This is without a doubt the best and most definitive work on the former SS anti partisans who were recruited for the French Foriegn Legion after WW2. [Some people claim] this book is fiction, it is not. the Devils Brigade was real, and was the most effective combat unit that the French government had deployed in what was then known as "French Indo China". This is a work reportedly derived from the memoirs of one " Hans Wagemuller"( not his real name)and details the "Devils Guard" in action in Cochin China against the Viet Minh, in the years before Dien Bien Phu. The combat action is real and clearly presented. The main characters come alive on the pages of this incredibly exciting and absorbing book. This should be a must read for every NCO who will lead troops in ground combat or small unit actions. Every teacher of military history should read this book about the combat experiences of a field unit that was combat effective in a part of the world that would eventually embroil the United States and its allies. claiming an excess of 58,382 American lives. One of my friends and mentors was Henry Thibedoux( Henry Africa)during my tour(s)of duty at the Presidio of San Francisco. He was a well known and colorful figure. a retired 2REP from the the Legion, he owned two popular bars in the Van Ness area of San Francisco. Henry knew some of these Legionaires, and confirmed the validity of the basics this story. A must Book, along with the sequels if you can find them!
mine are under glass!
Viva La Legion!

This book was recommended to me by a friend who was finishing up film school. This is the first-hand account of an experienced combat officer who lead an all-German battalion of the renowned French Foreign Legion. The details and descriptions are blunt, but nevertheless necessary in conveying the harsh realities of fighting an unconventional war against communist guerrillas. Hans Wagemuller is the alias for the book's main character and story teller. This is done to protect his identity and those of his comrades. Wagemuller was a former SS officer who fought on the Eastern Front. Before the reader of this review balks at reading this, bear in mind that Wagemuller describes himself and his colleagues as fiercely anti-communist, rather than haters of Jews and Catholics. He was not one of the members of the SS who guarded camps and exterminated defenseless civilians, but what is referred to as a kopfjaegar - a headhunter - one who hunts terrorists and unconventional combatants. Wagemuller offered his insights and experience to the U.S. military, but never received a reply. Ironically, Wagemuller simpathizes with the draft dodgers because of the way the U.S. prosecuted the war. This book, I believe, is better suited to the person who has an interest in Vietnam, and who believes that the war could have been won had it been prosecuted differently.

Having first read this book while on active service I found the story truly amazing from the units last action against the Red Army to the hand to hand struggles with the Viet Minh in French Indochina.This story tells of how former German SS Partsian hunters used skills learned fighting in Russia during WW2 against Russian guerrillas to fight an equally determained enemy on instead of the Steppes of Russia it was the jungles of VietNam.Many of my friends have read this book and are eqully amazed as I was.The book having been read soo much is now falling apart being held together by tape.This is one of the best books on warfare I have read and Iam trying to get the others written by the same author

A touching story that brings me away from the modern world and into the magical land of the wolves... every time I read it! Once I start reading this book, or either of the previous books in this series, I forget everything around me. I feel like I've become a wolf.

This book about Julie's famed wolf pack really caught my eye in the bookstore. I had recently read Julie of the Wolves and was about to buy the sequel, Julie when the final episode in the trilogy caught me. I decided to buy both Julie and Julie's Wolf Pack. This proved an excellent choice. I loved reading about the wolf pack's struggle to survive against disease, hunger, and cold. In the end, I was almost in tears. It is a wonderful book worth reading, full of beautiful descriptions of a wolf's hard life.

Julie's Wolf Pack was a extermly good book. I happen to be a Jean Craighead George a this has to be one of her best works. I enjoyed the moments that happen from the wolves point of view. I liked the additions and subtractions of the wolves in the pack. Jean, if you read this, write another book like this!

*Murder Boogies with Elvis* is the eighth and final book in the Southern Sisters mystery series by Anne George. As with the previous seven novels, I loved every minute spent with Mary Alice and Patricia Anne and their families. If you haven't read these yet, definitely try the first novel, *Murder on a Girls' Night Out.*

In *Elvis*, Mary Alice is planning her fourth marriage (widowed three times) to Sheriff Virgil Stukey and Patricia Anne is continuing to enjoy her retirement and planning the return of her pregnant daughter, Haley, and her husband Phillip from Russia. When Stukey and Mary Alice invite Patricia and her husband to a night of fundraising to renovate everyone's favorite semi-attired statue, Vulcan, the Rockette-like Elvis impersonator routine ends in one less Elvis. Unfortunately, the murder weapon is found in Patricia Anne's purse days later, and once again, the two sisters jump into the investigation, hoping to find the murderer in time for Mary Alice's wedding.

