The late Nicholas Monsarrat's The Cruel Sea (originally published in 1951) is a powerful and riveting novel of maritime endurance and daring set in the North Atlantic during World War II. Carefully scripted and written, the reader is drawn into this story of the British ships Compass Rose and Saltash, and their desperate cat-and-mouse game on the high seas with Nazi U-boats. This fine trade paperback edition from Burford Books will introduce a whole new generation of action/adventure enthusiasts to a truly skilled and engaging writer whose ability to involve the reader from first page to last is rarely equaled and never surpassed.

This book literally changed my life.

In the eleventh grade in Greenville, South Carolina, i had an English teacher who designated Thursday as "Free Reading Day" and encouraged the entire class to read anything they wanted to (well, within limits -- "Playboy" would have been Right Out, i'm sure.) -- and, in case you had nothing of your own, she laid out an assortment of magazines and books on a table at the front of the room.

On that table, one Thursday, was a copy of "The Cruel Sea". Since i've always been at least a bit interested in sea stories, and it looked interesting, i picked it up. From the first i was hooked solidly.

In the next three or so years, i reread it twice at least, possibly more than that.

And then i joined the Navy -- and i am sure that it was because of what i read in this book, and what i sensed behind it, in what Monsarrat -- who, like his viewpoint character, Lockhart, was there from the beginning, working his way up to command his own ship before the end of the war -- didn't so much say as assume about the sea and the Navy -- *any* Navy.

Monsarrat presents us here with a brotherhood of the sea, corny as that idea may sound. Sailors, more than the other Armed Forces, tend to regard other sailors -- even enemy sailors -- as brothers in arms, and, as Monsarrat says, the only true enemy is the cruel sea itself.

As he shows us here, the sailor who was your enemy five minutes ago, who was trying to kill you as you tried to kill him, is merely another survivor to be rescued from the cruel sea once you've sunk his ship.

And, even more so, as Monsarrat portrays it, there is a kind of brotherhood that binds sailors in the same Navy together in very mcuh a family manner -- you may not like your cousin, but you want to know what's happening to him and, when all is said and done, he IS your relative.

The best summation of this sort of attitude (which i felt to some extent myself during my time in the US Navy) comes when Ericson, the Captain, is touring his new ship as she stands under construction in a Glasgow shipyard; he meets one of his future officers, and mentions the name of his previous ship, which was lost with over three-quarters of her crew, and realises that

"He's heard about 'Compass Rose', he probably remembers the exact details--that she went down in seven minutes, that we lost eighty men out of ninety-one. He knows all about it, like everyone else in the Navy, whether they're in destroyers in the Mediterranean or attached to the base at Scapa Flow: it's part of the linked feeling, part of the fact of family bereavement. Thousands of sailors felt personally sad when they read about her loss; Johnson was one of them, though he'd never been within a thousand miles of 'Compass Rose' and had never heard her name before."

To be part of a band of brothers like that is a proud thing, and Monsarrat captures it perfectly.

He also captures the terrified boredom of being in enemy territory with nothing happening as you wait for the enemy to make the first move, and the shock, confusion and horror of combat (particularly sea combat, in which the battlefield itself is the deadly, patient enemy of both sides).

And he captures the glories and rewards of life at sea, the beauty of a glorious clear dawn at sea, the stars and the moon and the wake at night and so much more.

This is the book that made a sailor out of me.

It will tell you what it is to be a sailor.

"The Cruel Sea" was recommended to me by my mom who read it as a young woman when it was first published. I was skeptical about reading this epic of WW2 battle at sea -- thought I wouldn't want to read about war in great detail -- but I found that the pages turn themselves. It is a GREAT book -- expertly constructed and beautifully written. It is an insight into the human spirit in a time of war, but it also works so well because it does an amazing job of making the ship itself a living, breathing character, in whose destiny one becomes intimately wrapped up. The copy I have is from the 50's and I'm thrilled to see it is still in print, though not surprised. The book is a true testament to the fact that GOOD WRITING, on any subject, is fascinating and stands the test of time.

