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Wellll...
This book seems to be more of a literary experiment in multiple styles than an endeavor to tell a straightforward story. On the plus side, Baudino delivers several good pokes at organized religion (including paganism). No one has the corner on Truth or God/dess, and I came away thinking that this was a pretty brave attempt at something new.
On the minus side, Baudino seems to get way too carried away with switching narrative styles and perspectives that its easy to get lost and ask, "Uh, what just happened?" repeatedly.
Interesting, but a little too convoluted.
So why did I love it? Mostly it was the challenge. There's *so* much going on in these books that sometimes I just had to sit passive and let the stream of her words carry me on. Other times I was an active participant in the adventure able to use the very simple formula needed for the exact length of swinging rope (this never failed to make me chuckle).
I loved Sari and the entire discourse of religions...for the Naians weren't perfect, though I really wanted them to be. I think in the end the reason I loved these books is because they were so *interesting*...something to see and think about on nearly every page.
For those that enjoy a good, active read where the author challenges you in many ways, I would certainly recomend this and the rest of the series.
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Pick up her Dragonsword trilogy instead for great reading
Baudino's writing is as twisty and turny as ever, with its mass of multiple narrators and styles. For me, the sections that dealt with "the author" were the most entertaining because they were the some of the only things that made actual sense!
This series can be a real test of patience; but there are some interesting developments.
So why did I love it? Mostly it was the challenge. There's *so* much going on in these books that sometimes I just had to sit passive and let the stream of her words carry me on. Other times I was an active participant in the adventure able to use the very simple formula needed for the exact length of swinging rope (this never failed to make me chuckle).
I loved the concept of the library, and of the scribes. Talk about "blind copying"! I think in the end the reason I loved these books is because they were so *interesting*...something to see and think about on nearly every page.
For those that enjoy a good, active read where the author challenges you in many ways, I would certainly recomend this and the rest of the series.
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Natil keeps herself going because she has visions of Elves reawakening in the twentieth century--the only trouble is that these elves are this rather boring couple who spend all their time navel-gazing and talking about how groovy their new powers are. So anyway, they're the hope of the Elven race, and Natil goes on about her business, bemoaning her own lack of powers and still planning her departure from this world. Natil's self-pity blinds her to the much more dire plight of Omelda; I was sorely disappointed in Natil over this.
Eventually, all the major characters end up charged by the Inquisition. Description of nasty tortures follows. Some of the characters get a semi-happy ending, due to the fact that money conquers all, but the end suffered by one of the characters is absolutely pointless and depressing. Overall, the book sunk me into a morass of despair while all the while making me want to throw up. I wanted to wash my brain out with soap afterward. (Literally--after I finished the book, I had to read some pages of something else before I could sleep.) Perhaps this is the effect Baudino is trying to acheive. And yes, I know that these atrocities really happened to real people during those times. But there's no law saying I have to enjoy reading about it in detail. The scenes where Natil actually *does* something, for example when she plays the harp or when she stands up to the Inquisitor, are quite good, but you have to wade through hundreds of pages of gross-out to find them.
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