An excellent book with beautifully (yet disgusting) pictures of one of Britains best horror creations. It covers the photos and quotes of the first 3 films and foreword by Clive Barker. If you loved the films, get this book.

The best of horror. You can even smell the flesh and blood

There are excellent photos from the movies, especially of Pinhead. There isn't a lot of text so if you're buying it for that reason, you'll be disappointed. There is a good write up in the last chapter about the characters and how the story evolved. I highly recommend this to Hellraiser fans. By the way, the author's name is Clive, not Clyde.

This is an incredable story that flows seemlessly from first to last page. It has all the elements of a classic Grim Fairy Tail and some of the best Gothic drawings I've every seen. The charecters are so real that you end up feeling for all of them, and the discription of Mr Hood as a vampire of the soul could not have been more accurate. Not quite one to read to the kids but it's definatly one to read when the kids are asleep.

this book was the best book that i had ever read.
although ive probably only read about a minimum of 10 novels in my life this book was the best. Also, the audio cassette version rocks your mom. if you ever listen to an audio book I'd recommend this one.

A magnificant story! Filled with wicked demons, yet wonderful experiences that can only happen in the human mind. This story begs to be read, and should come with a bowl of pop-corn.

This is my second time reading this book, or rather two books now. It takes you on a wild ride. It's a journey you will be glad you took.

A epic adventure by author Clive Barker who is most noted for horror and suspense. Imajica, however, travels at a dizzying pace through fantastic realms and regions as Barker details the compelling story of one waking up to himself and the origin of life at the same time

This presentation really shows the potential of 3-D audio. It's all in the details. I was listening to this on headphones (the only way to get the full effect), and at one point a cuckoo clock goes off behind your right ear.

I turned around to see where it was! And I was outside!

It had nothing to do with the plot, it was just a little showing off on the part of the technicians, but that made it for me. As well, the scene at the end just envelopes you in the sounds of the hands.

I highly recommend it.

Mr. Hoppenstand takes us deeper into the fires of our own disturbances with Clive Barker's Short Stories: Imagination as Metaphor in the Books of Blood and Other Works. In this book, Hoppenstand carefully dissects one of the most interesting minds of our time, and uses his work for a reflection on the current state of our society.Barker is usually thought of as a chotic and violent storyteller, and while that may be true to some extent, Hoppenstand offers his own insight and perspective to show a tender motive behind the blood. In this light it is easy to understand how a poet resides in Barker's turbulent imagination. For those wishing to get more out of madness, Hoppenstand has provided us with a tool for understanding ourselves, and the actions of others.

The guide completly describes all levels, secrets, fighting tactics and of course, the walktrough. If you really want to get the most out of the game, I sugest that you get the book fast.

This is an excellent collection of Clive's artwork, and the text is just as interesting, focusing on Clive's view toward art. This is the first of a collection of 2 books that have the most extensive collection of his artwork that I have been able to find. I highly recommend this and Illustrator 2 for all fans of Clive's artwork

The fantastic artwork displays the delicate interweaving of man's fears and desires. It delves deep into our primal emotionsand at the last second we're left gasping for more.When they first began as short stories in the Books of Blood they were frightening enough, but now with the vivid array of images they become even more monumental.

More super stories from the great characters of Springfield! Here's what this issue has to offer:

"A Trip to Simpson Mountain": Grandpa tells a story of his childhood days before television that sounds oddly enough like a cross between The Waltons, Beverly Hills 90210, Leave It To Beaver, The Brady Bunch, and the Partridge Family (must be a coincidence).

"Kill-er Up With Regular": A classic Itchy and Scratchy short from the "1930s".

"Waitresses in the Sky": Patty and Selma lose their jobs at the DMV and end up living with the Simpsons. Can they find the job of their dreams at Mr. Burns' airline (you'll love the insignia on the planes) or will they break under the pressure (actually, the "No Smoking" sign)? Would make a hilarious T.V. episode.

"Apu's Incredible 96-Hour Shift (without Getting a Break)": The legend is true, but not so impresive considering Apu didn't have a customer for 95 hours and 54 minutes of the famed shift.

"What's the Frequency Simpson": Similar to the T.V. episode where Lisa and Bart co-anchor a kids' news program. In this comic, Bart and Lisa take over a public access channel to start a new sensation: SimpTV. SimpTV offers such entertaining and informative programs as "Geek Patrol" hosted by Martin Prince, "Bad Boy" starring Nelson Munz, and "In the Kitchen With Wiggum" where Ralph creates many tantalizing dishes involving paste. The television elite of Springfield (aka Krusty the Klown, Troy McClure, Bumblebee Man, Kent Brockman, and Dr. Nick) try to shut the renegade channel down.

"Bumblebee Man in !Ay, Que Lastima!": Short about the trying personal life of the yellow and black striped character we thought we knew.

"The Dame and the Clown": Dragnet take-off where Otto is Detective Friday and Moe helps Marge escape an abusive relationship to return to her true love (Homer the Sailor Man).

