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This is a memorable book for two reasons. First of all, the poems are impeccably crafted, and the imagery is compelling. Some are soothing, some are thought provoking, and some disturb - but all are worth reading and savoring. Additionally, Johnston is addressing themes that are always important to us, having particular resonance at a time when our lives are greatly troubled.
One theme is that of dislocation or removal from the familiar and loved, with the attendant feelings of nostalgia and longing for what once was. Johnston's book title "Exile" speaks of his experience leaving Ireland for the Americas, and his most poignant poems deal with his feelings of longing for family and home ground.
Another theme is that of conflict, especially conflict from within - within oneself, within one's family, and within one's culture. While the poems that address family tensions are moving and familiar, some of Johnston's most powerfully horrifying poems speak of the violent and senseless conflict in Northern Ireland.
Ultimately, Johnston weaves these two themes together by posing what I believe to be the central question of the book: Will the fact of conflict spoil his image of the past, impairing his ability to remember happiness? Johnston's preface is entitled "Exile, An Exercise in Memory." This suggests to me that he finds it imperative to work or labor at retaining those memories that provide healing.
Johnston also includes poems that provide an antidote to the sorrows of displacement. His imagery from the natural world is particularly soothing. In a section of the book entitled "Holy Ground," the poem "The Garden" offers us this closing appeal:
.....
Oh, sister,
This season too will pass.
When you see the snowdrop,
Healing begins.
One theme is that of dislocation or removal from the familiar and loved, with the attendant feelings of nostalgia and longing for what once was. Johnston's book title "Exile" speaks of his experience leaving Ireland for the Americas, and his most poignant poems deal with his feelings of longing for family and home ground.
Another theme is that of conflict, especially conflict from within - within oneself, within one's family, and within one's culture. While the poems that address family tensions are moving and familiar, some of Johnston's most powerfully horrifying poems speak of the violent and senseless conflict in Northern Ireland.
Ultimately, Johnston weaves these two themes together by posing what I believe to be the central question of the book: Will the fact of conflict spoil his image of the past, impairing his ability to remember happiness? Johnston's preface is entitled "Exile, An Exercise in Memory." This suggests to me that he finds it imperative to work or labor at retaining those memories that provide healing.
Johnston also includes poems that provide an antidote to the sorrows of displacement. His imagery from the natural world is particularly soothing. In a section of the book entitled "Holy Ground," the poem "The Garden" offers us this closing appeal:
.....
Oh, sister,
This season too will pass.
When you see the snowdrop,
Healing begins.
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In this book, the editor of the papers of John Calhoun tells the story of one of the defenders of Calhoun's principles, James Johnston Pettigrew. The portrait is of a man who is engaging and noble.
When you visit Gettysburg, stand at the North Carolina monument and gaze across the field at the copse of trees; you will be standing at the spot where Pettigrew and his men began their march to glory. As Wilson's portrait of Pettigrew makes clear, and as any serious and honest student of the struggle for Southern independence should know, these were men who fought for a variety of reasons. In Pettigrew's case, it was to preserve a substantial measure of the world that America had inherited from Europe against a foe bent on destroying that world in the name of an abstract principle.
These were not, in short and contrary to the simplistic explanations of the conflict that dominate public discourse today, men who marched into the cannon's mouth with dreams of masters whipping slaves in their hearts. On the contrary, they were men who believed fervently that they were resisting the tyranny of a government that was fighting to keep them where they would rather not be; and in this, they, not Lincoln and his generals, were the real heirs of the American Revolution.
It is through reading the work of scholars like Professor Wilson that we can honestly approximate the reasons for this last (on the Confederate side) just as well as necessary war in America's story. For unlike this rather partisan review, the book is soberly written and the story unfolds in the measured tones of a man who has absorbed the lessons of his heroes.
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Artists that would like to study the Disney style of drawing and animation should find this volume a terrific addition to their collection despite its rather high price. As a student of art, and a fan of the Disney style, I highly recommend any of these books for your library.
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I really like this Bible a lot!
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Using letters that he wrote home, Johnston managed to add a personal touch to his account. It was interesting to get a glimpse on how he felt emotionally, the friendship that was formed between the soldiers and how a lot of times, soldiers are fighting as hard as they did, for their friends because they did not want to let their them down. When Johnston was the section leader, he was able to show the burden of responsibilities as you were not just in charge of your life but of others too.
Lastly, how he was disappointed with the Marines. He found flaws with the system but at the same time, it was very much part of him.