What an enjoyable end to the Southern Sister series. We will mourn the loss of Anne George and enjoy the entire series for years to come.

I am a huge fan of Anne Carroll George. I love all of her books. "Murder Boogies with Elvis" is a wonderful continuation of her previous books. Her books are one continuing story of Patricia Anne, Mary Alice, Fred, Woofer - I could name them all but anyone who has read any of her books knows all of the characters by name, too. Unfortunately, the story is ending with this book. I am so sad that this is the last book. I want to "watch" Debbie's twin girls and Brother grow; I want to know about the birth of Joanna, Haley's baby; I want to know if Haley will let Patricia Anne keep Muffin when she and Philip return from Warsaw; I want to know about the next murder that Patricia Anne and Mary Alice will investigate. There are so many quirky characters whose lives make her books so interesting. It is very sad that Ms. George's life was cut short. I miss her, but at least we have the few books she wrote to keep us company.

This book is a must read for all fans of Ms. George. Her writing from one book to the next is so consistent - she never skips anything from one book to the next.

As always, I looked forward to the next installment of the Southern Sisters mysteries. When I discovered that Mrs. George had recently passed away, I broke down and sobbed. I felt it was not only the loss of a great talent, but the loss of a friend as well. After reading her first book, I had written her a fan letter because I, too, had an Aunt Sister. She not only graciously answered my letter, but sent me her home address so it wouldn't take so long for my letters to reach her through the book company and later sent me her e-mail address. We corresponded after each book and when my dog passed away, she wrote me a letter that I will always treasure. All of her books are wonderful and this one doesn't disappoint. Patricia Ann and Mary Alice are up to it again trying to solve the murder of an Elvis impersonator. If you have never read any of her books, start with the first one and read them all. I plan to read them all again. Thank you, Mrs. George. You will be missed.

Martin Goldsmith, a senior commentator for National Public Radio, paints a vivid and poignant story about his own mother and father in "The Inextinguishable Symphony." Goldsmith's parents, both German Jewish musicians, were forced to work in one of Germany's Judische Kulturbunds, which were really little more than forced Nazi propaganda. By creating the Kulturbunds, which only Jews could join and attend, the Nazis hoped to cover up their inhumane treatment of this ethnic group.

Both of Martin Goldsmith's parents were talented, highly trained musicians. His father, Gunther Goldschmidt, was the son of Alex Goldschmidt, a prosperous clothing store owner in Oldenburg, Germany and a World War I veteran. Gunther, a budding flutist, was eventually forced to leave music school simply because he was a Jew.

Goldsmith's mother, Rosemarie, was a violinist who had been trained by her own father, the director and owner of the Gumpert Conservatory of Music in Dusseldorf, Germany. Both Gunther and Rosemarie considered themselves Germans first and Jews second, and both were happy to be accepted into the Kulturbund...at first.

On 9. November 1938, the eve of the horrible "Kristallnacht," the Jewish community in Germany was forced to take another look at their comfortable Kulturbunds, for it is on that date that the Nazis chose to burn synagogues and Jewish places of business. When Alex Goldschmidt marched down the streets of Oldenburg with other young Jewish men in protest, he was rapidly taken to prison. The Nazis, however, attempted to "smooth things over" by telling the Jews they were only "protecting" them from other, angry German citizens.

In 1941, when the Nazis closed the Kulturbunds, Gunther and Rosemarie escaped to freedom in New York City. Other patrons and musicians, however, did not make it to safety. As a memorial plaque at one Kulterbund reads, "Almost all of those who worked here were murdered in concentration camps."

The Goldschmidts, now the Goldsmiths, eventually settled in Ohio where Martin Goldsmith was born in 1952. Although his father gave up music forever, his mother later became a member of the Cleveland Orchestra.

"The Inextinguishable Symphony" is a book about Nazi Germany that gives us another view of the era and of the Holocaust. Rather than focusing on the camps as excellent authors such as Elie Wiesel and Primo Levi have done, Goldsmith focuses on the plight of Jews who managed to remain out of the camps, yet lived very restricted lives.

This book is a fascinating account and one that is extremely well-written. I would recommend it highly to anyone who is interested in this period in world history.