"Get Fatty": One of the funniest of this book. This comic has a topic similar to the T.V. show where Springfield is named the nation's fattest city. In this comic, President Clinton plans to shape up the country's fattest town with the "worst cholesterol count in modern history." He sends his fitness ambassador Rainier Wolfcastle (aka McBain) to whip Springfield into shape. The worst offenders must lose 10 pounds in two weeks or face the consequences. Can they (or, more to the point, CAN HOMER) do it?

"The Quest for Yaz": This comic continues the storyline started in the T.V. episode "Three Men and a Comic Book." Milhouse's dream is to own a 1973 Carl Yastzremski baseball card when he had big sideburns--but is Milhouse willing to steal to get it?

This is the first simpsons thing I had ever bought-and once I read it I went and bought a lot more>! This is one of fav. simpsons comics.

Waitresses in the sky is the only bad one in this book.A trip to Simsons mountain is the best.All the others are good too.

Arguably the best play of this collection is The History of the Devil. Where the other two plays are a nice potent dip into the macabre, the Devil is a mind-blowing experience that gets you where it hurts the most: your conscience. What is evil? What is good? Can we judge anything? It isn't surprising that even Dante has a cameo role in this play.

I would love to see this play in production somewhere near me. Although it would not be as visually appealing as the other two plays in Incarnations, since it lacks scenes of cannibalism and dismemberment for instance, it surely must be a wonderful experience to see the actual Devil on stage.

Nice to know is that the actor that gave live to the Devil in the World Premiere of The History of the Devil as presented by the Dog Company at The York and Albany Theatre, London, in 1979 was none other than Doug Bradley, the guy that plays Pinhead in the famous Hellraiser movies.

As a conclusion I can reveal that the end of the play as a very nice twist to it. This collection shows Clive barker at his best. A must read for all fans of the macabre.

A few years ago, I picked up a copy of PANDEMONIUM, a softcover overview of Clive Barker's works. While I found most of the material interesting, what blew me away was the first ever printing of Barker's THE HISTORY OF THE DEVIL. Quite simply, it is one of the best plays I have ever read. It is demanding, thought-provoking, funny, obscene, and brilliant.

HISTORY is centred around the trial of the Devil. It is not so much a criminal proceeding, than it is an evaluation of his works on Earth. If he wins, he may re-enter Heaven. And as his history is re-enacted on stage, lawyers both for and against his case struggle to find a legal way to keep him where he belongs.

As in most of Barker's works, a simple description doesn't do it justice. HISTORY is an amazingly theatrical experience, all rooted in one of the most intriguing views of the Devil that I have read. While not being familiar with the more classical works of Dante and Milton, I can say that Barker's Devil is a far more satisfying and frightening figure than the demon presented in Anne Rice's MEMNOCH THE DEVIL. The play also presents one of the most original and shocking endings I have ever read, in a play or a novel.

The other two plays presented in INCANTATIONS are a mixed bag. FRANKENSTEIN IN LOVE is the more satisfying of the two. In a re-imagining of Mary Shelley's work, FRANKENSTEIN occurs in third world dictatorship, full of chaos and mystery. If I am not as enthusiastic as I am about HISTORY, it is that Barker's ideas in FRANKENSTEIN don't wholly combine. It has humour, horror, an astonishing amount of gore (I don't know HOW this would ever be staged), but by the end, the horror has taken over the story. It leaves you wishing for more of a coherent ending. Still, some scenes do remain in the mind, especially the scenes involving the dead, but still animated narrator.

Barker's third play, COLOSSUS, is the least of the three. Ostensibly, it surrounds the Spanish painter Goya, as he stumbles around after a tremendous bombing has destroyed a large portion of an estate. As I don't know anything of Goya, I can't speak as to the effectiveness of the sets in bringing out the mood of his paintings, as Barker suggests. But the play doesn't hold water. It is a amalgamation of confusing characters and odd dialogue. It has an unfinished feel to it. As this was one of Barker's earlier works, perhaps he can be forgiven it biting off more than he can figuratively chew. But as a published work, it functions as a curiosity, not a fully-formed play.

Still, Barker is one of the more interesting writers around. He's always willing to try and push the envelope, instead of resting on his laurels (anyone read Dean Koontz lately?). Read FRANKENSTEIN IN LOVE and COLOSSUS for the ideas. Read THE HISTORY OF THE DEVIL for the experience. It really is that good.

In the realm of books filled with a play (or plays) this one is a real delight. Barker always satisfies in drawing the reader into highly imaginative realms of mythology, psychology and suspense - with wonderful surprises along the way.

If you are in the mood for a handful of soul stirring plays, I recommend this one along with The Walls Came Tumbling Down by Wilson.

My only complaint is that Barker's usually intriguing forwards sometimes give too much away, akin to a reviewer who provides just a tad too much insight. However, one could save the forward for after the plays.

Barker is a literary genius who spins the most amazing stories. To visualize them as theatrical releases on the stage is very intriguing.

Great work.