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Che was a handsome, adventurous, highly intelligent, and an influential figure. He was the oldest son of an aristocratic Argentine family. He was also one of the most complex public figures of Latin America.
This biography is complete from the birth of Che in 1926, his upbringing in upper-class Argentina, his youth which spent in the highlands due to his severe asthmatic condition, including his schooling and medical training, his (early) spirit for adventure, his unusual close relationship with his mother, his meeting with Castro in Mexico, and of course his well-known participation in the defeat of the Batista government in Cuba and the event that followed, which finally would lead to his death in Bolivia.
The author conducted a comprehensive research to reveal Che, the man and the myth, and the events in Che's life that formed him to be the socialist revolutionary that he became. Anderson's biography is really a look on the inside of Che's head, merely due to the fact that much of the author's research is based on Che's own letters to his family and his private diaries. Even better, Che's second wife, Aleida March also cooperated with Mr. Anderson, giving him access to information about Che and also to some of his writings, granting us an even closer and more private look into our hero's (private) life. This book is nearly 800 pages long, and no easy read. Nevertheless, it is worth all the time you invest reading it. Anderson has not only done a thorough research, but I believe that with his unlimited access to sources close to Che, he has clarified inaccuracies and errors in preceding writings about Che.
Whether you agree with his politics or not, Che is revealed as a man with a purpose and a vision, who cared profoundly and sacrificed everything for the cause he believed in. His main motive was to improve the condition of the poor people of the world; to stop Western (read: capitalism and the US) from exploiting the Latin American people and its recourses. Che's remarkable persistence and single mindedness, were valuable personal traits to have in the beginning of the Guerilla Warfare. But the same traits made it presumably impossible for Che to re-group and change, as the world changed, Communism started declining, and Glasnost became everyone's favorite word. It is tempting to compare Malcolm X and Che Guevara as they both were (in their own way) fighting for the same cause. Che lacked one thing that Malcolm X had; the ability to change view when realizing that he had been mistaken in his beliefs and views of the world.
The book didn't convert me from democrat to communist, but it gave me a greater understanding as to the other side of the argument. Even if you find the methods of the guerilla group awful and sickening, it's hard not to respect Che's courage. In the end, I came away with a feeling of mercy for this strong and passionate man who gave so much of himself, his life included, for the beliefs he held to be true, beliefs which he never wavered from.
To be honest, prior to my trip to Latin America in 1999 I knew very little of Che. I am too young (I was born the same year he was killed) to have had Guevara as anything but a handsome "cultural icon". As a teenager, I kept his poster on the same wall where I had my James Dean and Abba posters.. But during the year I spent trekking around in Latin America, studying Spanish, my curiosity was definitively aroused. Upon returning home, this biography was one of the first books that I bought. Funny enough, while in Latin America I visited all the places mentioned in the book except for Bolivia. We even got to be in Cuba on the 8th of October, the day Fidel & Co celebrates Che. It was absolutely amazing to see hundreds of thousands of people parading on the Molocon. (I don't necessarily think you have to have spent time in Cuba or Latin America to enjoy this book, but it definitively helped me capture much of this story's "subtleties").
This book also contains some excellent photos. I love the one of the young Che, relaxing on the balcony, and also his self-portrait of his undercover identity as an old man on his way to Bolivia (Excellent disguise! Even his kids did not recognize him!). If I can have one picture removed it would be the picture of the dead Che "laying on display". We don't really need to see that photo.
This must be the best book yet written about Che and it should be considered compulsory read for everyone. Very highly recommended!
