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What I most enjoyed was how he described all the different albums, movies, plays, concerts, and videos including their release date, success in the charts, and ratings-- The appendix also has a list of her albums, films, videos, concerts, plays, and movies to enjoy or gain knowledge of. There are great descriptions of all her producers, lovers, friends, childhood acquaintances, Hollywood contacts, grandparents, and family members.
There is even a picture of Mark Bergo on the inside of the book, which shows Madonna and him talking. There are other photos from her childhood, daily life, screen playing, films (A Certain Sacrifice), performances, videos, meeting with fans, posing with Jellybean Benitez, concerts, movies (Desperately Seeking Susan), pose with Sean Penn, with ex-Beatle George Harrison, paparazzi fight, a day with 1 of her trainers, a pose with Sandra Bernhard, "The L* Kiss", Madonna as Marie Antoinette, and other AIDS benefit events.
From all the books I've read I found this one to have a very nice description of Madonna--although making her look a bit too calculating and manipulating at times. There are lots of descriptions about how she was introduced into the music business, the struggles she underwent to be heard, and how she came up with her songs. Her collaborators were also mentioned as well as many of her close friends who died of AIDS. There are times in the book where you can sense Madonna's emotions, sorrows of her mother's sad death, struggles raising her brothers and sisters, conflicts with her step mother, fights with her dad, and even personal accounts of her first boyfriend.
There was a lot of stories on Sean Penn to make the reader know just how much Madonna was in love during that 3rd making of her album "True Blue". There were plenty of accounts on her different affairs throughout her life but not gory or scandalous like other books I've read. The author maintains professionalism, class, and quality. Guy Ritchie was only mentioned in the last chapter very briefly. This would be a great book for someone who isn't too familiar with Madonna. Already fans will enjoy this as an added compliment to there already collection of popular books. I like how the author ends saying, "Singer, actress, record company president, erotic sex goddess, mother, spiritual guru, and media icon, she never seems to tire of astounding the public." Excellent buy and highly recommendable!
**Note: There were a few spelling errors and 1 wrong year date (release of Like A Virgin says 1994 instead of 1984 in the appendix) on this book but it doesn't change the fact it was a fantastic purchase.
I think that the author must be a little "square" of a person, given such mistakes as the misspelling of Charles Barkley's last name (here, he spells it "Barclay"). I'm no basketball fan, or sports fan for that matter, but I picked up on that error right away.
In his updated editorial since the original printing, he seems to have soured his attitude towards Madonna. He is a lot harsher on her, and makes her every career move since the Like a Prayer era to be calculated and cynical.
There were a couple of items of Madonna trivia here that I didn't know, but I'll let you find that out for yourselves.
All things considered, this is a worthwhile read for a Madonna fan.
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I highly recommend this one!
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Mark Bego's book is the closest thing we've got right now to a definitive, somewhat linear bio, but it still leaves much to be desired.
I do appreciate that Bego (clearly a fan in his own right) takes the time to go in depth with Midler's albums, making sure every track is commented upon and giving us loads of quality info about the recording process. I love hearing about why certain songs were chosen, discarded, arranged the way they were, et cetera.
The most in depth album commentary in this book is in regards to Bette's *Songs From the New Depression.* The more I read about this lost possibility, the more curious I am to hear the material. It genuinely sounds like it could have led Midler's career in a completely different, more upward musical direction. I do hope Atlantic Records gives Klingman the master tapes back.
No other book has given me a clear picture of what Bette's days at the Continental Baths were like, and I am grateful for that. Such a vivid description of the place and the time. It must have been a ball.
This is also the first telling of Bette's life that gives an indication that Aaron Russo (Bette's manager in the 70's) and Bette were never romantically involved at all. However, the narrative seems fuzzy on whether or not that is entirely accurate.
The aspect of Bette's career that seems to get shortest shrift is her movies. Each one is given a full plot synopsis, which in my opinion, isn't a good idea, for it ruins the movies for newer fans or people who have not seen them. These plot synopses seem to be masking some glaringly obvious missing information. No 'tales from the set' are told. No comments from co-stars or directors (except in the Jinxed section) on what it was like to work with Bette beyond your standard "press-kit" comments.
Even so, there are still some interesting tidbits spread out here and there. One of them is that Anne Archer and Donna Mills where considered for the role of Hillary Whitney in Beaches!
One rather odd thing is the use of numbers in parenthesis after every single quote. I've never seen a device like that in a book, and it made me feel like I was reading a college term paper. Although, on the flip side, I appreciate the quotes are there -- it ensures a degree of accuracy and if I ever want to look up these articles, it's a good resource.
Also, there is serious need for a fact-checker / proof-reader here. Too many noticeable spelling errors, character or actor names misprinted or mis-spelled, etc. I don't want to blame the writer entirely, because this stuff should be checked before going to press.
All in all, I recommend this book, but more for the fact that there really isn't a quality Midler bio out there to compare it to. Perhaps there never will be, unless Bette decides to tell her own story.
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No, this wasn't a good book, but it often felt like the author was there talking to me, which is why I found this book annoying. It seemed Mark Bego can't end a paragraph without verbally winking at the reader. Once he concluded with "Oh that Cher, always so practical!" Please, sir, just tell it like it is. This book could have done without the constant reminders that the author is there.
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I, too, hailed the Queen after her riveting performance of "Nessum Dorma" on the 1998 Grammys and I continue to follow her career in hopes that her legacy continues to be upheld with the upmost respect. I hope that in twenty years, the author can add another update of amazing accomplishments to this edition. Good read.