I am writing this on March 14th, 1998 - the ninth anniversary of the passing of Cactus Ed. This novel is the most satisfying of Ed,s books. It fills in so much about his life that his non-fiction essays only hinted at. Plus, it's a damn good story. I have all of Ed,s books, all first-editions and most autographed by Ed. I cherish my autographed first edition copy of Fools Progress more than any of my many books. Ah me, today I am sad thinking about Ed. I want to thank him again for all his writings, but especially for his " Fat Masterpiece", The Fools Progress. I would love to read the unedited manuscript for this book; the final product is only half as long as the entire story he wanted to tell.

Edward Abbey died in March of 1989. In the latter part of 1988, he saw his last and perhaps most accomplished work brought to bed at his publishers in New York. The author of many highly controversial works of fiction and non-fiction, best known for his seemingly solitary stand against the ecological destruction of the western American deserts, Abbey's last book effectively completed a cycle. At the same time it was a very close foretelling of his own probable doom.

Abbey was an environmentalist from the beginning. In the East of his youth, he saw strip mines close in on his father's mountain acres. Out West, he witnessed the early preparations being made to dam the Colorado and its tributaries. He rafted down Glen Canyon and saw the hidden valleys filled with a beauty that was soon after to be engulfed. He smelt out the tricky political deals being woven by senators and landowners in the forgotten tracts of the butte country and did his best to expose them. Against all of the attempts to tame this corner of the American wilderness, Abbey railed.

In books ranging from "Desert Solitaire" (1967), a journal of a season in the desert, to "The Monkey Wrench Gang" (1975), an explosive novel of saboteurs versus dambuilders, Abbey argues his points in favour of preserving the canyon country. Having been there "before" and "after," his voice has a compelling authority. To read his account of Glen Canyon before the dam is to be filled with regret at the later spoliation.

In "The Fool's Progress," Abbey gives us something of a summing up of his own life. The book is like a reverse history of Kerouac's "On the Road." Instead of youth rushing out through the length of America to meet its new and cosmic identity on the West Coast, here is a life which is wearing down, attacked from within, going back from the desert to the Appalachian hills of birth and ancestry. In the chronicle of the winding down, as the truck begins to fail and a mortal pain begins to rise, boyhood is measured against the actual experience of the now hard-bitten adult.

"The Fool's Progress" is the work of a now accomplished writer in his prime. We might have expected much more from Edward Abbey and his early death is a great loss. Nevertheless, his completed works stand on their own and I can recommend them to anyone who is intrigued by the workings of an original mind as it tackles the problems of our age.

No one I have ever read has had as much justifiable contempt for the unnatural "society" humankind has fashioned for its self as does Edward Abbey. Abbey at the same time exhibits a passion for human existence as it relates to a true appreciation for the natural world and its implacable laws. The Fools Progress will, with every turn of the page, cause you to examine and question your own pursuit of material ends. Abbey's corresponding use of first person and narrative writing techniques lend an even greater sense of passion and conviction to his already bold writing style. This is a book that posesses the potential to change your life. Buy it, read it, enjoy it and appreciate it for the rest of your life!

I first read a book from this series, "the fields of home" when I was 8 or 9, on my fathers recomendation, he said it reminded him of his father and himself. after reading the story, I found that rather than seeing my father and grandfather, I saw my dad and myself. I didnt know any other books from this author existed until a couple of years ago, when I ran accross the entire box set. my whole family has enjoyed them; both as read aloud books for the younger kids but as quiet reading for the older ones as well as my wife and I. I read the entire series at least once a year, and they never fail to bring a warm feeling to my heart, as well as a close feeling of family ties and kinship to the rural way of life. If the kids of today cared half as much for the well being of the family as Ralph Moody did for his, this would be a much better world to live in

I read this book after my 9-year old finished it for school. The lessons and values that Ralph Moody learned growing up are so good and true-even if sometimes they were learned the hard way. Mr. Moody's book teaches wonderful values like responsibility, respect, honesty, hard work, and committment and support of the family. The part I liked best was the relationship that Ralph had with his father. This world would be a much brighter place to live in if every son had a father like Ralph's. I think a dad reading this to his kids would teach lessons they all would remember.