This Martin Goldsmith is a multitalented guy . I knew his voice as the host of NPR's Performance Today, and this memoir of his (Jewish) parents' struggles and love in Hitler's Germany shows where he got his classical music genes. It must have taken a lot of courage to write this book -- Goldsmith explains how the Nazi terror was a taboo subject growing up , so we readers are fortunate that he had the courage to tell this beautiful story, and to tell it in such a modest, uncluttered, and elegant way . The chapter about the abortive attempt at escape on the St. Louis is a real cliff-hanger, and his account of the forced march of the jews, including the authors father and uncle, is chilling. Don't miss this one.

National Public Radio listeners have known Martin Goldsmith for years as the friendly, reassuring voice of "Performance Today." Encyclopedically knowledgeable about classical (and rock) music, Goldsmith has a relaxed and comfortable on-air style that helps to make classical music more accessible to broad audiences. That same style is found in "The Inextinguishable Symphony," helping to make another complex subject - the Holocaust - more accessible to audiences both familiar and unfamiliar with it.

But this isn't just "another book about the Holocaust." Nor is it about tragically anonymous victims. It is instead about Goldsmith's parents - Gunther, a flutist, and Rosemarie, a violist - who meet and charmingly fall in love in Nazi Germany in the '30s, as well as about Grandfather Alex and Uncle Helmut and other family members and friends, each of whom Goldsmith makes real and sympathetic through his rich, exquisitely detailed, and heartbreakingly honest narrative. These are people that the reader comes to care about deeply, and we celebrate - and in some cases grieve - their fates. Goldsmith is a helluva storyteller.

But the book is also not just a love story (Gunther literally does risk his life for his young sweetheart) or merely an author's purely personal journey in search of his own roots. Through the vehicle of his remarkable parents' own individual stories, Goldsmith explores the only-dimly known, but fascinating, story of the Judische Kulturbund - the Jewish Culture Association - to which Jewish musicians, actors, and others were artistically exiled in Nazi Germany. Goldsmith reveals much about this controversial and complicated organization which, although the only source of culture for German Jews, knowingly served the Nazis' propaganda purposes. The reader marvels at how much the "Kubu" was able to accomplish under such hateful conditions, but is also forced to ask, "What would I have done in these circumstances? Would I have risked my life just to make music?"

This is a troubling, but ultimately triumphant, book about real people trying to live their lives, their love, and their music in unthinkable times. I highly recommend it to anyone interested in music, in the Holocaust, in cultural history, or simply in a good love story well told. Bravo, Gunther and Rosemarie and Martin Goldsmith!

I'm a big fan of the Hacking Exposed style of writing. All offensive theory is backed up by command line examples, followed by defensive countermeasures. Hacking Exposed: Linux, 2nd Ed (HE:L2E) follows this tradition, updating the content of the first edition and adding 200 pages of new content. Although I reviewed the first edition in Sep 01, reading the second edition reminded me of the challenges posed by securely configuring and deploying Linux systems.

The best way to learn while reading HE:L2E is to try the sample commands. I also recommend visiting the links mentioned and installing many of the tools described by the authors. I found programs like raccess, nsat (ch. 3), sslsniff (ch. 7), nstx, and httptunnel (ch. 15) particularly interesting from an attacker's point of view. From a system administration standpoint, coverage of passlogd (ch. 2), lilo and grub (ch. 5), and X (ch. 6) were very helpful.

The authors share many novel ways to abuse Linux systems, but counter those exploits with little-known features or third-party tools. I never knew I could use bash's HISTCONTROL feature to selectively remove entries from shell history files. HE:L2E goes the extra mile to help secure your system, such as including sample C code in ch. 13 to allow one to compile TCP Wrappers support into one's own programs. Other clear, concise defensive measures were introduced in excellent chapters on keeping the kernel and packages current (appendix B) and pro-active security measures (ch. 2). The last appendix gives a short yet powerful description of the damage an intruder can perform, showing how he hid unauthorized programs and how those programs were discovered.

If you use Linux, you'll find HE:L2E indispensable. I even applied many of the tools and techniques to my FreeBSD system, showing that that good security advice can be a cross-platform endeavor.

My partner told me that I was to buy no computer books until after christmas because I'd be getting some under the tree. Well, we opened presents on the 24th this year, and I've been unable to put this book down since I opened it.

This book takes a very good look at all aspects of computer security from the Linux perspective. I was able to get several of the "Proactive Security" stuff from chapter 2 installed on my machine this afternoon, and was shocked to see how much my machine (we're on a cable modem) was being probed from all over. Looking at some of the traffic using the sniffers they describe, I could see some wierd stuff coming *FROM* my computer that wasn't caused by me.

