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Baldacci, like any good writer, has written a strong beginning; elderly, real-life burglar Luther Whitney, engaged in his criminal occupation, is caught in the web of a powerful spider while attempting to burglarize a home, but instead is forced to watch a brutal murder in which Alan Richmond, President of the United States is intimately involved. The reader is quickly hooked and steadily reeled in, until there is no way out for him but to read on to the end.
Protagonist Jack Graham, young lawyer and former lover of Luther Whitney's daughter, Kate, is inexorably drawn into the events by his desire to help Kate and her father, and, if possible, re-build the lost relationship he once enjoyed with Kate.
Seth Frank, chief homicide detective in the county where this crime occurs, is propelled by a sense of duty, as he attempts to piece together the clues that will unravel the mystery and reveal the perpetrator.
But, it's through President Richmond and the people around him that we are shown what this novel is really about. These people are all moral relativists. They neither believe in any objective standards, nor do they believe that truth exists. This is a dangerous combination of faults in anyone, but it's particularly dangerous when present in politicians or those in positions of power.
President Richmond is a man corrupted by the power of his office. He mistakenly believes that the most important person in the world is himself, and that he can do anything he wants to do. His top assistant, Gloria Russell, is driven by her lust for Richmond and a misguided quest for shared power. Secret Service Agent Bill Burton, victim of a sense of loyalty, does the expedient thing again and again, until finally he understands that a life without self-respect is a life not worth living.
This is an adult story for adult readers. Lord Acton is often quoted as saying, "Power tends to corrupt. Absolute power tends to corrupt absolutely." It's from this famous quote that Baldacci's title is drawn. But let's not forget that power, no matter how absolute, will only corrupt if its possessor is devoid of high standards of morality. Freed of the sound restraining influence of moral values, a person can and often will exercise power badly. The result? Strife and turmoil in his own life and in the lives of those around him.
I heartily recommend this book to anyone who wants to learn more about the dangers of moral relativism.
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Lou and Oz live in New York city with their parents, until an accident kills their father and leaves their mother in a deep coma from which the doctors don't think she will recover from. They have to move from the big city to the country in Virginia to live with their grandmother, whom they have never met. Lou and Oz first resist the new setting but soon learn they better adapt or the struggle will only get harder.
Lou learns that even though she will always be a big sister, she needs to let her brother be his own person. Oz learns he needs to grow up, in the sense that he is the youngest but he's not a baby any more.
I look forward to reading other books by Mr Baldacci and hope they are a good as this one.
In 1940, Jack Cardinal dies in a car accident that leaves his wife Amanda in a coma and his two children, Lou (short for Louisa) and Oz (Oscar), without a caretaker. Lou acts on her parents' last conversation and suggests the surviving family members go to Virginia to live with great-grandmother, Louisa, whom none of them has met. So off the three go: Lou, Oz, and comatose Amanda. There, Lou and Oz discover a hard but rewarding existence in the mountains where coal and poverty rule. They come to love Eugene, also known as "Hell No", Diamond who is a resourceful but uneducated orphan, and, most of all, Louisa herself, who has many lessons to teach the children.
Although the plot is somewhat predictable and Baldacci populates his Virgina mountains with a supporting cast of types (the greedy coal company men, the abusive man who tends to his mare's foaling despite his wife's difficult - and simultaneous, of course - labor, the black man who gets respect only from the good guys), Baldacci goes further with his main characters. Pre-teen Lou is well imagined, even if she sometimes acts too old for her age. Louisa, Lou's great-grandmother, has the most commanding presence of all the characters, with her mountain hardness tempered by a generous heart; her past and present all feel real, true to life.
You'll enjoy this book as long as you don't expect high literature. Baldacci knows how to tell a story, and how to tell it well, leaving his readers with a firm sense of resolution. You won't find page-turning suspense here, as you will with his other bestselling books, but you will discover a new side to this author. As a literary novel (which some people claim it is), I would give it three stars; as a mainstream commercial one, I'd give it five.
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I've read all the reviews posted here, and there is some truth in each of them. The beginning is brilliant, terrific stuff as the protagonist and the reader begin sorting out the clues. A real thrill!
By the time the hero links up with the FBI, the tone changes tremendously, partially because the central character is no longer leading, he is following the action, which is always dangerous for a writer to attempt. What keeps you alive in the middle of the story is the gnawing suspicion that you know more than anyone else. (As a reader you'll sense it's coming too easy for everyone.)
