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I have to say that I enjoy the information I recieved from the book greater then the process of getting it.
Brooke clearly shows that Smith was immersed in the treasure-divining culture of his time and place, as well as Masonic knowledge, visionary experiences, and other elements of a popular Hermetic framework. Contrary to some reviewers, Brooke displays an amazing knowledge of Mormon doctrine, faithfully backing up his assertions with credible citations of standard LDS theological sources.
Brooke does not claim that LDS is an "occult" religion. What he claims is that American popular hermeticism fused with an apocalyptic interpretation and command of scripture created the early foundations of Mormonism. Contemporary LDS institutions like FARMS are, like many religions, concerned with erasing their origins to maintain legitimacy. But excommunicating scholars and misinterpreting solid pieces of scholarship (perhaps deliberately) will not stand the test of rigorous historical investigation. To those who would let FARMS decide what is legitimate LDS scholarship and what is not, hear this: Religious institutions, like political and social ones, have a vested interest in projecting a certain image. Currently, the Mormon church is trying insert itself into the mainstream of activist Protestantism. But teaching that God was once a man who walked the soil, that earth is (or will be) a level of heaven, and that angels are essentially "recycled" humans, is essentially a hermetic, historically occult doctrine-- and no amount of political whitewashing will change that. There is nothing disrespectful about the presence of occultism in Mormon history---Judaism, Islam, and Christianity all have absorbed heavy doses of hermetic and kabbalistic thought, and all have survived quite well.
Read this book. Read D. Michael Quinn as well. Read Bruce R. McConkie, Brian Copenhaver's "Hermetica," and the Gospel of John, and you will begin to be able to trace the religious development of Mormon ideas starting in antiquity.
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It covers lots of information in few words. The illustrations are quite helpful. Love it, and wouldn't do without it
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This book is an interesting variation on the basic detective story. It is quietly paced, more of a psychological puzzle than an action-oriented mystery. I think that is part of the point: This book is gently funny in the way it portrays macho men who dream of action with a capital "A".
As a female character, Inspector Aliette Nouvelle is engaging and believable. She is 35, single. She is doing well at her job. She is still looking for answers in her personal life. Her cat Piaf sits on the end of her bed as she sips a beer and reads alone at night. She uses the Billings Method of natural birth control to keep track of her body's rhythms which link her to the world. As a cop, Aliette has a way of "getting to" men, both colleagues and adversaries. (To say more would wreck the story.)
Inspector Nouvelle's assignment is to find a long-lost Public Enemy # 1. The story is set in an unnamed mid-sized city in present-day France. The author, who is from Canada, puts in enough authentic local color to let us feel the French environment - the Palace of Justice, shops in the dark, labyrinth-like streets of the Old City, the Vosges Mountains in the distance, a busy Rond-Point with a suave gendarme directing the daily flow of traffic.
My only problem was waiting for this story to become the usual kind of cop story. Once I accepted Aliette's way of doing it, I enjoyed it. The conclusion conveys some useful meaning in today's violence-prone world. I would be interested in reading another Inspector Aliette Nouvelle story from this writer.