I haven't gotten far in the book yet, but I've pulled it off the Internet until I have a chance to read the rest and can get these hackers off my machine. I've jumped up to part 3 of the book, where they have three whole chapters about what the bad guys do once they get on, and I've plugged five holes already. I have no idea how long I've been hacked, but by the time I'm done reading this book and using what they say, I can feel safe that I won't be such an easy target.

I am very new to Linux. I've got a lot of windows experience and an MCSE, but recently my job has included a few Linux machines when other guys were downsized. Our Linux machines are the ones on the Internet, so security is relly important. I picked this book up after looking at four or five, and am really happy with my choice.The solutions they provide are clear enough that even a guy like me who is intimidated by Bash can make them all work. The desciptions of the attacks are very complete, and I learned a lot of network attacks that would affect windows machines, but were never explained in my MCSE training -- probably because only Linux has ways to defeat them.This book taught me a lot of Linux tips along the way too. I even followed along and have compiled a Linux kernel from scratch -- something I never expected to get from a security book in such easy to follow instructions.I recommend this book to any Linux user, new or experienced.

This book is phenomenal! The information never ends! It details the opera house in Paris where this who story was supposed to take place. There is alot of information on the early movie forms of the story, including those who acted in them, as well as Gaston Leroux's book form. The bulk of the book is about Andrew Lloyd Webber though. There are so many pictures and stories about each of the characters, and the important peopel behind the scenes of the stage! This is a wonderful book whom anyone, Phantom fan or not is sure to enjoy!

This book ROCKS!!! It is the closest you can get to the behind-the-scenes of Phantom. I got mine on an Amazon Auction(by the way, check out those auctions sometimes, they can be useful). It has the complete libretto at the back and amazingly sharp, clear pictures( they are so sharp you can even see the actors veins in their hands!).
This book has the history of the Paris Opera, then it goes on to tell how Gaston Leroux came up with Phantom, then the film versions of Phantom, then, of course, the Lloyd Webber version.
This book is perfect for the true Phantom Phan!

As a hardcore Phantom fan, I am always looking for more information on the play. I came across this amazing book in the public library in my town and was amazed at the detail. There was so much that I didn't already know, and I knew a lot. I wanted to keep on renewing the book and never give it back but a good friend of mine, who is also very adamant about Phantom, went searching for this book that I wouldn't shut up about and bought me a copy. I love it. It includes info on the opera house, Gaston Leroux(the author of the novel on which Andrew Lloyd Webber's play is based), the story behind the novel, Lon Chaney's film, other versions of the film and other plays, Andrew Lloyd Webber's version, and the Libretto. This is the most complete and well written book on the play I've come across. George Perry reveals the intricacies of the production from make-up to costumes to set to everything. I consider this a valuable part of my Phantom collection and I highly recommend it to anyone who likes this play or theater in general. It rocks!

It's a rare thing indeed to discover a movie adaptation is actually better than the book that inspired it, but here it is: Paul Brickhill's THE GREAT ESCAPE is a great plot with no characters to speak of.

Brickhill gives a firsthand account of the escape of 76 men from Sagan, a German prisoner-of-war camp, during World War II. Through tireless efforts and disheartening setbacks, the men managed to dig a lengthy tunnel 30 feet down into the earth, and 300 feet towards possible freedom. The plan, which originally called for three such tunnels, was the single largest escape in WWII history, and the efforts, patience, and bravery of the men secures their escape as one of the most noble efforts of man.

What a pity, then, that THE GREAT ESCAPE is a fairly badly written first-hand narrative, related with all the style of a person making a grocery list. Brickhill has provided the bones of an amazing story, but he neglected to provide any meat along with them.

The story couldn't help but lend itself to a fascinating read. The actions of these men could never be anything less than remarkable. But all Brickhill does is tell the story. He doesn't add any true characterization to the hundreds of people who pop in and out, resulting in a lack of empathy for these men. The reader is left wanting to know more, but is frustratingly denied the opportunity. Even the leader, Roger Bushell, is a cipher, easily interchangeable with any other character.

It is easy to see why this story makes such fertile ground for a movie. The plot is astonishing, and the complete absence of any true personality leaves the filmmakers free to make up any character they want. Roger Bushell didn't escape from Sagan, Richard Attenborough did. So did Steve McQueen and Charles Bronson.

I don't want to seem as if I am making light of the situation. THE GREAT ESCAPE was a shining example of what humanity can achieve under the most strenuous circumstances. But Brickhill doesn't provide us with any reason to care. The story unfolds with all the excitement and tension of someone telling of their day at work. Simplicity in storytelling can be a fine thing, but not where the story demands so much more.

