named Lennie and George and their travels to reach their dream of building a great farm and "livin' off the fatta da lan." I like this book because just by reading it you know that John Steinbeck put his heart and soul into this book. If "Of Mice and Men" were a food I would describe it as rich and satisfying. The only thing I didn't like about the book is that especially in the beginning it would go away from the story and describe the landscape it in great detail. Don't get me wrong! I like detail but it took too long to get back to the story. Speaking of detail. When the detail in then book was focused on the story it gave it an amazing effect! The character development in this book was also very good. From main characters like George to main characters like Crooks, John always let the reader know lot about the character. Finally, the dialogue in the book is excellent. Everything is said right and right at the correct time. WOW! I would recommend this book to anyone who enjoys an enriching story but can handle a little tragedy.
This concludes my review of the book "Of Mice and Men" by John Steinbeck. For all of you who decide to read it... ENJOY!
The story of George Milton and Lennie Small - who was, in every sense of the word, a "brute" - develops fast up to its high climax, and its end hits you like a thunderstorm. They are a couple of illiterate men who travel together, going from ranch to ranch in the Salinas valley at the time of the Great Depression, and "buck barley" for a living. They have no home or family, but they have each other, and they have a dream, which is repeated as an omen throughout the story: to save enough money to buy their own ranch and "live on the fatta the land." George, with a small physique, has assumed the role of caretaker of Lennie, who is mentally retarded but naturally (or unnaturally?) strong. This trait of his had cost them their last job, but no matter what, they continued to stick together, true to their dream and their promise of honest friendship. Two days later after they arrive at their new place of work, the picture is totally changed and - in order not to give away the ending - I'll say so is the dream.
This is an excellently crafted novella, where every single character, event and word has been assigned a key role; and only a writer as talented as Steinbeck could have achieved it. It no only takes full manageability of the writing craft, but also an implicit trust on behalf of your readers in order to accept such a moralizing tale. Personally I like Steinbeck's omniscience, and anyone who knows about the context of his lifetime would understand why he thought a writer should always offer something for the betterment of mankind.
"Of Mice and Men" offers a perspective into us. It is a rite of passage from dreams to reality and back, an understanding of the true nature of friendship and the shattering reality of its breakage, where the pieces can no longer be picked up because they are no longer important. A novel that will make you want to hug the people you consider your friends.
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