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However, it is hard to read and use a weird notation. Certainly not useful for rapid referencing. Like the bible, use it only when you have serious problem to deal with.
and rigorous. I didn't learn optics from it, I only use it
as a reference and I suppose that is its function.
It feels a bit oldfashioned (for example, I haven't found
speckel applications in the chapter on coherence) but I
suppose that that is due to the fact that it is a classic.
My other, personal, objection is that I hate Gaussian
units, I prefer by far SI units. Even Jackson finally
conceded to switch to SI units, but Wolf clings on this
Gaussian system.
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Overall the textbook is very good and similar to the author's Colloquial Dutch course (including some of the same dialogs at that). The grammar descriptions, etc. are brief and to the point, the dialogs are also manageable, and there is sufficient review/exercise material as well.
The reason I didn't give it 5 stars is that there are a few words in each lesson that are neither defined in the lesson nor included with the glossary in the back of the book. If you're really interested in learning Afrikaans, I would recommend getting a decent dictionary like the Hippocrene A-E/E-A by Kromhaut or the very extensive (and very big) Reader's Digest dictionary, which you would have to order from South Africa. A final point is that the dialogs stop being translated after the first few lessons, and several times I would have liked to see an English translation of the later dialogs as a comprehension check.
Still, this is definitely the best book/course out there for learning Afrikaans, especially with the tapes and I would highly recommend it.
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The sensationalist and flatly biased authors ignore the fact that Saddam's nuclear program evolved and almost reached its peak during the Reagan and Bush years but was completely dismantled during Clinton's tenure. Even if Saddam had wanted to nuke the US --which itself is a rather silly allegation-- he never had the means to do it.
If these so-called journalists think they know it better they should present their arguments to the IAEA or to the coalition forces who are now inspecting Iraq. I wonder what they could achieve.
This book is a good read for those who are either paranoid or pathologically anti-Clinton or both but not for those who really want to know what happened to Iraq's nuclear capability during the 90s.
The book also covers in gruesome detail how the Iraqi regime smashes all internal resistance using torture, imprisonment, and assassination. (Although, one sometimes wonders what their sources were for supposed conversations with the Iraqi leadership -- given that most everyone who betrays Saddam ends up dead soon after.)
The drawn out confrontation with the UN weapons inspection teams is detailed as well. That these teams operated for as long as they did is amazing when one sees how the Iraqis were always one step ahead of them (due to a Russian team member who briefed his nation's diplomats, who in turn told Baghdad). In the end, the UN teams left Iraq and Iraq managed to keep some of its nuclear weapons equipment intact.
By the end of this book the reader is convinced that Saddam Hussein will stop at nothing to develop nuclear weapons.
The book falls short of five stars because some of the conversations used to enliven the book are not adequately footnoted (the authors want to protect privacy and lives -- they could have at least characterized the source of the information). There is also some redundancy.
Snell and Weightman move way too fast and you quickly find yourself in way over your head (unless you already have a background in hindi). I found this Bhatia's romanization excellent because it emphasized the difference between english and hindi sounds, and most importantly, Bhatia was consistent throughout (though hopefully some of the typos towards the end will be fixed in a future edition). His pronounciation introduction is also the best I've seen as far as emphasizing and drilling Hindi vocal nuances. The pacing of the book is very comfortable for the complete beginner.
Bhatia also does not take anything for granted. A lot of important questions left unanswered by other books are treated thoroughly in this text (like the compound use of "lena", "jaana", and "dena"; the frequent ommision of the "a" sound in the middle of words; and the fact that words like "mahal" and "kahana" are pronounced "mehel" and "kehena"; just to name a few...) You are really able to digest everything as you go along. Bhatia's word list and grammatical summary in the back are god-sends, and his mnemonics like "nerd nouns" and "laal adjectives" are clever and effective. He also puts his lessons in a cultural perspective that is crucial for using your hindi socially.
One criticism I would make is the lack of emphasis on the devanagri script. If you use this book, you should really take the initiative and learn the script. It will help you as you progress to more advanced books.
It seems like the few who gave this book a bad wrap are educators who are used to hindi being taught in a certain way. I think the things that make this book different also make it the best.
My recommendation is start out with this book, then go through Snell and Weightman, using the early lessons as review, then go through Surendra Gambhir's pricey but excellent "Spoken Hindi" set. All these books have their lessons on cassette. I transferred all the lessons to CD, which made my studying much more efficient. Also get McGregor's beautiful Hindi-English Dictionary which will be a cozy campanion throughout. If you can even find the Misra and Fairbanks book, don't bother. It is quite antiquated and impractical, and the tapes are a nightmare. Happy studying!
As political intrigue, the tale also regales. The perilous journey thousands of families were made to take, based on religious differences (the state of Pakistan is Muslim) leaves the reader fearful for the protagonists lives as they pretend to be faithful servants of religions they've only observed.
Satya, the Urdu-speaking barren first wife, is almost palpable. Her character would be played on American television by no less than Susan Lucci. She's Machiavellian to the core. She seethes with hatred when her husband brings home a teenage bride from a poor family to bear an heir. She plots revenge. How she obtains it is one of the most shocking and pitiful scenes in modern women's literature.
Roop has her own secret to keep, which, if revealed, would make her "unmarriageable" and a permanent burden on her family. She is aware that her husband gives her his first wife's jewels as presents and that her sole reason for being brought into a feudally-bourgeoise existence is for the fruit of her loins.
From my perspective, the men in this book almost don't count. They plan water irrigation systems, they hate each other's families, they rape and kill their perceived enemies, they are brutal and dense.
The portraits of Satya and Roop-bi alone (and the peripheraly historical Ghandi, referred to by an endearing nickname) is worth spending the three days nonstop it will take you to read.
The novel offers a sensitive vignette of displacements, refugee dilemmas, and dispossessions interlaced with the specifically gendered violence performed on the bodies of women-drawn from recent feminist research studies. Notably, the story brings together women from Punjab and Bengal-the two provinces that were divided in 1947-fleeing from Lahore and places both in a situation of equal vulnerability on grounds of gender more than religion.
Besides the Partition atrocities that constitute the epic of the modern Indian nation-state, the novel touches upon various other subjects of topical interest: the socialization of young women, the devaluation of women in marriage as baby-making machines, the maltreatment of girl-children, the unlivable situation between co-wives, and the problem of dowry.
The characters of the men in the novel merited some more elaboration. The end seemed a little rushed. The Epilogue, however, is superb. The almost-clinical prose multiplies the psychological trauma of the event. As a narration of Sikh histories from the last few decades before Indian Independence, and especially the histories of women caught in the violence of Partition, Shauna Singh Baldwin's novel is a valuable addition to the growing literature on the Partition of India.
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