220 Allied POWs would have been swarming all over the Third Reich before the Germans realized they were missing. Unfortunately, only 76 managed to escape through a tunnel under Stalag Luft III that had taken a year to dig. Of those 76, only 3 managed to make their way back to Britain. Twelve found themselves back in Stalag Luft II in a matter of days. Eight wound up in concentration camps. The remaining 50 were shot by the Gestapo, on orders from Hitler himself. Among the 50 was South African-born RAF Squadron Leader Roger Bushell, a.k.a. "Big X", the originator of the escape plan. The Great Escape is an incredible read. While the book is narrated from third person omniscience, its author was anything but detatched from the story. Paul Brickhill mentions his own role in the escape only very briefly in the foreword to the work. A key element of the escape plan, as Brickhill recounts in great detail, was the forging of official papers required for freedom of movement across the Reich. Brickhill led the gang of "stooges" that warned the forgers when camp guards approached. He found himself barred from participating in the actual escape when Big X learned of his acute claustrophobia. That fear may well have saved his life. After the war, Brickhill interviewed several of his other fellow survivors to assemble the grand narrative. The result is a riveting tale that ranks among the greatest war stories ever written, fact or fiction. You've seen the movie. Now read the book!

Paul Brickhill, based on his actual experiences in a prison camp and using characters based on real life POW's, takes the reader behind the wire at a World War II prison camp. These men were trapped, unable to fight for their country in battle, so they found a way to do the next best thing. Led by Roger Bushell, they formed the X organization, a group of the most intelligent and resourceful prisoners from the British and American air forces. Using only their wits and the few materials available, they devised and executed a plan to tunnel under the fences and escape into Nazi Germany. Unfortunately this led to fifty of the escapees being shot by the Gestapo, but Brickhill does credit to their memory with this book. Using a light writing style, humorous anecdotes, and fascinating descriptions, Brickhill has created an entirely readable adventure with charismatic protagonists who gain the readers respect and sympathy from page one.

I was saddened when I finished Connell's work -- saddened because I didn't want it to be over. I wanted to read it forever. Connell's book is an absolutely fabulous read! I liken it to sitting around a campfire and listening to him tell marvelous stories surrounding the players, both white (and black), and native American. He even holds your interest while tracing the path of a pocket watch taken in the battle. Connell gives a very good account of Custer, Reno, Benteen, Gall, Sitting Bull, Crazy Horse, Rain-in-the-Face, and virtually every player in that conflict. When Connell flitters about going from one theme to another, it is fun to follow him. I cannot recommend this book too highly. Read it over and over again!!!

This book, in my opinion, is a superb introduction into the world of Custeriana and other characters and invents in U.S. history of that time.

What makes this book unique in it's portayal of the General and the events surrounding the famous last battle is that Evan S.Connell, who is primarily I believe a novellist, approached this topic with absolutely no agenda of his own on the subject.

Whilst this may not satisfy many historians it makes for great reading!! Making this a book ideal for somebody new to the subject wanting to learn more or the learned reader who just wants to be entertained and not swamped with complex time theories or arguments over the size of the village etc. There are plenty of books on the market that do this much better but not all are always as enjoyable.

Connell just reports on various different accounts in an easy going prose without really putting his own slant on the proceedings. He simply just writes about Custer, Benteen, Crazy Horse et all, giving examples of both the good, the bad and the downright ugly in all of them.

It is left to the reader to make up his mind on the events and actions of those who took part in them. Too many historians come to this powerful and contreversial subject with their own ideas on what happened, be it pro or anti-Custer, and this has a tendancy to sometimes, neccessitate a need to distort or bend the facts accordingly.

Refreshingly you come away from this book wanting to know more about the protaganists involved but without having a biased opinion on them. The General himself comes over in a fairly good light considering at the time of publication his character was probably at it's nadir.However Connell also shows up the darker side of the man that made him the paradoxical figure he was and why he remains so fascinating even after all this time.

Indeed what the book clearly shows is that what makes this such an enduring legend in America's history is that arguably it's most famous, or notorious, soldier left his mark not by a glourious victory but rather(as it was thought of at the time)a fairly ignominious defeat.What Connell does do is also give the credit where it's due to the Sioux and Cheyenne tribes at the Little Big Horn who actually won the battle that day, which tends to get forgotten in a lot of literature ammassed on this subject.

This was the first serious book that I bought on George Armstrong Custer and back in 1984(which I think was the year I got it) living in the United Kingdom there wasn't many books around at that time specifically on this subject. I found it an excellent starting point to begin further and more in depth reading on the General and his last battle.It may seem an odd subject for a Yorkshireman to show an interset in(I think it might be Errol Flynn's fault!!)but this book certainly kick-started a long lasting interst in Custer and that particular area of American history.