I read my first book by Ralph Moody, "The fields of home" when I was 8, on my fathers recomendation. He told me that the story reminded him of he and his father, but after reading it I saw more of my dad and myself; rather than father and grandfather. A couple of years ago a friend told me of these great books he had bought, and said that he would loan them to me, once I saw the author I had to purchace the set for myself. I read these books at least once a year, and there hasn't been a time when they dont bring a warm feeling to my heart, and bring a feeling of kinship to Ralph and his family with its rural heritage. If the kids of today cared half as much for family as Ralph does for his, today would be a much better place.

This is a very realistic account of a year in the lives of one shift of homicide detectives written by a newspaper reporter that reads as well as fiction. You are right there at the crime scenes with the primary detectives when they roll the body over looking for clues, when they interview the witnesses, fill out the paperwork and go out for drinks after work when the board is changed from red to black, signifying the case has been closed. You can get a real appreciation as to what it is like to be an underpaid, underappreciated and overworked homicide investigator in a major city. Interrrogation techniques are revealed in this unique book. Some trial action. Definitely worth the read. Contains real life violence. A good companion to the TV show.

This book follows a year with the Baltimore Police Deparment Homicide Unit. This is a thoroughly riveting novel which manages to allow you to emphathise with the detectives featured as they investigate cases ranging from the straightforward to the impossible. It describes the procedures and obstacles faced in bringing a felon to trial. I urge all crime fiction readers to read this book if they read any nonfiction, it's a bit heavy going in places but it's worth it (beware - you'll be able to see huge holes in your fictional detectives investigations afterwards!)

Appropriately enough, one of the best cop shows in the history of television was based on one of the best true crime books ever written. Journalist David Simon spent a year observing Baltimore Homicide detectives and it is their poignantly true stories -- almost all as funny, heartbreaking, and memorable as any fiction -- that make up this book. While fans of the TV show will immediately recognize the initial templates for such beloved characters as Frank Pembleton, Bayliss, Munch, and others, this amazing book is much more than just a basis for a classic television show. It is, quite simply, one of the most insightful books about modern law and order ever written. All of the detectives live brilliantly on the page and Simon's prose reminds us what great writing actually is. Though this is a word I've probably overused in this review, there is no other way to describe Simon's achievement: amazing.

If you are at all interested in the U-Boat war in the North Atlantic during World War II, then this book is for you. Werner tells the story of his wartime career in gripping detail. What I found most interesting about the book, however, was not so much the descriptions of combat (although those are certainly interesting enough), but rather the fascinating glimpse into ordinary life in Germany and occupied France during the war, as described by Werner when he recounts his leaves and furloughs and visits home. Likewise, Werner's story of the brutality of French treatment of German POWs at war's end is also very eye opening. Aside from that, there are plenty of Asdic pings, depth charge runs, torpedo fan shots, and silent runnings to keep even the most demanding submarine fan enthralled for hours. Immerse yourself in the excitement and the horror of World War II under the waves with the words of a true master. Highly recommended.

Herbert Werner's book has been printed many times, a testament to its writing and story. Werner joined the German Navy at the outset of World War II, and was able to rise through the ranks fo this extremely dangerous calling to command his own U-Boats by the end of the war. Werner writes his account from a chronological perpsective, from the early, easy successes to the end of the war and the bleak outlook Germany had ahead of them. Key events like the "Happy Time," the sinking of the Bismarck, the Battle of Britain and operation Sea Lion figure in, as do the attacks on Pearl Harbor, D-Day, and the waning days of the war.
Iron Coffins also exudes humanity, finding fault with the Nazi high command and the naval leadership that caused too many losses, weakened morale, and doomed Germany's effort. The title itself refers to Werner's view of the U-boats as floating deathtraps for most of their crews (perentage-wise, German U-boat crews had one of the top positions in any list of potential losses).

