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This book is just awesome in terms of content and an absolute must for any owner of this wonderful graphics software. Not only does it contain all the technical information you're ever likely to need, Stephanie has generously provided "Active Learning Exercises", which elevate this book from "manual" status to a wonderful learning tool and a darned good read...something you don't normally find in books of this genre.
I have been using PhotoImpact for about five years now and pretty much know how to make it sing but with "Wizardry" now on my desk, the whole choir has come to town!!!
It is without doubt, her best book to date and the only PI reference book you'll ever need.
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Gwyn Thomas is the ultimate literary craftsman. Words came easily to him and with just a few well chosen sentences he can evoke a mood, a time and a location. His books are like roller coasters. He takes you to the places he writes about. His characters become real people and, through him, you share their passions. I have absolutely no hesitation at all in recommending this book to people who love books. It is an absolute classic and when you read it you will understand why Sir Anthony Hopkins was willing to take a massive pay cut to appear as Gwyn Thomas in the BBC film of the book.
The man was a genius. Buy this book. Read it and tell your friends about it.
Also, make a special effort to see the excellent television program from the BBC based on this book. Anthony Hopkins is at his best as Thomas.
This book, and the television production noted above, is a must for lovers of literature and humor. These works should have a much wider audience.
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The accounts of these battle scenes expertly evoke the sights and sounds of air battle. Flak barrages, numbing cold, hurtling fighter planes trying to shoot Lamore out of the sky; it really feels that personal. We feel the relief of the arrival of American air cover, we are heartened by the sight of safe haven, and we are awed by the courage it took to fight off the sheer exhaustion and fear, just to get back up in the air and do it all again.
When Lamore's plane was downed by a freak accident over France, he was sheltered by local people, evaded Nazi search parties and was recruited by the French Resistance. His training in munitions made him valuable in sabotage operations, and for a while he lived an dangerous and exciting undercover life.
His sudden betrayal to the Gestapo led him to the hell-on-earth of the Nazi prison camps. The physical and psychological tortures and a dipththeria epidemic took their toll, but Lamore survived with his spirit intact, finally escaping from a death-camp on the German-Polish border. Luckily, he encountered the advancing Russian Army, and joined them as they pushed the Germans back towards Berlin. He found he was traveling with a Mongolian Terror-Troop unit. It is not often that Americans can read of the Russians' contribution to winning the war, let alone the Mongolians', and these passages are memorable. I found myself wondering what it was that made Mongolian fighting methods seem even more barbaric than the Europeans'. Was it just the context of European soil? Or some holdover from the 'chivalry' of classic European-style warfare? Were they more likely to kill you than any other soldier? Whatever it was, they scared the hell out of the Germans.
One Man's War contains another unique twist - a love story in the midst of horror. The Russian unit liberates a women's prison camp, where unspeakable crimes have been committed. Among the freed prisoners is a Polish woman, Rosa, who speaks English. She and Lamore fall in love, comforting and healing each other as they continue onwards with the Mongolian unit.
Eventually, the cease-fire is announced and Lamore makes contact with British troops. He and his beloved Rosa make their way to Paris, where Lamore's dream of bringing her to the States is dashed. Rosa knows she must return to Poland to find her family. Lamore has to let her go, with just a ring to remember her by.
The final episode in the book is also the final straw. Lamore is ordered to return to the death camp from which he escaped, to help the Red Cross document the slaughter that happened there shortly after Lamore's got away. The sight and smell of the place, the memories and nightmares it evokes, push Lamore over the edge into deep despair and fatigue, and he is shipped back to the States.
The sad, but essential, message of this superb story is the horrific toll that war takes, even on the victors. Here, in this book, we witness the worst depravities of which we are capable, the despair and the clawing fear, the paralyzing exhaustion. But also, the hope that even in the midst of the hell we create for ourselves, there is redemption in love, even if only for a while. Lamore was deeply affected, as any sane person would be, by his experiences, but around his neck until he died in 1997 hung the ring that Rosa gave him in Paris.
One Man's War is a finely-written book. Congratulations to Dan A. Baker for capturing Tommy Lamore's unique story so brilliantly, and bringing it so vividly to life.
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Knowing that the book was written with PhotoImpact 4.2 users in mind, and that Ulead, the program developer, released PhotoImpact 5.0 almost concurrently with publication, I was curious how useful the book would be for someone with the later version. I found that about 65 percent of the books' lessons were directly applicable to version 5.0. But there is hope for the other 35 percent. Reading the back cover, I found a URL listing the author's web page. Users who have questions about version 5.0 will find a full array of helps, including a way to contact the author, and a bulletin board, which I now use regularly.
Layout of the book is accomplished by describing each menu item and its' capabilities. Later chapters do the same process with the various tools provided in the program. But this isn't just a book to read, it is a book you do. After each chapter, the author includes some exercises to reinforce the concepts just taught, adding to my overall learning experience.
I found the book informed me of program features that I wasn't aware of, or had little knowledge of, just by going through the chapters. Most pages have helpful screenshots, which allows me to learn anywhere, even if I'm not sitting at my computer. In addition the type is large enough for anyone to read easily.
If you are in the market for a easy to read, informative tutorial book on Ulead's PhotoImpact (regardless of the version), look no further than Fun With PhotoImpact 4.2. I give it a 5 star rating, and a two thumbs up.
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The book takes you "by the hand" so to speak and walks you through how to use most of the frequently used functions in Photo Impact. But the best part of it is that YOU get to apply what you've read about in the exercises at the end of each section.
Photo Impact isn't a difficult program to learn to use in the first place, but this book brings a lot of things together far more quickly that you could probably pick them up on your own unless you've had prior experience with photo Impact programs or photo imaging software in general. I guess what I'm saying here is that even someone fairly new to didgital imaging and Photo Impact could get through this book without becoming totally lost.
My only complaint is that all the pictures, examples, etc. are in black and white. I'm a firm believer that books relating to didgital imaging have at least some to most if not all the pictures, examples, etc. in color.
Other than that, this is a good buy and a good read.