I have read many books about Custer, Little Big Horn and the plains indian wars, but this one is truly the very best of the lot. Connell has given us an exellent biography of Custer, but we also get to know such men as Major Reno and Captain Benteen. Indians such as Sitting Bull, Gall and Crazy Horse are also prominently featured in this treasure of a book. This is so much more than a book about Custer and his last stand at Little Big Horn river in 1876. It's a book about the whole drama, that is the conquering of the west. Also, the photo section is exellent and the bibliography is unparalelled. Two very good maps helps the reader follow the movements in the 1876 indian campaign. If You're gonna buy just one book about the American west, please choose "Son Of The Morning Star". It's history, for sure, but it's not boring. It's also a source book in the best sence of the word, not to mention a literary masterpiece. Connell is a novelist, and it shows in his quick and precise eye for charaters in the play and their often peculiar behavior and actions. The heroes and/or villains is only so human in this highly entertaining book that leaves the reader wanting more. I have so far never read a better book, fact or fiction. Why don't You read it too?

Pevear and Volokhonsky have done it again. Another fine translation of a Russian classic. The art of the Russian novel begins with "Dead Souls," although Gogol himself likened this great work to a poema. Upon its first release, "Dead Souls" immediately won a place in the Russian heart. Chichikov and the various characters that he came in contact with in this strange journey became Russian archetypes. Unfortunately, Gogol could never bring Chichikov's adventures to a close, but this novel does not suffer for it.

What makes the P&V translation stand out are the numerous reference notes, so that one can understand the many allusions that Gogol makes. P&V have masterfully rendered Gogol's protean metaphors and delightful similes, so that one can sense the poetic nature in which this novel has been written.

The "demonic" plot is most intriguing but what really carries this story are the many wonderful characters that Gogol has artfully rendered, each trying to figure out why Chichikov is so interested in buying their "dead souls," deceased serfs that are still on the census and therefore subject to taxes.

Gogol's "Dead Souls" is an amazing, if incomplete, novel. I would say it is about a fellow named Chichikov, but that would not be true. The novel is about Russia. In "Dead Souls" we see that Gogol loved Russia so much, it drove him mad trying to find a way to save it. The novel is entrancing, moving seamlessly between minute particularity to epic scope, as it takes all of Russia under its gaze. At times, the tone is satirical, angry, comic, even desperate - but always with a wistful fondness that should be apparent to the observant reader.

Chichikov, the hero of Gogol's epic poem, shows the influence of Laurence Sterne's "Tristram Shandy," a novel with which Gogol was familiar. Like Shandy, we know little about Chichikov until well into the novel. This narrative indirection allows us more insight into the other characters and the conditions of Russia after the Napoleonic wars. Chichikov is a minor gentleman, who, having served in various government positions, decides to pursue the life of a land-owner. His scheme is to traverse Russia, gathering the legal rights to serfs who have died on estates since the last census. By turning an accumulated list of these 'dead souls' over to the government, he plans to make a small fortune, which he will use to buy an estate.

While Chichikov may appear to be a morally questionable swindler, like Herman Melville's "Confidence-Man," he does have noble motivations, despite his methods. Chichikov seeks what each person seeks, according to Gogol - to have a family, to do honor to one's country. Although his plan can seem to be a ludicrous, last-ditch sort of effort at establishing himself, Chichikov is, throughout, extremely level-headed about it. Chichikov knows how to speak and carry himself so that he will be accepted by everyone he meets. From the noble, efficient land-owner Kostanjoglo to the wild, hilarious liar Nozdryov - Chichikov mingles with and exposes us to "the whirligig of men."

Gogol points out throughout the novel that the written text is inadequate to convey the actual experience - the air, the sights, the smells, the people of Russia. He tries, then, to give us "a living book" - a testament to a way of life that was soon to change. Like Melville's "Confidence-Man," which was published shortly before the American Civil War, Gogol's "Dead Souls" came out only a few years before Marx's "Communist Manifesto" which would change and determine the fate of Russia in the first decades of the 20th century.

Read the lyrical "Dead Souls" - if you like his short stories, like "The Nose" or "The Overcoat," - you will find a wonderfully complex and sophisticated, and deeply involved intellect at his best.