Finally when the hero reasserts himself the thrill comes alive again, especially at the trap for the pedophile. While I found the web-pedophile story almost engaging, I sensed the author did not care enough about this character; he was the thinnest character in the book, when he needed depth. The female FBI agent, Rachel, was sexually appealing, and more emotionally layered than I expected.
As for the ending, I had expected the vast majority of it -- if for no other reason than that every other answer/ending was too easy and lots of mysteries/thrillers try to be too tricky. Usually less tricks, more flesh is better (easier said than done, I know). But all in all a great summer read
What's good about the book? Great gritty descriptions; interesting characters; great dialogue; very interesting plot. It's the sort of thing that will captivate you if you're interested. And you have to pay attention. Some reviewers have bitched about the book, saying "people can't kill or hurt someone else while under hypnosis". That's true. But, if you read carefully, no-one in the book does. Other people complain about the ending being totally "fake" or "unpredictable". If you pay attention as you read, you'll notice a number of subtle clues that point the way. Probably too subtle for some. Re-reading this book is like watching "Basic Instinct" or "The Usual Suspects" a second time; you get a lot more out of it. And some people complain that the plot has holes -- on reflection, I can't agree. I thought it was very tightly (and very well) plotted. Things pull together at the end, not apart.
The bad parts? There aren't many. ....
All in all, grab this book. If you like it, or even if you like most of the book but not the ending, you will like Connelly's others.
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Jackson, while a very interesting foe, is just too much to believe: He's a mastermind in chemistry and poisons, a regular Boris Karloff of disguse, and more stealthy than a ninja warrior. LuAnn Tyler is almost as unreal as she turns from uneducated single mom to killer millionaire in the span of ten years. At least she manages to keep her sense of humor and brash attitude throughout the story. Toss in a former FBI agent (now living under the witness protection program) as LuAnn's love interest and a former boxing pro turned bodyguard as the "uncle" to both LuAnn and her daughter and you have the makings of a very well-rounded cast. However, the novel is plagued by coincidence after coincidence from the beginning. Start with LuAnn's first boyfriend's murder, cementing her decision to accept Jackson's offer as she believes herself to be a wanted fellon, up to the climatic ending set against a cliff which just so happens to exsist on the backside of LuAnn's estate in Virginia...? Or there's the journalist that pieces the fixed lottery story together that also happen's to be Jackson's sister's boyfriend. Makes me kind of think that this is David Baldacci's only way to move a story along. In any case, "The Winner" isn't a complete loser as it moves along quickly and with decent dialogue, something most suspence novelists can barely pull off.
'The Winner' starts off with an unavoidable picture of endless poverty- full of despair and hate. Later it becomes a statement on the extremely rich people not being happy at all. LuAnn Tyler, the sympathetic heroine of the story, lives in a trailer with the ever-drunk boyfriend and her baby daughter. Unexpectedly she receives an offer of hitting the jackpot in the National Lottery. What sounds like a fairy tale evolves into a true drama about false identities and relationships. Of course a love story is included as well as action. And there's also the evil mastermind Jackson with a wide, admirable range of talents and abilities. The characters in common are very colorful. Another good aspect about the story is that the author touches a real problem- the lottery. This book relieves the fact of the lottery being closed some centuries ago because of the corruption in it...believe or not believe, but I haven't bought a lottery ticket since having read 'The Winner'.
'The Winner' is an excellent book that wants to be read by you... but be warned, this story is likely to destroy some illusions of life you may have.
Have a good read!
In this offering, Baldacci takes the typical American family, Sidney and Jason Archer and their little daughter Amy, and pits them against corporate greed at its worst. Sidney (the wife with a man's name) is a corporate attorney. Jason, the husband, is an executive with a technology company. Since Sidney is working on a deal that will merge her husband's company with another major technology firm, she is privy to many things that could lead to trouble. Jason, on the other hand, is struggling to make more money so that his wife can become a stay-at-home mom to their daughter. While this concept is characteristic of many American families, sometimes this drive can lead to a downward spiral of events from which there is no return. When Jason disappears, it is up to Sidney to try to clear his name while trying to save her own job at the same time. This book is replete with all the scenarios that followers of the thriller genre have come to expect. There's a plane crash, a car chase, espionage, kidnapping, phone-tapping and the usual sinister characters you find in most of Baldacci's books.
I read most of this book on the plane traveling from Minnesota to Philadelphia. It never seems to fail that when I'm flying, I'm usually reading a book that involves a plane crash. The good thing about this book is that it is so fast-paced that I arrived at my destination without even realizing I had been in the air over three hours. If you're looking for something that is suspenseful and believable, I think you'd enjoy this one. I'd like to add that as I looked around to see what other people on the plane were reading, I was not surprised to see other readers with Baldacci titles in their hands. I guess he's come a long way since that first book back in 1996. Kudos to you David Baldacci for your well-deserved success.
