In his historical series the Kent Chronicles author John Jakes wrote about the Battle of the Alamo (in "The Furies" I believe) from the perspective of a fictional woman who survives, but is lost to history. In "Susanna of the Alamo: A True Story" he revisits this story in fictional form again, but this time telling the story of Susanna Dickson, the wife of Alamo defender Almeron Dickinson, who actually did survive the battle along with their 15-month-old daughter Elizabeth. The story Jakes tells spends as much time on the aftermath of the battle and what happened to the Dickinsons, which is significant because usually the story most students read in juvenile histories about the Alamo skip to the victory at the Battle of San Jacinto where San Houston's troop yelled "Remember the Alamo!" Jakes tries to avoid the legends that still exist about the story of the Alamo and stay faithful to the historical record, but admits gaps exist and some "facts" exist in different versions. Jakes tells of Susanna Dickinson's recovery in the hospital, her meeting with Santa Anna and the message he had her carry to Sam Houston in Gonzales. She tells the leader of the Texan army what happened to her husband and the other defenders of the Alamo. It is from that conversation that Jakes crafts a compelling idea that Susanna Dickinson played an important role in the quest for Texas independence. The book is designed and illustrated by Paul Bacon, whose pen and watercolor pictures capture the times and tenor of the tale. This is not the first book a student should read if they want to know about the Alamo, but once they have learned the basic history of these events they will find this version by John Jakes adds something to their understanding. Furthermore, I would suggest that adults interested in the Alamo would find this book of great interest as well. Susanna Dickinson remarried and never spoke of the Alamo again until late in her life and lived until 1883. In his talent hands, Jakes makes this woman more than a footnote to history. This book is what we would call a grace note.

As all other books start off, you'll start with a project and more elements are slowly added in as you go thru each chapter. Of course there's the usual side notes, explaining certain tips, concepts and more advanced features. It starts off with the basic controls, but doesn't get carried off by explaining every single one, which can be good or bad in a way.

The book goes with idea that if you know some of the controls, you can figure out the rest. After dealing with various multimedia features of Director, it finally reaches the Lingo language, but rather than explain the basic semantics, its starts quickly with functions and procedures which hopefully can be figured out later.

If being proficient in Director is what you aim to be, then this book is definitely a good buy. But if you're more into average projects with decent animations, and yet can't be bothered reading too much or knowing too much too early, then you'll be better off with the Visual Quickstart book. I found that after covering more than half the book and finally reaching the Lingo chapters, I stopped coz I felt I didn't need to know all that unless I was doing hardcore projects. Besides, its also cheaper than other books which are just as THICK.

I have both this book and Director 7 Demystified. They both have their strengths and weaknesses but if I had to choose one out of the two, I would definitely go with the Director 7 and Lingo Bible. It has more real-world examples and techniques than Demystified and is much easier to read. In fact, it was my initial frustration with the Demystified book that lead me to search for a better one.

I just finished my first real Lingo project about a week ago. The project required an undetermined number of sprites to be created and used and thus I needed to use objects to create and control sprites. Although Demystified goes into Object Oriented Programming, it stops short of explaining how to apply it to dynamically creating sprites (as would be required for any game-type application). The Bible, on the other hand, was clear and precise about this and led me to finally understand OOP and how to control sprites using OOP in Director.

Demystified is not a bad book, don't get me wrong: It is huge and has lots of information in it. I just find that the Bible constantly has the answers I'm looking for as I work on real-world applications whereas Demystified, in spite of it's size, frequently doesn't.

I turned to this book after making the mistake of buying Lingo Sorcery to learn object-oriented programming in Director. It was a great relief to find (at last) a coherent introduction to OOP in Lingo, with lots of examples in the text and code on the CD. The rest of the book is terrific, too.

reading the book of pavlik, one can hardly find something uncovered. however, this almost exhaustive approach and the restrictions imposed by the economy of a book limit the depthness of the coverage. i encourage you to read this book if you know what it is about or you want to know what to know! flavius chircu (fchircu@blue.weeg.uiowa.edu)

John Russell wrote this "biography" while Francis Bacon was very much alive and tends to emphasize the influences on Bacon's work more from an environmental standpoint than an art historian view. But to jump into Bacon's raucous life "in medias res" is a gift that now can be savoured, like picking the grapes off the vines that in years to come will become a fine vintage wine. A diversion, and only in black and white reproductions, but a rather important comment in retrospect.

Like many biographies, Russell's work concentrates more on the man's times than on the man himself. While we learn a lot about what was going on around Bacon, what he himself experienced is left unexplored. Granted, Bacon made gathering biographical information very difficult, but I would have appreciated more insightful analysis of Bacon's life and its connections to his work. Overall it is a very good introduction to Bacon's career and total output, and includes a huge number of pictures that make the book extremely valuable as a reference. Unfortunately though, while there are many color reproductions, they are outnumbered by black and white ones that take away from truly experiencing the power of Bacon's work.

Well i really think that Francis Bacon is a great artist. I just stratid reading about his art work and he has so many goos drawings like Henrretta Moraes, and his selft portrait. They are veri nice drawings.So i really think his greatt.