Nikolai Gogol has a very creative mind as well as a unique style of writing. While reading Dead Souls, one is more likely to view the world from Gogol's point of view than his own. His writing contradicts everything Americans think they know about Russian literature. This book is a discussion of a world whose values are radically flexible. Though the concept can be frightening to those who do not take time to ask questions about their lives, Gogol has used crazy comic genius to exhibit an honest and impartial view on what is known today as "The Human Race." His book shows that humans' actions are motivated by greed and that the idea of money does not have any real significance because the value of everything that is sold is created by the human who is selling it. Gogol has also written the book in such a way that every single sentence is a universe of its own.

Dead Souls takes place in the Russia of the late 1800s, where, unlike in America, one must be born into a prosperous family in order to have opportunities. The main character, Chichikov, is clever enough to develop a scheme in which he can rise from being a petty clerk to a respected landowner. In order to do this, Chichikov moves into a new town, pretending to already be a landowner, and begins a quest to buy the names of dead serfs who have not yet been officially reported dead. Each person that Chichkov presents this offer to has a different reaction, starting with the shy and introverted Manilov. Though he does not understand Chichikov's need for the names of these dead serfs, Manilov is a character that is so desperate for company that it does not take any effort to trick him into selling his dead souls cheaply. However, as Chichikov continues his journey, he starts to deal with more clever landowners who become suspicious of his scheme.

Chichikov finds that the townsmen known as Sobakevich and Nozdrev are much harder to negotiate with. This is because they are more and attempt to trick Chichikov even though in truth, Chichikov is the one who is playing the trick on them. Nozdrev agrees to sell Chichikov his serfs under the condition that he can sell him something else along with the serfs, such as a horse or a pair of hunting dogs. Chichikov, of course, refuses the offer because he owns no land and has nowhere to keep any horses or dogs. Because of this, Nozdrev curses Chichikov and orders two of his guards to beat him up. However, by sheer luck, the police show up at that exact time to arrest Nozdrev because of crimes he committed in the past. Seeing this, Chichikov runs away and immediately sets off to visit Sobakevich. In his encounter with Sobakevich, Chichikov offers him less than one hundredth of what Sobakevich claims is the rightful price. However, the reason for Sobakevich's logic is that he claims the serfs have just as much value now that they are dead as they did when they were alive. In the end, however, Chichikov's stubbornness surmounts Sobakevich's absurd logic and Chichikov ends up buying the souls for the price he offered.

Unfortunately, as they say, "there is no such thing as a perfect crime." In the end of Dead Souls, Chichikov is stabbed in the back by the people he does business with, and does not get away with his ingenious plan. The main thing that Gogol is proving in his novel is that the entire human race is very similar to Chichikov; their interest lies in money and in prosperity. So if human beings are constantly trying to outsmart each other, a perfect society will never be obtained.

This autobiographical condemnation of the south's Peculiar Institution puts a face on the suffering of the enslaved. American history is full of accounts of slavery which tend to broad overviews of the institution, whereas this book is written by an escaped slave who does not flinch at sharing every detail of her miserable life. Unlike other narratives which distorted the slave's voice through the perspective of the interviewers/authors who were notorious for exaggerating the uneducated slaves' broken english, this book is largely Ms. Jacobs' own words. She was taught to read and write as a child by a kind mistress, so she was able to put her thoughts on paper with clarity that surprised many. Ms. Jacobs had an editor, but this book seems to be her unfiltered view of the world.

It is one thing to hear about how slaveholders took liberties with female slaves, it is quite another to read in stark detail about women being commanded to lay down in fields, young girls being seduced and impregnated and their offspring sold to rid the slaveholder of the evidence of his licentiousness. The author talks about jealous white women, enraged by their husbands' behavior, taking it out on the hapless slaves. The white women were seen as ladies, delicate creatures prone to fainting spells and hissy fits whereas the Black women were beasts of burden, objects of lust and contempt simultaneously. Some slave women resisted these lustful swine and were beaten badly because of it. It was quite a conundrum. To be sure, white women suffered under this disgusting system too, though not to the same degree as the female slaves who had no one to protect them and their virtue. Even the notion of a slave having virtue is mocked. The author rejected the slaveholder's advances and dared to hope that she would be allowed to marry a free black man who loved and respected her. Not only was she not allowed to marry him, she was forbidden to see him or speak to him again.