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As in all previous Baldacci books, he tries to incorporate romance into them. No. Don't do that. Leave it out. It hurts the book. If my brother was blown away, I wouldn't be sleeping with another woman half a week later. It's unrealistic. Rufus, on the other hand, is a great character. The best chapter in the book, I think, is the first one. I read it about three times. I loved the beginning, and the end was okay. The dialogue analyzed the characters in itself, but Baldacci uses profanity when it's simply not needed. Profanity is used, in writing, to subdue emotions, to bring out feelings, to support the dialogue or a scene, not for chit-chat. It's pointless. All in all, despite some minor flaws and cliches, I'd give it four stars. It was good reading, and worth the time spent reading it.
Keep it up, Mr. Baldacci.
I found this book to be a very entertaining read, with pretty good characters depth, and enough plot twists to keep things interesting and not too shallow. In fact, I read it over the course of one day (I was sick and had nothing else to do). The only problem that I had with this book was the manner in which the author chose to construct the "love story". It was so far outside the realm of likely that I just found it laughable. Indeed, I wish that many authors who write these types of books would simply get over the need to construct elaborate and unlikely love stories. Even with the two main characters being male and female, it would have been perfectly okay, even somewhat refreshing, if there was no romantic relationship between them at all.
Otherwise this was a highly entertaining read that I would recommend to anyone looking to kill a day or two.
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The book is too long, padded with all the things you didn't buy the book to read about. Now, I'm not going to holler and say that Baldacci has turned bad and that I'll never read another of his books; that would put me in Web London's league. But I did find this outing to be so different from his earlier efforts that I hope it was just an abberation. I just hope his next one is more like the earlier books;I need this sort of book to endure the Washington, D.C. Metro every day and I'm sure that Mr. Baldacci has more great books in him.
The problem with this book is that, while normally we get characters doing interesting things, a plot that moves more or less smoothly, heroes and heroines who push the limits, here the reader has trouble just figuring out where this thing is going and why. Web London is a law unto himself, does what he wants and gets away with this somewhat childish behavior. In fact, had someone else been on the case, followed the leads instead of running amok, the case could have been solved in 300 pages rather than the Tolstoyan 640 pages it took to get to the anti-cllimactic ending. Cars and guns aplenty. Not much else.
Then, Mr. Baldacci and Mr. Grisham, at nearly the same time (last year) decided (allegedly independently) to write completely off-topic books. I did read Grisham's entry, "A Painted House." I am not completely ashamed to admit that I haven't read Baldacci's "Wish You Well." (...)
Anyway, Last Man Standing (LMS) is still a departure of sorts for Baldacci. His previous books dealt with government intrigue, with occasional forays into other areas. This is a book about an FBI agent. Specifically, and FBI Hostage Rescue Team operator.
Now, yes, I just reviewed a non-fiction book about the HRT (Cold Zero), I know. However, it wasn't until I finished the book and read the very last acknowledgment -- where Mr. Baldacci gives a big old wet kiss to Chris Whitcomb, the author of Cold Zero -- that it hit me how directly he was involved. (Mainly because, unlike the acknowledgments to "bit" players like his editor and agent, he says that he could not have written the book without Special Agent Whitcomb's direct assistance.) I should have figure this out when I thought, while reading, "Hmmm, Baldacci uses the same descriptions of HRT tactics that I read in Cold Zero." But I just assumed that the HRT was a popular topic nowadays and the similarities were just coincidence. Silly me. Unfortunately, the HRT descriptions are executed a bit mechanically... it's a bit of an instruction manual -- no, more like a lecture -- than a novel. The meat is there, but it's just not flavored right.
This book is about an HRT guy who survives a set-up where the rest of his team is massacred -- making the protagonist, as you might suspect, the last man standing. (Though, technically, he's prone for part of that time.) As any good survivor of a massacre, he is then accused, alternatingly, of being a coward and a traitor. He must, as any accused traitor, clear his name. And as any alleged coward, he must also seek psychotherapy.
Thus, Baldacci weaves a plot that brings in FBI investigations, HRT tactics, the narcotics business, horse farming, psychiatry and taxidermy into one book. (Let's see Tom Clancy do that... But first let's see if he wants to.)
