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order to take inventory of my personal life. Soon
I find myself forgetting about DVD players and software
applications and begin to focus upon bringing
my life much more in tune with the harmonics of
nature. Thoreau has the ability to cut through the
messages of nonstop consummerism and force the reader to
evaluate the cutural norms of greed and individualism.
Why is it so hard to accept that man is of this planet
and we must learn how to balance our species goals and
desires with those of the other species of life which
inhabit this biosphere?
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Part One: "Essay"; this is the section where most of the text is, and consists of these topics: Background, The Prairie Houses, The Space Within, Materials, Nature, The Flow of the Work, and Human Values.
Part Two is "Selected Buildings and Projects".
The final pages are devoted to a chronological biography and list of executed works.
Mr. Pfeiffer writes that "His eloquence in the manner in which he wrote and spoke of nature is surpassed only by the buildings he set on the earth" (pg. 28). The way his work is an integral part of its surroundings is pure genius. The photograph on page 118 of the famous Fallingwater House, with the waterfall seeming to come from the structure is a perfect example of this.
The architect is quoted as saying "Nature is all the body of God we will ever know" (pg.26), and his creations reflect this reverence for the landscape.
Part Two is profusely illustrated in black and white and color, with only explanatory text. As magnificent as these photographs are, what I find the most thrilling are the drawings. They are reproduced in color, many are yellowed, torn and with little adhesive tape marks, but are of astounding beauty, and a glimpse into the mind of this unique and brilliant man.
Mr. Pfeiffer became Frank Lloyd Wright's student in the Taliesin Fellowship, and is the director of the Frank Lloyd Wright Archives in Scottsdale, Arizona. This is one of numerous books he has written on Wright's life and work, and it is a fitting tribute to one of America's creative giants.
Aparently the Reader from California has copied this review on to several of Mr. Heinz's book pages. This review does not seem to be appropriate to this book. This can easily be determined by simply looking at the three wonderful photos of the Hollyhock house. None of them are upside down. None of the 100 photos are mis-identified. These are wonderful photographs and this may be the first of Mr. Heinz's 20 some books, all are delight to have and look through.
Mr. Heinz, we want more of your work, keep at it.
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