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Cosmetically, the book is a two-face: while cover design by Chris Nurse is nothing short of outstanding, the internal layout is not without blemish. For example, outside margins are too wide, story titles are not always at the same height in the page, and the author's name is italicised in some but not all of the instances. Another gripe I have is that page numbers on the right-hand pages are left-aligned; plus, headers have no indication about the stories presented below them: these will give you a bad time if you want to riffle through the book to look up a specific something. There are a few extra typesetting warts and moles as well, as I noticed some characters showing up in a different size than the rest of the text, uneven spacing between words, typos derived from bad OCR, and so on. I sincerely encourage RazorBlade Press to pay more attention to internal design in the future, and run a few spell checks as well. Still, don't let appearances fool you, because the writing on these pages is top-notch.
In the whole, I was not in the least disappointed by Hideous Progeny while expecting quality work. Many short stories surprised me by their original angles, and all are very well written. The subjects are quite varied too, although some do overlap a little - it seems inevitable given the limitations inherent to their collective premise. I have my favourites, of course: Peter Crowther's piece is shocking yet touching at the same time, and the idea behind "Mad Jack" is a simple but nevertheless brilliant one. "The Banker of Ingolstadt" is perhaps the funniest in the book, and I found Steven Volk's "Blitzenstein" to rank among the best.
Whatever shortcomings the book has, they're quickly overwhelmed by the superb fiction it it, not to mention a downright gorgeous cover. For £6.99, it's well worth getting Hideous Progeny: not only will you be adding a fine specimen of a book to your library, you'll also be helping small press business to thrive. Because I want to see more from RazorBlade Press. Oh yeah.
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