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The author seems to stay un-involved and to coldly inspect his subjects as though they were fireflies in Mason jars, or butterflies on pins.
The writing is superb, but the lack of involvment in the characters inner workings and lives, leaves these stories sounding like a girlfriend repeating a soap opera in the office, to someone who missed an episode.
I'll lay off with these last words. The author should look into his own heart and write real, breathing characters, not try to bring to life cardboard cutouts. No matter how excellent it is, it must heart. This book does not have heart, though it does have plenty of good writing.
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But I can understand why that myth is recounted here as fact: because it fits well into the author's over-all thesis that Evita was a power hungry woman who calculated her rise to the top. Whether she was power hungry or not, she did accumulate great power. But she did not, and could not have, really shaped any of the events that brought her to power (what brought Evita to power was her husband Juan Peron, and what brought Juan Peron to power was the situation caused by the embargos placed on Argentina by the United States; for further elaboration on this, I recommend Lawrence W. Levine's book INSIDE ARGENTINA FROM PERON TO MENEM). This author would have done better to have just described what 'was,' rather than trying to describe 'why' it was.
The difficulty in understanding Evita is that her life is so shrouded in myth. It's my opinion that a serious biographer would therefore steer clear of all "interpretations" of Evita (i.e., interpretations of her character and motivations), and focus on simply "hammering out" the basic details of her life (since they are in such great dispute, even 50 years after her death). Instead, the author of this book tried to portray her as something of a "romance novel heroine." The tone of the book is a little too stylized. The author even occasionally describes what Evita said to Peron behind closed doors when no one else was present, which is where it particularly takes on the tone of a romance novel because the dialogue is melodramatic. In addition, Peron and Evita never gave personal interviews regarding the private details of their relationship (this was the 1950s where people, especially politicians, were much less likely to talk about these things).
The best thing about this book is probably the collection of pictures, 16 pages in all (all black and white). And I don't mean that as an insult at all. This book actually contains some great reproductions.
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The background, the launch and the "accident" I found interesting. It was the tedium of the aftermath that I found dull. The lawsuits, the guilt, the lawyers, that followed...yawn.
I had high hopes for this book and was let down.
"The Return", is full of irony as it involves damage to a shuttle named Columbia. This is not cheap opportunism as this book was released a few years ago. This book attempts to include several large events in far too few pages. An event takes place and then is often resolved with little if any detail shared between the event and its resolution.
The work often has an annoying style that has a character involved in a dialogue and then commenting on what they are about to say, are saying, or have said. It leaves the reader feeling as those the same material is covered more than once. Meaningless issues like what type of fast food can cover more than a page or two, and in a book of 264 pages, that is an interminably long time.
I would be much more interested in reading non-fiction from Mr. Aldrin about how he feels America can effectively once again begin the exploration of space. I would like to know what he thinks about the Space Shuttle, The International Space Station, and whether these are worthwhile programs, and if not, what programs should be pursued.
Not many have the experience of Mr. Aldrin and I wish he was using the time that produced this book, to further the exploration, or at least the intelligent discussion of the exploration of space.
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Barnes here is adept at character development, and as I stated already the plot jumps around a lot but it is good. There is some very speculative physics in this book so this novel is not strictly 'hard' science fiction.
--Ricahrd Brodie, author, "Virus of the Mind"
Alot of negativity about this book, and I imagine much of it is well deserved. "Kaleidoscope Century" lacks a solid protagonist. The only character we have to latch onto is a complete sadist whose entire life is filled with committing acts of rape, murder in the name of....who knows what. Joshua Al Quarre is in it for no one but himself.
Lets face it. Barnes was having a bad couple of months while writing this book, but his genius shines through. Despite lacking in sympathetic major characters, Barnes blows through...well...a century of a very grim and plausible alternate future. Once the Memes show up (programs that are capable of re-writing the human mind), you are already blown away by this stunning and wildly inventive book.
"Kaleidoscope Century" is very short. I finished it in about four hours. But its a ride I tell you. If you can forgive heavily misanthropic themes and just enjoy the story, I guarantee you'll have a good time.
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Instead, Barnes has created a less than impressive, highly predictable, space soap opera set against a very loosely defined sci-fi backdrop.
Interested in reading about the pain of a messy divorce? Enjoy reading about bi-sexual threesomes? Find the endless rehashing of "Romeo and Juliet" a thrill? Waiting anxiously for a futuristic version of "Days of Our Lives?" If so, Merchants of Souls is the book for you. 352 pages of boredom awaits!
Despite being focused on the characters, there is little character development , except for the protagonist, and the book ends without us having much sense of who they are and why they matter. Even with regard to the protagonist, although we get a lot of biographical detail there is less reality to this character that other authors masterfully develop in a paragraph.
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