After hearing Leroi Jones on Sunny Murray and the NYAQ's records, and reading little excerpts of some of his reviews in books on free jazz, I thought I'd pick this up and check it out. I did; it was OK; but not much more than OK. I felt like most of the information available here is readily found elsewhere, and that any new perspective he brings to the issues (meaning basically a black nationalist/radical one) is easily enough visible in other places--better to read Fanon or Malcolm X than to let that music play in the background in a jazz book like this one. If that's your taste you might be better off with John Szwed's book on Sun Ra. This book is OK though, and if you haven't already read a number of jazz books you might find it fresh and interesting--I simply didn't. Well written though.

Too often, Baraka is critiqued for his artistry or his politics alone--with Black Music, the floor gets opened to anyone or everyone with an opinion on jazz or blues music. Black Music is Baraka's smart, personally charged account of the forms and culture inherent to black music, and thus its political value as a testament to a nation within a nation. Reading Baraka's intimate thoughts on such a personal subject should be the sole impetus for the reader.

this is a very nice book. the design is not that great, but otherwise it is great. the art and pictures are very nice. the book was published in 93 so it shows a lot of earlier work by this very important artist. essays by baraka and mcevilley are insightful and should be read by anyone interested in art, black culture, or the politics of art and race. dial is in the 2000 whitney biennial, and this book makes you wonder why he wasn't in it earlier. the titles of the works alone make this worth reading. another book of note very much worth reading is souls grown deep: african american vernacular art of the south, published by tinwood books.