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Her Privates We is not a story of war so much as it is the story of men involved in that war--it is only in the final chapters that any real battle scenes take place. For the majority of the book, we are treated to an account of the life of Private Bourne (Manning himself in a literary disguise) during the five months of the Battle of the Somme (July-November, 1916), one of the most tragic and deadliest battles of World War One. To really explain the plot would be to give away the true experience of reading the book, but I guarantee, there is no account of World War One that can be compared to this work. It is unique and as relevant today as it was in 1929.
There is no attempt at hero-worship or empty patriotism in Manning's work. He telling the story of a group of men trapped in a world for which they were never prepared, and their humanity shines through it all. Their language is coarse, their opinions of the war, women, their fellow soldiers differ, but ultimately, they are all in the same Hell and are bonded together in a desperate hope of survival. Manning's is one of the few War works that does not follow the Victorian pattern for novels (hence why it is seldom mentioned in reviews of war literature). He is not trying to help his readers escape, but rather forcing them to face the reality they had created.
It is clear, even in his prose, that Manning was a skilled poet. Throughout the novel, there are flashes of beauty in the writing itself:
"She knew nothing of their subterranean, furtive, twilight life, the limbo through which, with their obliterated humanity, they moved as so many unhoused ghosts, or the aching hunger in those hands that reached, groping tentatively out of their emptiness, to seek some hope or stay."
As well as humor. After a paticularily confused conversation with a French woman with whom they have been billeted, Bourne's superior complains to him:
"I wish to God I knew a bit o' French" said the corporal earnestly.
"I wish to God you wouldn't mix the little you do know with Hindustanti," said Bourne.
The incredible humanity in this book has seldom been paralleled, even in modern literature. Manning's genuis has been overlooked for too long and it is time that his masterpiece was rediscovered to teach a new generation what war is really like.
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I also loved Hardly Ever, as a frustrated initiation to sex for a teenager. His initiation is purely superficial, unable that he is to go through it, in spite of a real possibility he goes to sleep on (he goes to sleep, with a girl, when that girl is ready for more), but it is always compensated verbally by some bragging about with his school pals.
Gifts is even stranger. The young student is unable to get through his initiation and has to satisfy himself with some gifts. Everyone of his conquests presents him with personal or confidential elements. His poverty, caused by some postal strike, makes this experience even funnier, funny-strange, because the poorer he gets, the more private gifts he receives.
Boyd is a strange writer about frustrated, and even twisted, initiation for teenagers. Fascinating how they can live on this frustration that becomes their everyday food, or even fodder, the brain being more or less negated.
Dr Jacques COULARDEAU
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But it doesn't provide much context for what they did. Very little about how their actions worked with what was happening between the armies in North Africa and why what they did helped so much.
So if you want to know what life was like in the LRDG, this book is good (not great). If you want to know why what they did mattered - there's not much here.
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This is the second William Boyd novel I've read, the first being Brazzaville Beach. Although both novels involve Africa, they are quite different (Brazzaville Beach is a story about modern sub-Sahara Africa). Sadly for me, I had lofty expectations of An Ice-Cream War since I thought Brazzaville Beach was one of the best novels I've ever read. So I was in a sense disappointed with An Ice-Cream War even though it is a perfectly competent and interesting story.
Bottom line: historical fiction on par with the best works from Michener and Uris. However it doesn't quite reach the levels of literary excellence of Boyd's Brazzaville Beach.
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Fans of Fitzgerald and Evelyn Waugh may enjoy The Blue Afternoon, which has the same sort of sweeping temporal background as Gatsby or Brideshead.
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The story centers around the Last family, principally Tony and his wife Brenda. All the elements of the demise of a marriage are contained in this masterpiece - a stodgy husband, a cheating wife, and a tragic death. Beware ladies because the females in the novel are on a whole as weak and superficial a group as ever encountered. Waugh at the time of its writing was reportedly recovering from a failed romance and no doubt was influenced by a jilting fiance. Brenda Last,in particular, is a character you will love to dislike. Brenda's infatuation with the 'neer do well' mama's boy, John Beaver, stretches the reader's imagination.
Both conclusions are appropiate and you will be staisfied with either.
Tony Last, an aristocrat who devotes himself to the upkeep of his expensive ancestral home is blind to the infidelities of his wife Brenda, who parties in London with her sycophantic lover. There's a whole cast of vapid characters, each exquisitely developed with revealing detail. When tragedy strikes it's like a piece of chalk scraped upon a blackboard, and as the story continues to unfold, and Tony travels to the jungles of Brazil, the plot swerves into a painful absurdity. It's all one big farce and yet there is no comic relief. And by the end of the book, only sadness prevails.
I must give this book a high ranking however because of Mr. Waugh's skill and his uncanny ability to uncover some painful human truths that I'd rather not see. I can therefore only recommend it to students of human nature who are willing to be tormented in the same way the author torments his characters. Just be forewarned.
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I stuck it out because the plot does move along eventually and some of the characters are sufficiently kooky to be interesting, but I was mildly offended by the constant hammering away at the stereotypes, all of which have been utterly exhausted by standup comics, the movies, TV, etc etc ad nauseam. Reader, beware!
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Bottom line: I was very pleased that I read Armadillo. A fine book by a fine author.
Not to long after that, an over-insured hotel burns down and his boss wants Lorimer to investigate. Frauds and scams seems to be the message of the day. However, life subsequently turns truly rotten for Lorimer. His car is vandalized and his father abruptly drops dead. Before he can even begin to mourn, he is fired. What's a man to do, when you suffer from a sleep disorder? Hopefully you get a dream-laden, good night's sleep.
If ARMADILLO sounds weird and a bit off centered, don't lose any sleep because that is what the novel is all about. In the capable hands of William Boyd that strangeness works, providing the reader with an ironic but extra dark look into London whose pendulum fails to swing back and forth. Lorimer is a wonderful character, whose world is falling apart in spite of his efforts to simply fit in with his peers. Readers who enjoy a dark intrigue need to try Mr. Boyd's latest novel because it is a winner.
Harriet Klausner