The author shows us the depth of a mother's love as she suffers mightily to see that her children are not also brought under the yoke of slavery. Though she was able to elude her odious master, she does take up with some other white man in hopes that he would be able to buy her freedom. Her "owner" refuses to sell her and tells her that she and her children are the property of his minor daughter. Her lover seems kind enough as he claims his children and offers to give them his name, and he did eventually buy them, though he failed to emancipate them to spare them from a life of forced servitude. Ms. Jacobs noted that slavery taught her not to trust the promises of white men. Having lived in town most of her life, Ms. Jacobs is sent to the plantation of her master's cruel son to broken in after she continues to refuses his sexual advances. She is resigned to this fate until she learns that her children -- who were never treated like slaves -- were to be brought to the plantation also. It is then that she takes flight.

After enduring 7-years of confinement in cramped quarters under the roof of her grandmother's house, the author escapes to the North which is not quite the haven she imagined. Still, it is better than the south, and she makes friends who buy her freedom leaving her both relieved and bitter that she is still seen as property to be bought and sold like livestock. In New York Ms. Jacobs is reunited with her children and a beloved brother who'd escaped a few years ago while accompanying his master -- her former lover -- to the free states.

There is no fairytale ending to this story because the author endures plenty of abuse and uncertainty even after she makes it to the North. She is hunted down by the relentless slaveowners who were aided by the Fugitive Slave Law of 1850 and "The bloodhounds of the North." This is a wrenching account of this shameful period of American history, and should be required reading for all.

Incidents in the Life Of A Slave Girl is a harrowing, personal experience of a AA female born and raised during the tumultuous, infamous and tragic era of slavery in America's history. Harriett Jacobs, aka Linda Brent, tells in her own voice-one that is explicit and easy to understand-the story of a young woman born into the brutal, horrendous slavery era who later escapes to freedom in the North. Incidents is emotional and the feelings are raw as you experience the tale of a slave who desired freedom so badly that she hid for SEVEN YEARS in a narrow, cramped quarter without much freedom of movement. The story is riveting and moving and shows what an individual is able to accomplish in spite of sex, race and slavery. Incidents is a story of bravery in light of insurmountable circumstances and ones belief that they can succeed in spite of unmeasurable difficulties.

Incidents is an excellent reading selection for a bookgroup and a book that I highly recommend to everyone. Remember the story and share the story so that history doesn't repeat itself.

Harriet Jacobs' (1813-1897) "Incidents in the Life of a Slave Girl" is one of the few accounts of Southern slavery written by a woman. The book was published in 1861 through the efforts of Maria Child, an abolitionist who edited the book and wrote an introduction to it. The book had its origin in a series of letters Jacobs wrote between 1853 and 1861 to her friends in the abolitionist movement, notably a woman named Amy Post. Historically, there was some doubt about the authorship of the book and about the authenticity of the incidents it records. These doubts have largely been put to rest by the discovery of the letters.

The book indeed has elements of a disguise and of a novel. Jacobs never uses her real name but calls herself instead "Linda Brent." The other characters in the book are also given pseudonyms. Jacobs tells us in the Preface to the book (signed "Linda Brent") that she changed names in order to protect the privacy of indiduals but that the incidents recounted in the narrative are "no fiction".

Jacobs was born in slave rural North Carolina. As a young girl, she learned to read and write, which was highly rare among slaves. At about the age of 11 she was sent to live as a slave to a doctor who also owned a plantation, called "Dr. Flint" in the book.

Jacobs book describes well the cruelties of the "Peculiar Institution -- in terms of its beatings, floggings, and burnings, overwork, starvation, and dehumanization. It focuses as well upon the selling and wrenching apart of families that resulted from the commodification of people in the slave system. But Jacobs' book is unique in that it describes first-hand the sexual indignities to which women were subjected in slavery. (Other accounts, such as those of Frederick Douglass, were written by men.) The book is also unusual in that Jacobs does not portray herself entirely as a hero but describes the nature of the steps she took to avoid becoming the sexual slave of Flint. Thus, when Flint subjected her to repeated sexual advances from the time Jacobs reached the age of 16, she tried to avoid him by beginning an affair with a white, single attorney with whom she had two children. When Flint's advances persisted, Jacobs formed the determination to try to secure her freedom.

The bulk of the book describes how Jacobs hid precariously in a cramped attic for seven years waiting for the opporunity to secure her freedom. There are also accounts of her prior attempts to leave slavery, including a particularly harrowing account of several days in a place aptly named "Snaky Swamp."

Jacobs describes her relationship with her grandmother, a free black woman who was probably the major inspiration of her life. She also describes well her love and concern for her children, conceived through the liasion with the white attorney.

This book offers a rare perspective on American slavery as it affected women. It is also a testament, I think, to the value of literacy and knowledge as an instrument for winning and preserving free human life. Although this story is not pretty, it is a testament to human persistence in the face of adversity and to the precious character of human freedom.