Sandberg's study is remarkable. It does a meticulous analysis of the text, proving without question that the religious images and themes are not random or half-baked, but rather well-laid and systematic scheme on Broch's part (the book is worth reading alone for his scrutiny of Broch's own reading). It goes beyond this, however, to a broad and deep review of the secondary literature, most of which he (rightly) finds wanting in its understanding of this crucial element of the book.
If you read one Broch novel besides The Sleepwalkers, it should be Die Verzauberung; if you read one book about Die Verzauberung, it should be Glenn Sandberg's The Genealogy of the Massenfuehrer.
Used price: $48.75
Collectible price: $51.62
Used price: $6.98
Used price: $5.50
I mention the comparison to Robert Musil's masterpiece, "The Man Without Qualities" not only because it bears a relation to Broch's work but also because the respective authors seemed to have know of their connection. No less an authority that Elias Canetti - who knew both men - explains the animosity between the two thusly: Musil believed Broch to be an amateurish writer and was suspicious that Broch could claim to have "solved" the ideas presented in his works so quickly ("The Unknown Quantity" was written in six months while Musil's own opus went unfinished after a lifetime of work). Broch believed Musil a "king of a paper empire" whose life's work mirrored the chaotic unfathomability of the time. This writer's spat aside, I think that it illustrates Broch's conclusion, perhaps his "solution" to the Unknown Quantity.
Broch suggests that the missing element in the equation of Richard Hieck's life is simply love: "an awkward kiss released from all willing, released from Being, upborne by a wave of darkness." p.132 When Hieck accepts that there are no answers to be discerned from the infinity of stars above, when he allows himself to recognize the beauty that is next to him in the person of the devoted Ilse Nydhalm, when he understands that he cannot make himself desireless - only then is Richard Hieck saved from the world of pure knowledge. "[I]n the lonliness of the heart everything is absolute, in the heart there are no statistically approximate values, there the law is valid, and that is all that there is to say." p.176 The Unknown Quantity is elusive for Richard, but it is also his salvation.
I recommend this novel as a fine introduction to Hermann Broch, who is at his most accesible in this, his fourth work (published in 1933). It presents many of the same themes which dominate Broch's works, from his "Sleepwalkers" trilogy down to "The Guiltless." A challenging writer and a satisfying read.
List price: $19.95 (that's 30% off!)
Used price: $13.87
Buy one from zShops for: $13.09
This novel is, then, a reflection on the social environment that led to Nazism. Broch is a dense but good writer, and I think this novel is recommended to any serious lovers of literature, but also for those interested in observing a recreation and a meditation on Germany in those three crucial decades for the world.
Used price: $5.95
Collectible price: $14.50
Buy one from zShops for: $7.94
Since a subsequent reviewer has mentioned Broch's "political activities", perhaps it is relevant here to quote something his son (H.F. Broch de Rothermann) told me: "There are many persons who could have done for the United Nations what my father did, but there is no one who can write the novels which for that reason [i.e., because Broch spent his time and energy on the UN instead of writing...] went unwritten."
''The Sleepwalkers'' is a thesis novel with a vengeance. According to Broch, sleepwalkers are people living between vanishing and emerging ethical systems, just as the somnambulist exists in a state between sleeping and walking. The trilogy portrays three representative cases of ''loneliness of the I'' stemming from the collapse of any sustaining system of values. ''The Romantic,'' a subtle parody of 19th-century realism, takes place in Berlin in 1888 and focuses on the Purssian landed gentry. Joachim von Pasenow is a romantic because he clings desperately to values that others regard as outmoded, and this ''emotional lethargy'' lends his personality a certain quaint courtliness but renders him unfit to deal with situations that do not fit into his narrow Junker code, such as his love affiar with a passionate lower-class young woman. ''The Anarchist'' moves west to Cologne and Mannheim in 1903 and shifts to the urban working class. The accountant August Esch, who lives by the motto ''business is business,'' seeks an escape into eroticism when he realizes that double-entry bookkeeping cannot balance the ethical debits and credits in the turbulent society of prewar Germany.
A plot summary does justice neither to the narrative power of ''The Sleepwalkers'' nor to its experimental origniality. Hoping to achieve what he called ''polyhistorical totality,'' Broch included, after the manner of Dos Passos, a number of parallel plots involving characters who exemplify the theme of existential loneliness - the esthete Eduard von Bertrand, a shadowy figure on whom the others project their hopes and fears; the shellshocked sholdier Godicke, who must reassemble his personality in The veterans' hosptial; the architect Jaretzki, who loses an arm in the war and with it, symbolically, his sense of proporation; the alienated young wife Hannah Wendling; the orphan Marguerite; and others. And the three parts are unified through a complex set of images involving uniforms (security) and the Statue of Liberty (freedom), a small reproduction of which Esch dreams over.
BUT multiplicity of narratives was not enough for Broch. He wanted to demonstrate that rationalism and irrationalism are also among the fragments that litter the psychic landscape when ethical unity falls apart. To represent these poles, he incorporated into the lengthy third part 16 chapters that sometimes rise to pure lyric poetry and 10 chapters of an essay titled ''Disintegration of Values.'' While the essay expounds the philosophical theory underlying the novel, the ''ballad'' tells a story seemingly unrelated to them main narrative - the love of a Salvation Army girl in Berlin and the Jew Nuchem is doomed by irreconcilable differences in religion. We come to realize that the narrator of the ballad, Dr. Bertrand Muller, is also the author of ''Disintegration of Values.'' Since the essay embraces the various plots, he is by extension the author of the entire novel. Through this series of encapsulations, Broch sought to create an ''absolute'' novel that, as in Einstein's theory of relativity, contained its own observer within the filed of observation.
This is a classic that enlarged the scope of 20th-century fiction by focusing with unparalleled precision on the profound transformation of values that produced the modern consciousness...
The book is about Virgil's infamous deathbed request that his magnum opus, The "Aeneid," be burned because it was imperfect. Most of the book is told in a dazzling but recondite stream-of-consciousness mode, but the best section is Virgil's deathbed discussion with Caesar Augustus.
Broch invokes 20th century ideals such as the "authenticity" of art as a mirror to the natural world. We also encounter the dilemma of works of art that are incomplete & not polished completely. Aristotle said that in a perfect art work, every word contributes to the organic whole. Arbitrarily remove or add one word, says Aristotle, and the whole work comes crumbling down. Virgil uses this motif as his justification for wishing his beloved poem burned. Juxtaposed with this paradigm are the pleadings of Augustus that it is Virgil's duty as a Roman citizen to let his poem be read by all the world. After all, the literary excursion was to be Rome's national epic. The scene is, unmistakably, magnificent.
A considerable amount of background reading is required before attempting to take on this work. At a bare minimum, read the entire canon of Virgil, especially the "Aeneid." A workable familiarity of Roman history up until and including Augustus is necessary and a biography of Virgil (I would recommend Peter Levi's) would also be helpful. I am a fairly well-read guy, but some of the allusions went over my head.
The stream-of-consciousness style is interesting, but can make the book rather dense. Many of the sentences go on for pages and pages. The book attempts to capture the free-thought attributes of the machinery of Virgil's mind. An engrossing work of prose.