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If you are interested in not only the song, but the music (in all forms) of My Fair Lady, highly recommended.
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Ok, so what plot does this sound like? 5 travellers (3 male, one female, one animal) set off to the middle of a fantasy land, seeking its mysterious ruler who has never been seen? Nope, forget Dorothy and the Tin Man. What Julie Andrews has basically done with this story is copy the Wizard of Oz in a far less original manner.
There are weird, freaky characters with bizarre, over-the-top names. There are dangers along the way, with someone (in this case the Prock) determined to stop them from reaching the castle (Wicked Witch, anyone?).
And the book is quite predictable. We all knew full well that they would all find the Whangdoodle in the end, because gosh darnit, this was such a pure and sweet story that its readers just can't handle a sad ending. We all knew that the High-Behind cat that visited Lindy was up to no good. I am normally terrible at predicting what can happen in books, and yet this novel, which encourages readers to "use their imaginations" left little to it as far as the plot.
Another thing that annoyed me was the obvious "morals lessons" that were prevelent throughout the story. Other children's books, such as Harry Potter, slyly weave morality throughout without force-feeding it to kids. No kid wants to hear the Professor give a speech about how, "Sometimes our greed gets the best of us and we do things that aren't always right." It was also full of 50's-style "father knows best" mentality (whether when the kids were all gathered around in the family room with mom and dad, looking up words in the dictionary, or when the professor insisted that they always do what he said without questioning). Granted, this book was published almost 30 years ago, but good grief.
I would have also liked the book better if the three children weren't such boring, predictable little puppets. Get some spirit already, and stop being such goody-goodys!!
Mrs. Andrews did do a good job of not "over-describing" the characters in order that readers might come up with their own mental descriptions.
As much as I have pointed out the shortcomings in this book, it is still a quick, fairly interesting read. Just don't expect spectacular originality or plot twists.
Lindy, Thomas and Benjamin are three ordinary children who meet and are taken under the wing of the extraordinary Professor Savant. Together they discover a unique land filled with rare and wonderful creatures like the Slippery Prock, the High-Behind Splinter Cat, Tree Squeaks and Flutterbies. They take a ride on the Jolly Boat, cross trecherous terrain and face many challenges on their way to meet the reclusive Whangdoodle.
With the Professor's guidance, the children prove that preconceived notions can be a handicap, and that faith and perserverance can help one achieve nearly anything.
This book is right up there with "Edward Eager's "Half Magic" and E. Nesbitt's "Five Children & It."
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-S.L.B. granddaughter of Barbara Seaman (10 years old)
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One day it is time for the kittens to leave their mother, and the nice warm house. They realize that they are going to be hurt unless they escape from Mr. Withers, who was supposed to take them to the pet shop. So all the kittens run in different directions, and are soon scared, wet and hungry.
Bo meets a nice sailor and gets into all kinds of mischief with him on the boat he works on, and is soon a sailing cat with a nice home and a kind owner.
This is a must read children's book that anyone, young or old, would enjoy.
Bo, the kitten, and her siblings were sent away during a snow storm by the owner because their sire was an alley cat. Bo finds a friend in Billy Bates, a sailor aboard a fishing boat. Bo survives a severe storm and the dislike of the boat captain. Billy and Bo leave the boat to find new lives for themselves.
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I trust this will be the beginning of a long collaborative effort.
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This novel is structured around the structure of Diderot's Encyclopaedia with the focus on Memory, Reason, and Imagination - and while in Pfitz these aspects were dealt with in an abstract way permeating the novel, here there are three distinct parts - each notionally attributed to one of the heads.
The most conventional is the first, Memory, a memoir by D'Alembert, with observations by his servants. It deals with D'Alembert's relationship with the other great minds of the time, Diderot and Rousseau, and his troubles in salon culture. The second part is based around a view of the Solar System by Magnus Fergusson. This is an off-kilter way to take various approaches to logic, and philosophy. Each planetary view has a convincing internal logic. Each is completely mad, and very amusing.
The final part, Imagination, reintroduces storyteller Pfitz.
Each part is laced with Crumey's dry sense of humour, and - as with his other novels - Crumey's mathematical background is put to good use. He has immersed himself in eighteenth century French culture and while in previous novels by Crumey the influence of Calvino, Borges, and Barthelme is most marked here we see some of the philosophical games Diderot uses in Jacques the fatalist and D'Alembert's Dream.
While Crumey again demonstrates his erudition, it is necessary to stress that in the midst of the philosophy, and the clever games, Crumey is a witty writer. His novels have a black humour, and occasional farcical scenes running through them.
Crumey maintains a very high standard in his fiction, and deserves a broad readership. Those that like Barthelme, Borges, Calvino, or Steve Erickson will find something to like in Crumey.
And if you enjoy Crumey and those writers try Drivetime (a novel) or Last Orders (short stories) by James Meek.
children. We look forward to more Dumpy books in the future!