Parker tries to keep the reader guessing with a variety of potential suspects, but too many of them have "over the top" personalities. There's an aging film star (Sunset Boulevard) holed up in a decrepit mansion, a strange and moody handyman, the sister of the hotel owner - who fantasizes a love life with a local real estate lawyer (stalking him), etc., etc. There's a storm in the keys, and the result is that we get a lot of descriptions of going back and forth from the hotel to the various places that Anthony & Gail are investigating the crime (I guess that's to get a sense of how difficult it can be to get around in the Keys).
We also get the ongoing debate about whether Gail and Anthony will marry -- this time they both fret endlessly about getting the marriage license. As she did in her last book, Parker seems to be taking the tack of letting Gail's investigative talents outweigh Anthony's own, because of his tendency to jump to conclusions, and minimize small clues. This is one more schism she is building in the relationship; not sure it is a good one.
All in all, getting through the book was kind of a labor of love; even the climax that unmasks the identity of the real killer was way over the top for me. I enjoy the series and will continue with it, but this was definitely a setback in terms of how far afield Parker was willing to go to get a change of pace. Anthony and Gail belong in courtrooms, or with legal puzzles that are more realistic to the types of law they practice.
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This book certainly would be a good one for a book club read and discussion. The reformer, the lawyers, the church hierarchy and Reverend Harding all have their views on the matter. Author Trollope does not really pass final judgment on his characters; none of them are cast in black and white terms. In fact Trollope makes the unusual move of bringing a criticism of both the press and Charles Dickens into the novel. The press makes strident value judgments about issues without bothering itself with all the facts or considering the effect their articles will have on the people involved; Charles Dickens treats people as being all good or all bad. Indeed, I found myself arguing with myself for several days after reading The Warden. What should the Rev. Harding done? Was the issue shrouded in shades of gray, or was it clear cut one way or the other?
Many critics consider this to be one of Trollope's lesser works, yet to me it is a very interesting, valuable presentation of an ethical dilemma. And for readers who are reluctant to pick up Victorian novels because of their common 700+ page lengths, this is a little gem at less than 300 pages. Criticism? Well I did a bit of eye-rolling during some of the melodramatic passages. All and all, though, this is an excellent read. From an historical standpoint there was considerable attention being paid to clergy income during this period in England. Trollope's tale was very timely in this regard.
One final note. There are many outstanding Victorian novels that I would give a five star rating to. This book doesn't quite fit into that hall of fame so I have given it just 4 stars, which shouldn't be interpreted as a slight to Mr. Trollope or The Warden.
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Connor and Quintana are guests at a place called The Buttonwood Inn. The proprietors of the inn, Martin and Teri Greenwald, have invited Gail and Anthony to be their guests in return for Anthony's legal assistance. Teri has a son, Billy, from a former marriage, and her son is a suspect in a murder case. The Greenwalds are hoping that Anthony can help prove Billy's innocence.
Gail and Anthony meet an assortment of odd characters during this trip. They include Martin's overbearing sister, Lois, a strange former actress named Joan Sinclair, who acts like Gloria Swanson from "Sunset Boulevard," a disreputable and conniving attorney, and a creepy handyman. All of these people are together on this isolated island when a ferocious storm hits. Naturally, dead bodies begin to pile up and it soon becomes apparent that a madman is on the loose.
Parker's usual crisp writing style is nowhere in sight this time around. At almost 370 pages, the book meanders along its slow path, and very little happens during large portions of the novel. The dialogue is forced and unconvincing and the plot is contrived and silly. Even the chemistry between Connor and Quintana cannot save "Suspicion of Madness" from being a below average and rather dull thriller.