Werner was lucky to survive, given his job, and we are luckier still to have his account of U-boat work in World War II.

This is my all time favorite military history book I have read in my life!! Herbert Werner's life story is gripping and compelling with incredible real life accounts of daily life and death struggles as a U-boat commander. Great details of battle actions. This guy truely had "9 lives". How he ever survived was a miracle.

I love alll of the Anne of Green Gables series. They are so vividly written you find yourself wishing that you were born as Anne a hundered years ago on PE Island. I would have happily endured all her hardships for all the wonderful moments in her life, and the fact she married Gilbert Blythe! It's so well written that you actually feel that you know Gilbert and I actually found my self falling in love with him! I've read the series 2 times. The first time I couldn't stop thinking about Anne. I read Anne, I tried to live like Anne and I dreamt Anne. Anyway, although I love all 8 books almost equally Anne of the Island is just a little better. And although it's romantic it's definitely not just a romance. Anne of the island includes wit and humour that makes it an all-round perfect book. If you're an Anne fan you havvvvvve to read this. I could not describe how wonderful it is in 1000 words. Anne of the Island is truly a book you CANNOT put down. After reading this I recommend you read all the rest of the Anne of Green Gables series (there are 5 more book,) although you'll probably be rushing to buy them anyway.

If you like the Anne of Green Gables series this is the best one in the whole thing! Anne of the Island has something for everyone! Anne Shirley leaves the small town of Avonlea to attend Redmond collage.. There the novel introduces you to a character who is extremely funny named Pricella! (Hope I spelled her name right). In this novel Anne falls in love with a fellow school mate, while her long time friend Gilbert Blythe finds a love interest as well! Do they end up together at last? Read the book and find out! This book is definatly for people who liked the movie "Anne of Avonlea". They are without a doubt slightly similar, but the book is definatly better!

Anne Of The Island is a great book. It is about a girl with dark strawberry-blonde hair. She goes off to college with her friends: Charlie, Gilbert, and Diana. She makes some new friends and one of them, Priscila which is Pris for short, they meet in the graveyard across from the college. She meets many men she thinks she is in love with, including Gilbert, but when the propose to her she finds out she really doesn't love them that much. She even turns down the man of her dreams. So, it is partially a love story. She was adopted when she was young by Marilla. Now they have taken in twins when their mother died and their only relative can't take care of them. The younger one is Davy, who is always asking questions and getting in to mischief. He especially likes to bother his twin sister, Dora. She is always quiet and quite lady-like. They all live on Prince Edward Island in Canada. If you want to know the rest, you can read the book for yourself. Happy reading!

A Tale Of Three Kings is a an awesome piece of Christian literature. If you are tired of all the "holy spirit, healing, prosperity, achieving wealth through biblical principles" type books, than Gene Edwards is your man. In this book, Gene lays out a refreshing perspective on brokeness that is not quite traditional in mainstream "Sunday school, pulpit preachings". Through his wonderful and simplistic story telling style, Gene goes into the depths of the hearts of three kings, namely King Saul, King David, and King Absolom. Not only will this book aid in your journey towards the deep things of the Lord and His ways, but it will cause us to look into our very hearts and ask the question, "which heart of these Kings do I have....." Indeed men fix things that break, but after we read this book we emerge w/ the understanding that God breaks men to fix them.

Quite possibly the best book ever written about kingdom authority and submission (with hints of obedience.) This novel looks at the lessons of authority and submission from the lives of three individuals...King Saul, King David, and wouldbe-king Absalom. If you ever get a book on the issues of authority and submission...this is the one to get.

Yes, only 90 some pages, and easily read within 2 hours. You will get to see what king Saul thought of David, and what David thought of Saul (part 1). Later, you will get to see the rise of Absalom, and the struggle of David on how to deal with the issue. Shall David be towards Absalom as he was in his youth in regard to Saul? Or shall he be towards Absalom as Saul was towards himself?

Buy it, read it, and for those of you in positions of leadership, try to get into the hands of other leaders at your church.

