The book is beautifully printed and bound, but the photographer (Mott) uses almost exclusively head and upper-chest shots of the statues. In the rare occasions where the full body is displayed, a side or back view is often shown. Half of the photos are in color, which is a waste. These statues demand black and white film. Only a small fraction of the 60 statues were photographed. Luigi Ballerini's long (6 pages) piece was so long-winded and convoluted, I had to read it three times and I still don't understand what he was trying to say. For such a short book, I was surprised to find detail shots of a hand with a ball in it and a hand with a discus in it. What is the point? The 8-page article by Michelangelo Sabatino was interesting, but I would have preferred more full shots of more statues instead. Mott, clearly, has spent too much time in the United States to have an understanding of the meaning of eroticism. I'd love to see these statues photographed by a northern European!

This book reveals a little known part of Roman and Italian history that is incredible. The photos and the information presented are fascinating and this book makes a wonderful addition to any collection of art books, photographic volumes or Italian cultural texts. The composition and presentation of the photographs is truly striking and erotic without being in any way prurient. It is absolutely a true work of art about incredible works of art!