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Baxter Black captures and celebrates the comical that exists in the self-deprecating and unpretentious manner of cowboys. The story of his two cowboy pals doing the summer rodeo circuit all over the western states, with hopes of winning enough money to make it to the national finals, explores that rich vein of American humor between guts and glory and human comedy. There is a fine line between fearlessness and foolishness, and few sports make failure not only ignominious but dangerous (being thrown and getting not only a faceful of dirt but broken bones to boot). It's no accident that in the rodeo arena the hardest working cowboys are surely the clowns.
Black's book achieves one other enjoyable objective; it represents the friendship between two men, a subject that has found its way into the buddy movie, but is seldom treated in literature of any kind. These two guys are different enough to play off each other's strengths and weaknesses, but they're no odd couple. Their devotion to each other, their companionship on the road, their late night talks attempting to make sense of the world they inhabit -- not to mention their adventures with porcupines and "wild women" -- all of it is an entertaining celebration of being best pals.
St. John's book about rodeo cowboys is out of print, but if you can find a copy, I heartily recommend it as a companion to this wonderfully entertaining novel by Baxter Black.
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The editor's notes are quite extensive, perhaps too much so. They spend a lot of time advancing their theories about the development of African American literature when they should be presenting the texts and leaving the reader to decide.
However, as I said, I cannot fault the content itself, which is very good, allowing the student a wide breadth of material, much of it by authors who are otherwise ignored by other anthologies. But much of this material is also covered in other anthologies which are much easier to navigate.
This has the speech that Jesse Jackson gave to the Democratic convention in San Francisco in 1984. I was there. It was a big moment at the time but I didn't recognize it as an historical event until I found it printed here.
The book itself feels like the typical blues song. We Rhythm and Blues kids used to call it a 12 bar blues. This is a song where the first two lines were repeated and then came the summary. In section IV, the subtitle reads, "Play the blues, play the blues for me." Section V repeats the same words. Section VI has the summary line: "No other music'll ease my misery." I can put these words to the standard 12 bar blues tune in my mind.
Hill delicately reaches back to the lyrics from spirituals, prison songs, rural blues, ragtime and back to slave work songs and their African origins. She advances the music through R & B into Avant-Garde Jazz and Rap and Hip Hop. The book contains a CD with songs and speeches.
The music entices us into the literary content. There's more here than the usual fiction, drama, poetry and essays. I found sermons, toasts, prayers, and folktales, both slave and African. Readers may be unfamiliar with some of the classifications -- Conjure tales, Griot's chant, haunt tales and "Call and Response."
We follow the history of a people through the writings of slave poets, the abolitionist orators, the fugitive slave narratives, preacher tales, and the voices of reconstruction. It continues through to contemporary fiction and non-fiction writers.
It's not an easy book to read because every time I look for one idea, I get distracted by selections like, "Sketches from a Black-Nappy-Headed Poet," or "Hard Rock Returns to Prison from the Hospital for the Criminal Insane."
I confess, I know more about the music than the literature. This book draws me in with artists like Muddy Waters, Leadbelly, Howlin' Wolf, Oscar Brown, Jr., Public Enemy and Ice T. After I'm involved, I'm learning about Phillis Wheatley, David Walker, Frances Watkins Harper and Sojourner Truth.
I'm afraid that if I were to ask the average American high school student to name three African American literary figures, he or she would say: Martin Luther King, Jr., Langston Hughs and then stop there. Some might add Alice Walker. This text puts those writers in their place and, given the wealth of content here, they occupy a small place compared with all who surround them.
I came upon this book as I was participating in the Urban Dreams Program, a federal project to train high school teachers in computer technology. Pat Hill spoke to our group. She impressed us all with her spirit, her knowledge and her comprehensive understanding of the African American tradition. To the degree that I've been positively influenced by her dynamic presence, I caution the reader of this review to be aware than I may have elevated her book higher than if I had not seen Hill in person. Other than that, this book is one of my personal favorites which will never be loaned out to anyone, ever. So please, my friends, don't even ask.
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This is a collection of short, and I mean less than 2 pages short, stories as told by Black on NPR during 2001. (I think that's right...) Admittedly, something is lost in the translation from radio to book form. Baxter has a way with words and the way he says them is as meaningful a part as what he says. I was glad most stories had a brief introduction and for the glossery at the back of the book for those "non-cowboy" types like myself. I also liked the fact that I could read a story or two, put the book down and be able to come back to it a few minutes later or a week later.
I read all 75 (ish?) stories; I found my dad in one story (you know which one, Dad!), really enjoyed about 10, liked probably 40 or so and missed the point, didn't "get" or just didn't like the rest.
Perhaps it is the differences in age and sex (me being a 30-something married woman) or the generational differences or just the lifestyle differences but in some of the tales I had a hard time relating. I did, however, send the book on to my father who is older and wiser and much more learned in the ways of veterinarians, cowboys and politics and I bet he gets much more out of the book than I.
If you are already familar with Baxter's other stuff and like it then I believe you will not find any fault with this newest book. If this is your first Baxter Black book as it was mine then I suggest one of his more favored volumes to see if you like it first.