I love this book.

As a study of the mind of a top-notch musician, the writer has done a superb job of capturing an intimate portrait of how Casals thought about music, and the production of musical performance. Through a series of well-organised chapters, the reader feels as if he/she is undergoing a masterclass with Casals: diminuendo, stress, meter, mythology, feeling . . . by revealing Casals as a philosopher of orchestration, this book shows the microscope of Casals mind when viewing a score. We benefit from his incomparable insights, spoken off like night-time chat, and we learn from his conductor's sensibilities, like we're sitting in the string section in front of him.

This book is invaluable to musicians--of an instrument--composers, conductors, and amateur enthusiasts such as myself who'd like to experience the workings of a keen sense and ear in a genius like Casals.

This book, like few others, have deeply enriched my understanding of music--as a thing of time, shape, and expression.

From Blum's first discussion of the "First Principle" through his Casals-inspired revelations about melodic shape, dynamics, and rhythm, this book is invaluable as a guide for true artistic expression. The line between music as a set of performance skills and as an interpretive art is clearly drawn, and the spirit of Casals beckons all of us who would be truly inspired musicians

David Blum writes an insightful and rewarding text based on notes taken from rehearsals, master classes, and personal conversations with Pablo Casals. According to Blum, the idea for the book came from Antony Hopkins who encouraged him to take his notes and memories and document them so that other musicians could benefit from Casals' musicianship. The book provides a study of the "laws of music" or "laws of nature" which Casals considered to be the essential elements of meaningful interpretation. The text serves as a guide to musicians, conductors, and music educators on the art of music making.

Most musicians know of Casals the cellist. Unknown to many, his conducting career spans a period of over sixty-five years. During his career as a conductor, rehearsals clearly revealed his ideas about music interpretation. The text records the oral statements and the aural interpretations made by Casals during his rehearsals.

Five chapters divide the text with each chapter representing the main areas of Casals' interpretive ideas. The last chapter serves as an application of the elements of interpretation combined to produce a performance. Every chapter includes printed music excepts, detailed notations of performance practice, insightful commentary from the author, and compelling statements made by Casals during the rehearsal of a particular passage. Topic areas covered in the chapters include The First Principal, Finding the Design, Diction for Instrumentalists, Perceiving Time Relationships, Insights for String Players, Casals and Bach, and A Casals Rehearsal: the Pastoral Symphony.

A unique aspect of Blum's book, the reader is encouraged to study and become involved in every music example. The music examples are excerpts from his performances on the cello, lessons with cello students, and rehearsals with the orchestra. Transposed to the key of C for easy reading, all excerpts are in treble or bass clefs. They have notated phrases, articulations, dynamic nuances, and other stylistic attributes illustrating the points of Casals' concepts. Blum tastefully adds Casals' vocal statements to enhance the music examples, "Casals cried out, Here is the anguish! - Let it sing at the top of the phrase!"

David Blum's book is well written and informative. The music examples with Casals' statements allow the reader to easily and quickly gasp the details of interpretation. This scholarly book with practical applications and insights is invaluable.

I first heard about this book from the introduction to "Kitchen Confidential," where the author Anthony Bourdain compared it to Orwell's "Down and Out in Paris and London." He was right. It's hard to find but worth the wait. This story of "The Falls," a hip New York City hangout in the early 1990's, is a wonderful portrait of the backstage world of restaurants -- the fish-crazy chef, the owner who doubles as a NYC fireman, the celebrity backers like Matt Dillon, the supermodels who got free steaks, it's all there and very, very funny. Anyone who loves restaurants or good writing will love this perfectly-titled book.

This excellent volume is one I am constantly referring to in my articles on various topics because it provides solutions and innovations in a national context. It shows us what the possibilities are. I'm thinking of using this as a text in my policy analysis class.

I have found an either/or philosophy amongst my colleagues regarding the treatment of these disorders. While Substance Abuse Clinicians treat symptoms of ADHD as Relapse Symptoms AND ADHD Clinicians treat the ADHD assuming the substance abuse problem will automatically disappear, this book shows why those illusions are not only inacurate but dangerous treatment approaches. This book bridges that gap more thoroughly than any other text I have seen on the subject. ALL clinicians dealing with clients from either realm need to add this very well written and researched book to their library! In short, I HEARTILY Recomend this book!

If you like to understand where each part of statistics fit in with other parts, start with this book. This is a Macro view of statistical analysis, not a nuts and bolts one. Nevertheless, one needs to understand the major distinctions of the categories and subcategories of statistical analysis, and this book does a wonderful job at it. Recommend it for anyone who cares about the logic of statistics.

I bought a hardback version of this book, an edition published in 1989. I was disappointed at the look and, at first, the layout, but closer, patient inspection revealed something special. This book is almost a perfect balance between scientific rigorousness and new age blather, but there is clearly an honest attempt to please two sets of people. I haven't tried the system (I've had the book for a couple of years!) but the science is very convincing, and quite unsensationalistic. The book basically claims to take 8-10 years off your age (including the way you look! ), and frankly this skeptic believes it. Read the book and you'll believe it too. It ISN'T rubbish, it is a proven means of regaining youth. The authors' bona fides, by the way, are as impressive as you'll get, and they have never to my knowledge spoken to Roseanne.

