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The book covers a panoply of styles, from "Country Luxe" to "New International" to "Mid-Century Modern" and beyond. The shabby warmth of English-inspired rooms is covered, as is the prissier French look--but as HOUSE & GARDEN so often does, there is almost always a visual wrench thrown into the works to get your attention and make you rethink your assumptions about a particular genre. Perfectly making the point is the photograph on p. 25, which shows an 18th-century settee decorously covered in a taupe damask, above which hangs what appears to be a piece of Spirograph art made with screamingly bright primary oil paints. The effect is jarring--but it works.
The thinking which goes into the decoration of these rooms is explored just as deeply as the looks themselves. Although photographs take up most of the room--as they should, since this is a case when a picture telling a thousand words is not only desirable, but necessary for instructing the reader--the text is informative and enlightening. The end result is that these profoundly individual rooms make their own cases, and what beautiful cases they make.
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