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I bought a copy of this book years ago because I am a native Californian, and knew that there was some material in here about California in the early days (my copy is an old hardcover published by Grosset and Dunlap). As Twain states in his Prefatory: "...There is quite a good deal of information in this book. I regret this very much, but really it could not be helped." I enjoyed reading about the "old West" from an eye-witness, although most of it deals with Nevada, not California. While some of it sounded familiar, like something from any Western-genre movie, other things were like nothing I had ever heard of before, describing the "Wild West" from an original point of view. In that respect, this book is a great resource.
This book falls short of five stars due to some minor flaws. He often digresses with text that is not only marginal to the point, but not even written by him, reprinting someone else's text. I skipped over some of that. He would also spend pages detailing coversations between other people that he could not have possibly remembered verbatim. While I understand that it was a common writing style of his day, it sounds like bad jounalism today. Those complaints aside, this is some great writing by Twain and some valuable American history.
The story-telling is magnificent. Few writers can take the small things of daily life and make them breathe -- but Twain possessed that gift, and uses it well. How many others went West the same time he did, and never saw the gold dust, sunsets, and taverns the way he wrote them into our consciousness?
And yet, and yet... As much as I loved the stories he told, I see "Roughing It" as important in a different manner. Even when the truth is slightly embellished to make us, his readers (of whom he is always very much aware), laugh out loud, it still truly presents the era and place he put down in black and white. We can be so bombarded with romanticized movies about the gold rush and settlers heading West, that we lose sight of them as genuine people with the same faults and virtues we know in 2001.
But with Mark Twain's keen eye, our history -- our American history -- comes to life. And suddenly, we "get it", we comprehend that all that stuff we had to learn in high school was done by people, not daguerrotypes.
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Browning covered a lot of ideas, and all are written very intelligently. Reading through this book though, may cause you to scratch your head. If you read it, enjoy each selection rather than try to read straight through.
This is what I mean by the arrangement; I poem on the killing of a loved one (Porphyria's Lover) precedes the Pied Piper of Hamelin. The jump in ideas can slow you down a bit. The arrangement is logical in that the editors printed the poems in groups according to the collection they were originally published in. These collections, in turn, are arranged in chronological order. This is good because you can watch Browning's work as time progresses.
There are 42 poems in this selection. It does include the great ones (I will abbreviate titles) like Andrea del Sarto, Caliban upon Setebos, Karshish, Childe Roland, My Last Duchess, Fra Lippo Lippi, The Bishop Orders His Tomb, Johannes Agricola, and others.
I would recommend this book for reflecting on the occasional work of a great poet.
Dover Thrift Editions are surprisingly well-constructed - they'll outlast, say, your Oxford World Classics paperbacks - and the poetry is usually very well selected. Oh...and they're cheap!
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Some of the speculation I did not agree with such as EBB's father not wanting his children to marry because of possible African blood. The birth of Pen Browning should have eradicated that concern. We may never understand the strange, cruel elder Barrett and fortunately, Dared and Done doesn't hinge on the theory. I did want to know more about the conniving Sophia Eckley - her cause of death for example, since she played such a huge role in the Browning marriage. I was also curious about EBB's illness - oddly, we never do get a diagnosis - only her maintenance cure of morphine and ether.
Remarkably, EBB had the greater reputation as a poet during the Barrett-Browning marriage with Robert Browning for many years being considered the lesser poet. That can make for trouble in the most loving of marriages and re-witnessing the devotion these two gifted poets demonstrated repeatedly is both exceptional and inspiring.
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Browning is an excellent lyric poet (e.g. Meeting at Night/Parting at Daylight) but he was best known for his dramatic monologues. The recording emphasizes the monologues, which is good because I doubt I would have ever read them otherwise. The downside is that some of the monologues, especially those Browning wrote later in his career, seem to drag on, with the general idea of a "befuddled narrator attempting to sweet-talk a highly skeptical lover/policeman/critic" (hence 4 stars instead of 5). I expect I'll be listening mostly to the first of the two tapes. Incidentally "The Pied Piper of Hamelin" children's verse is included and is well done.
Most of the earlier poems appear in the Dover thrift edition of Browning's work (for a buck!). I find it easier to concentrate when I can read the poems while listening.
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The book is divided into decades of his life. Each chapter covers a new decade and the work he published in that time. There is also a chapter to provide context on his life, and another chapter on Browning's influence with modern poets.
Every poem or play is not covered. Gridley covers the major works and collections, although mentions many others. His primary aim is to show the reader/scholar how Brownings work was changing during his life. The author gives you commentary for nineteenth century critics and other writers of the time.
Although not a biography, there is some basic information on Brownings life. This is primarily to give some context to the poetry he was writing.
This is not a difficult read for the scholar. There will be lots of names mentioned (like Chesterton, Lyell, Tennyson) and occurences (like the repeal of the corporation acts) which would require some background to fully understand. It is not indepth, so if the reader has an encyclopedia handy, this will be no problem at all.
Gridley does go into some of the major works. I found his coverage of "The Ring and the Book" to be helpful.
I would recommend this book to others wanting to better understand one of the most influential poets from the nineteenth century.
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