As confused as it sounds, it's executed well. The plot, more or less, consists of our flawed hero (but aren't they all flawed? Otherwise they'd be, let's see... Jack Ryan, who apparently has NO flaws. Take that, Mr. Clancy.) trying to figure out who set up his team and how he lived through the event? Suspicion shifts from drug overlords to a variety of FBI higher-ups, to friends' wives to odd neighbors to white supremacists. The author does leave a number of clues -- and red herrings -- throughout the story to make that endeavor more challenging. I had it pretty much cracked -- but not quite -- about 100 pages before the author began to reveal the intrigue. Even then, I didn't see a couple of the last-minute twists, making the last couple chapters much more satisfying than I expected.
The book oscillates, scene-wise, between the rough areas of DC (Anacostia), FBI offices, and Virginia horse country (someone has to have money in these books). We mostly follow the protagonist through the book, so the frequent perspective changes that mark this genre are absent... making it a lot easier for the reader to keep up.
I'd recommend the book, but only if you can buy it at a discount (...) or wait 'til paperback. If I'd paid full price (and I didn't, and generally I don't ever), I would be a bit put off. At 50% off, you get just the right amount of bang for your reading buck.
And it ends with the perfet set-up, should Baldacci break pattern, for a sequel...
For those of you who are intrigued by the genre, but have not read his previous work, I'd pick up one of his earlier books in paperback and see what you think. Absolute Power was 100% better in print than on the silver screen. Total Control was completely engrossing. The middle book -- The Winner -- the middle of those books -- was absolutely fascinating, with more interesting character development than I'd read in a long time. The next two were also very good, but I honestly don't recall my exact reaction... they were also much more chacter-centric (versus plot-centric) than the first two (which were big conspiracy sort of stories).
Happy reading!
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- smart, attractive female lead from hard-knocks upbrining who's making it on her own
- older father figure who acts as mentor
- cardboard cut-out bad guys from the federal government, complete with extraordinary powers
- elite international assassin who screws up his hit on our lovable female lead
The list goes on. Don't get me wrong - this isn't an entirely unlikeable story - it's just that it doesn't break any new ground. The characters are straight out of central casting - the strong but lonely PI, the about-to-be-divorced loner FBI agent who's fighting the system for what's right, etc.
The story moves along at a good clip, and the last 1/3 of the book is quite entertaining. There are a few twists that you may not see coming - and I won't reveal them here - but nothing earth-shattering.
Baldacci's at his best when describing the political system (he once practiced law in DC and knows quite a bit about the Hill). It's when he writes in intricate detail about a certain type of custom-made bullet imported from Europe for the assassin, or when he goes on and on about what type of gun someone is using, that he strays off-target. This isn't his area of expertise - it's as if it comes from someone else verbatim. He may have done his homework, but does it really serve the story?
Overall, this is a decent beach book. Not nearly as good as some of Baldacci's better books, but still a good read.
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This is a coming of age story. It is the story of the Cardinal family, as seen through the young eyes of twelve year old Louisa Mae Cardinal, known as Lou, a precocious twelve year old, whose father is a highly acclaimed writer of note with great literary distinction but little commercial success. She lives with her beloved father, her mother, and her younger brother, Oz, in New York City. The year is 1940. The family is on the brink of moving to California, when tragedy strikes, and the lives of Lou, Oz, and their mother are forever changed.
Lou, Oz, and their now catatonic mother go to live with their paternal great-grandmother, Louisa, for whom Lou is named. This no nonsense, strong willed, loving matriarch lives high up in the Appalachian mountains of Virginia, where Lou's father grew up, and that is where Lou and Oz will now grow up. They are strangers in a strange land, big city children now living on a farm without electricity, running water, or central heat. It is there that Lou comes of age and, together with her brother, Oz, has many new experiences. They are experiences that provide rights of passage and life lessons in friendship, loyalty, loss, and redemption. She gets a large dose of the good, the bad, and the ugly in life.
While there, big business threatens their way of life and pits the townsfolk against each other in a struggle for survival. It is a struggle that sees Louisa take a stance that will, ultimately, be the death of her, leaving the children to cope with their mother, who is physically sound, but locked in her own mind since the tragedy that changed their lives forever. The interests of big business and those of the Cardinal family clash in a Virginia courtroom in a riveting drama that is not easily forgotten. With the help of a family friend, a humble and kindly, country lawyer, things are, eventually, put to rights.
This well written book has richly drawn characters and a sensitive and descriptive narrative that transports the reader to another time and place. It is so evocative of the hardscrabble, mountain existence, so as to make the readers feel as if they, themselves, were experiencing it. It is a sentimental journey that is calculated to tug at one's heartstrings. It is a journey, however, well worth taking. With this book, the author has set himself apart from the pack and proclaimed himself a true literary talent.