I have always been a fan of the intellectual debates in the New York Review of Books letters to the editor pages. This book consists of two articles by Crews and the subsequent debates surrounding them. I would have liked to see better defenses of Freud, but none of the eminent defenders of psychoanalysis is able to mount a serious challenge to Crews's devastating attacks.

This devastating book has two parts: (1) The Unknown Freud, where the reader gets a picture of Freud as a dictator, a megalomaniac and egotripper. A pope who alone knew the truth and who founded a secret commission to protect his 'church' against the heathen. He was a bad psychoanalyst (e.g. the Wolf Man case) and a venal man (e.g. the catastrophic Horace Fink case, where he tried to get his own hands on some money of the heiress).
I agree with the author that psychoanalysis is a pseudoscience - statements cannot be tested and the research results cannot be verified uniformly. Although it is not totally without meaning (Karl Popper), it is not a science.
(2) the revenge of the repressed
A frontal attack on the caste of the psychoanalysts, depicted as 'religious zealots, self-help evangelists, sociopolitical ideologues, and outright charlatans who trade in the ever seductive currency of guilt and blame, while keeping the doctor's fees mounting.'
The author is particularly severe with their latest 'school' : the 'recovered memory movement', based on the rape of children by their parents (really!). This lead to false accusations and condemnations of innocent people. No wonder the author predicts an accelerating collapse of psychoanalysis as a respected institution.
A much needed and courageous book to halt a profession riding at full speed on a misty highway. And a much needed angle on Freud as a person, written in a style to slaughter the not so innocent father of psychoanalysis.
After reading this book, I agree with Peter Madawar, who called doctrinaire psychoanalytic theory "the most stupendous intellectual confidence trick of the twentieth century".

Frederick Crews really knows how to tap that deep reservoir of hostility found in modern Freudian psychoanalysts. In 1993 and 1994 FC wrote two essays in the New York Review of Books debunking Freud in the first, and tearing to shreds the recovered memory movement in the second.

These two essays and the letters in response to them have been put into the book The Memory Wars. As someone trained in experimental psychology you can guess my own personal bias in this matter. Crews discusses Freud's botched cases; his frequent vacillation in theory formation; some of his sillier theories; and his serious interjection of personal bias into the formation of his beliefs. The main problem with the whole Freudian system is the total lack of scientific evidence supporting it. Freudian psychoanalysis is founded on anecdote and supported by anecdotes. To be fair, much current non-Freudian therapy is also based on anecdote. Indignant Freud followers write back, and their letters are indeed interesting (and often pompous).

The second half of the book takes on the recovered memory movement. It would be great to poke fun at this movement if it weren't for the fact that it has caused so much damage to all parties involved. Symptoms checklists are published with the statement if you suffer from these symptoms you may be a victim of sexual abuse. Read the list and you will find that the majority of Americans will find that they have been abused. It's all a patient seduction game with the intent to make big money. Hospitals have even set up units to treat such patients (Having worked in the psychiatric hospital industry I am well aware of the "product lines" that such facilities set up in order to fill beds). Crews does an excellent job of dissecting the memory movement, and once again we get to read the indignant responses.

Those who believe that psychological therapy should be based on sound scientific evidence will love this book. Those who have accepted Freudianism with a religious like faith will, of course, hate it. To me this whole subject is analogous to the evolution vs. creationist debate. It's science versus pseudoscience.

My first encounter with the Guarneri String Quartet was in reading Arnold Steinhardt's book, *Indivisible by Four*. There, I gained an understanding and fascination for the relationships within the quartet and the overall amazing professional and musical workings of a well-established chamber group. This fascination led my to seek out *The Art of Quartet Playing*. In this book, David Blum and the Guarneri quartet explore various technical aspects of quartet playing and string playing in general. Many of the ideas for rehearsal and performance techniques presented by the quartet (on topics including the decisions as to which players should give cues and when) provide useful advice for quartets of all levels. While mere descriptions of quartet techniques could tend to get old fast, the quartet members' witty and satirical comments, often coming out of nowhere, keep the reading entertaining as well as informative. This book ends with a journey through the score of Beethoven's Opus 131 quartet, guided by the explanations of the people who know it best, the musicians who play it. I recommend this book to anyone who loves string quartets, playing them or listening to them. While it may not take hold of the imagination as fully as *Indivisible by Four*, there is much to be learned and enjoyed in these conversations between David Blum and the Guarneri String Quartet.

This is not only a very informative book about company business practices but also a very funny one. This is a must book to read if you ever plan to start your own company. It tells all from what legal entities to use, to budgets, and soft ware. The author's sound advice matches my own experience and are right on the mark!