I first read this book in one night at work 10 years ago, and it continues to affect my outlook and spiritual life today. This book has affected my life more than any other I've ever read (except the Bible, of course!) Gene Edwards takes emotionally- laden issues like submission to authority and pride, and presents them in a way that forces you to look at not the situation, but your response to it. Mr Edwards offers us a unique way to measure our motivations and responses to challenges we face against a godly framework. You will want to order several more to give away after you read this. God bless!

My ex-husband has "my" copy of the original 1970 version of *The Tassajara Bread Book*, so a few years ago I just had to run out and get the "Revised & Updated Edition" published in 1986. More than merely a book of recipes, it is a truly bonny bread book with marvelously detailed instructions and diagrams as was the original, but I must say Edward Brown's recipe for Tibetan Barley Bread alone is worth the price of this book.

*The Tassajara Bread Book* is more of a "cooking book" than a "cook book". Janet@netcom.com says *The Tassajara Bread Book* is "a great introduction to baking bread" because "this is a great basic how-to book". As with bread itself, "basic" is simply some flour mixed with enough water to form a dough; anything else we do to it merely makes it "civilized". I do not know how "civilized" Janet's baking is, nor do I know how much time she has just for bre! ad making, but for those of us who lead hectic lives always on the go but still want to minimize the amount of preprocessed and junk foods we eat *The Tassajara Bread Book* is top drawer.

My only dissatisfaction is that Edward Brown's *The Tassajara Cooking Book*, an excellent companion to this one, seems to be out-of-print at this time. Of course, my ex-husband has "my" copy of the original 1970 version.

I have for years relied on a bread machine to indulge my desire for home-baked bread. No more. This book is a revelation, a gem.

If you scrupulously follow the introductory instructions for the basic Tassajara bread, you will be able to make any kind of bread from scratch, by hand, guaranteed. Just now I have two gorgeous loaves of millet bread in the oven, and this is just my second time making bread by hand. Thea author, Edward Brown, tells you precisely how the dough should look, how it should feel, and how to know when you are finished kneading. You simply cannot go wrong.

I have the other "bible" of bread making, James Beard's book, and, much as I adore James Beard, I prefer the Tassajara method of bread-making. There is less guesswork, and less seems to go wrong.

And I love the spiritual side, the bliss-out and enjoy-the-moment side to the book, as well. I will never, ever part with this book.

Mr. Brown writes from the perspective of starting as a cook's helper, learning cooking by trail-and-error, and graduating to head cook of a monastery kitchen. His writing also reflects a Zen monk's reverence for food and the ritual of cooking.

The Tassajara Basic Yeasted Bread is discussed in detail. Chapters on yeasted bread, yeasted pastry, unyeasted bread, sourdough, pancakes, muffins and quickbreads, and desserts follow. Recipes stress the use of natural foods and grains. Most recipes include alternate ingredient suggestions.

I first used this cookbook to make the Tassajara Basic Yeasted Bread. I never before had made bread. The whole wheat dough was stiff. Mixing the dough was extremely hard work. Kneading the dough was agony. Making this bread taught me respect both for bread and for anyone who makes bread.

I recently rediscovered this cookbook while seeking a cornbread/muffin recipe that did not use shortening. I made muffins substituting molasses for honey and adding marjoram. My muffins were excellent both alone and with bean dishes.

Cooking is vastly underrated. One who cooks economically and maintains a clean, safe household is free to "Be All That You Can Be", an accomplishment that would make an Army drill sergeant or a Zen master proud. Mr. Brown's writing reflects that pride.

"Drawing? No, no, I can't draw. That's the job of artists." Isn't this what most of us say when someone talks about drawing or art? What we don't say is that we also have a secret wish that we can draw like an artist. If you are one of these people, grab this book and you will be amazed by what you can draw by following the author's assignments. She really teaches us how to SEE what's in front of us, rather than by our preconceptions. You learn not only how to draw but a new way of seeing your inner self: being creative and artistic -- something you always are but you didn't believe that you were before reading this book and doing all those drawing exercises

When my wife, an artist, received this book recently as a gift, we both had a good laugh over it, for Emma is self-taught and extremely talented in many areas of artistic expression. Good-natured and a voracious reader, she cracked open the book and was pleasantly surprised by what she learned about herself and the way humans visually perceive things. Drawing On The Right...can't turn no-talents into featured artists at big-city galleries, but it can open the doorway between the creative mind and worried hands and allow those who "can't draw a straight line" to find delight in doing simple portraits or design where there was little aptitude for these things before. Emma thoroughly enjoyed the simple exercises and her work underwent an immediate leap towards the refinement of her style. It also helped her experiment artistically with styles she'd never explored before. I relented and read it myself, amazed at my own progress with simple line drawings and determining the placement of shadow. She'll always remain the artist, but now I can better express my own ideas on paper with brushes or graphite, sketching for my own enjoyment or giving her outlines she can flesh out for me with colors and shadows. Not entirely an instructional guide, Drawing...reads nothing like a boring textbook and ventures into fascinating studies of people who've suffered brain injury and how this affects perception. A fantastic and highly recommended book for artists (even great ones), art therapists, art teachers, beginning artists, or anyone who ever thought they had no talent or couldn't accomplish anything. This book gives hope where there was none before, can boost self-esteem, and improves near-perfection in art.

I'm an Architect, and as a student I discovered this book. Before I read it and followed the exercises within, I thought I couldn't draw. This book focuses on "seeing" like an artist, rather than on technique - anyone who can see and hold a pencil can draw well following her exercises. I'm now teach architecutal drawing, design and sketching, and use the book in my classes. Highly recomended.

Reporters have been known, now and then, to play fast and loose with the facts to entertain their readers or elevate themselves. This phenomenon is not limited to our own age. For proof, look no further than Lowell Thomas' fanciful volume, With Lawrence in Arabia. In 1917, Thomas was a 25-year-old part-time instructor at Princeton, a "fledgling showman from Ohio who had knocked about North America in search of fame, fortune and adventure," according to historian David Fromkin (A Peace to End All Peace). Thomas then raised enough money to travel to Britain and the Middle East front as a World War I cameraman. With his coverage began the Lawrence of Arabia myth.

Eight copies of Seven Pillars of Wisdom were published by Oxford in 1922 (six still exist). The first limited edition was followed in 1926 with the private publication of 211 copies of the book. In 1935 another limited run was published. But the same year, Seven Pillars was reprinted at least four more times. Now, there have probably been dozens, if not hundreds of printings.

This work assured T. E. Lawrence a place in history as 'Lawrence of Arabia'. It is a military history, colorful epic and lyrical exploration of Lawrence's mind.

Nevertheless, it is largely fiction. Fromkin writes that when poet and scholar Robert Graves proposed to describe the liberation of Damascus in a biography of Lawrence, the subject himself warned Graves, "I was on thin ice when I wrote the Damascus chapter...."

A onetime junior officer in the Cairo Arab Bureau, Lawrence admitted that Seven Pillars of Wisdom included a false tale of Arab bravery to aggrandize the followers of Sharif Hussein of Mecca and his son Feisal. Indeed, as early as 1818, reputable newsmen reported that the Australian Light Horse division liberated Damascus from Ottoman control, not Feisal's Arab troops, who marched in afterwards, for show.

By 1921, Fromkin writes, Winston Churchill was in charge of Britain's Arab policy in Mesopotamia and tapped John Evelyn Shuckburgh to head a new Middle East department and Foreign Office man Hubert Winthrop Young to assist him. They arranged transport and supplies for Feisal's Arab army, earning hearty endorsement from Churchill's Masterson Smith committee, which simultaneously took grave exception to T.E. Lawrence as a proposed Arab affairs adviser. The committee considered Lawrence "not the kind of man fit to easily fit into any official machine."

Fromkin reports that Lawrence was frequently insubordinate, went over his superiors and in 1920 publicly disparaged Britain's Arab policy in the London Sunday Times as being "worse than the Turkish system." He also accused Britain of killing "a yearly average of 100 Arabs to maintain peace." This was of course untrue.

Efraim and Inari Karsh write, in Empires of the Sand, that Lawrence's Damascus victory was "less heroic" than he pretended. Feisal was "engaged in an unabashed exercise in duplicity and none knew this better than Lawrence, who whole heartedly endorsed this illicit adventure and kept most of its contours hidden from his own superiors." Yet Lawrence basked in the limelight Thomas created in London, attending at least five of the showman journalist's lectures.

As an unfortunate result of Lawrence's subterfuge, he had a large hand in shaping the modern Middle East.

Bad enough, we suffer to this day the consequences of Lawrence's fabrications.

Worse, a new generation of readers seems to accept as gospel the Lawrence of Arabia myth that stemmed from Lowell Thomas' hype and Lawrence's own Seven Pillars of Wisdom. While few seem to know it, this was long ago debunked. Those who want to know what really happened should at minimum also consult Fromkin's A Peace to End All Peace and the Karsh's Empires of the Sand. Alyssa A. Lappen

Those who enjoyed David Lean's magnificent "Lawrence of Arabia" and picked this book up wanting to gain a deeper insight into T E Lawrence will be sorely disappointed if they expected to see the film reflected clearly in the book. True, the main incidents in the film are there in the book, albeit in a totally different context: you begin to realise how freely Robert Bolt (and presumably Lean himself) adapted Lawrence's account to make the film hang together more dramatically.

Many of the previous reviewers have commented that the book is a rewarding if demanding read, that it doesn't really "get going" until about 100 pages in, and that the constant shifts of scene and entrances and exits of characters are sometimes difficult to follow. All that is true - a friend of mine advised that Lawrence is easier to read about than to read. But I felt that choppy nature of the narrative was inevitable when one considers the type of warfare Lawrence describes: hit-and-run guerilla action undertaken by (often mutually antagonistic) Bedouin tribes. Just as Lawrence's raiding parties would emerge at unexpected places out of the desert, so the reader must be prepared for the text to jump from location to location, event to event, and must I suppose be prepared for much of the text (particularly the first 100 pages) to be devoted to how Lawrence managed to muster support both from the Arabs and from the British.

Parts of the book will remain with me for a long time - for example - Lawrence's descriptions of how he dug his camel out of the snow, the descriptions of the Bedouins' eating habits, the non-romantic description of life in the desert (defecating camels, infestations of lice and so on). However, what does come over is Lawrence as a tortured soul: he both loves and despises the Bedouin; professes that he knew from the start that the British (and therefore he himself) were merely using the Arabs against the Turks and would not honour their promises at the end of the War; is both proud (particularly of Allenby) and ashamed of the British; and is both spiritually and physically attracted to the Bedouin men, yet embarrassed by this.

It helps to have even a superficial knowledge of the Middle East campaigns in World War One: I felt that the danger of not having that overview is that one would tend to think that Lawrence's campaign was the pivotal factor in those campaigns rather than a contributory one (Allenby's campaigns are referred to only obliquely by Lawrence, even though in the later stages of the book he does emphasise the supportive role he was playing). Fair enough, as Lawrence was not writing a general history of the campaigns, but I feel (as my friend advised) that reading about Lawrence now that I have read him would be interesting.

Absolutely fascinating account of the Arab Revolt of World War I, and of the Mind of one of its orchestrators (that being TE Lawrence). I don't know much about WWI or II history but I'd recommend this as a great place to start. It has all the elements of a great war story -- strategies, battles, troop movements, intra-battling amongst Arab tribes, Arab history and culture, plus Lawrence's inner conflict about his knowledge that the Brits were merely using the Arabs as a pawn in the greater scheme of WWI. The relevance to modern times is staggering -- if we had not made the horrible mistakes we did then (not giving the Arabs the indepence they worked so hard for), the world would certainly be a better place today. Also, this book is beautifully written and contains absolutely wonderful descriptions of the Arabian terrain. My only criticism is that Lawrence tends sometimes to get a little too abstract and pontifical, but that's okay. Excellent work of literature in the form of a non-fiction memoir.