Anderson does an excellent job of laying out the historical setting, which frames Che's life. He recounts the U.S.'s imperial behavior toward Latin America, including directing the overthrow of the government of Guatemala and other misdeeds, which radicalize Che and sets him on the road to destiny. Anderson convincingly describes Che's complex personality, but emphasizes his single-minded devotion to improving the condition of the poor and bedraggled of the world. One can't help but respect, grudgingly or otherwise, someone (with chronic asthma no less) who willingly gives up whatever creature comforts he has in order to fight in the African and Latin American countrysides for such an ideal. Many of course scoff becuase Guevara was a dedicated Marxist, but all things considered, he consistently comports himself better than his enemies, particularly in combat. For example, he routinly frees captured enemy soldiers, while his opponents shot their prisoners. Granted, Guevara presided over executions in Cuba, but they pale in comparison to the behavior of the pro-U.S. regimes in Guatemala and elsewhere. And of course Che himself is executed in the end by his Bolivian and CIA captors.
This book also contains some great photos. I particularly liked those of Che disguised as an elderly professor, his cover for his ill-fated mission to Bolivia.
To be sure, there are some flaws in the book. For one thing, Anderson surprisingly does not fully discuss Che's conversion to Marxism. Just a few more paragrahs on this key question probably would've sufficed. Also, on a couple of occasions Anderson uses the same phrases in the same paragraph; tighter editing would've eliminated this. Still, these are minor defects. All things considered, this is a great bio. I don't know if Anderson won any awards for this book, but he certainly deserves recognition of some sort.
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The book is titled the Lions Grave as a reference to the grave of one of the most tragic figures in Afghanistan, Ahmed Shah Massoud, the Lion of the Panjshir. Several of the articles reference him, and his presence is felt almost constantly throughout the book, as it is in Afghanistan. Massoud was the charismatic leader of the Northern Alliance, the hodgepodge group of fighters opposing the Taliban. Just two days before the 9-11 attacks, two men sent by Osama Bin Laden managed to kill Massoud by dressing like reporters. This was in order to fracture the delicate alliance, to hamper any assault on the Taliban. Anderson points out how the man has become an almost religious figure, worshipped by millions of Afghanis. Anderson gives us a cursory look at the politics of the alliance, highlighting their disagreements and past atrocities. All throughout the book, you get a sense of the total devastation of the country, which has really fallen into the dark ages. I was surprised at how dangerous it was for the reporters sent to Afghanistan, as the countryside and the roads were patrolled regularly by all sorts of heavily armed brigands. One other interesting theme of the book was the educated class of Afghanistan that we usually do not hear about. It may come as a surprise to many readers, but Afghanistan was once a pretty civilized country. The remnants of this era survive in little hamlets of professional and academic men and women, desperate for a way out of the constant turmoil. I found that the most tragic part of the book.
There are a few reasons I did not really love this book. First, it is way too short and barely scratches the surface of the situation. Now I know this was not meant to be an in depth look at Afghanistan, this is just Anderson's story. Still, I felt like a lot more commentary was needed at certain parts, where themes are broached but never examined. Also, the book is full of interludes of real emails Anderson was sending back to his editors. At first, this is a clever and exciting way to track his movements on a day by day basis, but eventually it becomes tedious.
An average reporters book.
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This is a great book for general fitness. It covers weight training sufficiently, but it is not a body building guide.
My issues with Grant's are many, ranging from the drawings to the way the index is organized. From start to finish, the book has some serious shortcomings which create substantial inconveniences for a new anatomy student.
Many of the drawings in Grant's atlas are far more lifelike than they are explanatory. It is almost as if the illustrator's intent was to show what one would see when dissecting, rather than explain what is what and where it is. This is particularly evident when dealing with the head/neck region (which, unfortunately, is a complicated area we focus on heavily) and the routes of the cranial nerves. The small footnotes at the bottom of the pages are almost useless, as it is difficult to determine what specifically they are referring to. There are very few boldfaced references (such as those you'd see in a cell biology textbook) that allow you to quickly locate a description of the item you're trying to understand in the picture, hence, you find yourself having to read the entire thing. Netters has almost no text, yet the drawings are done in a way that clearly explain what's going on, thus no need for text.
Another serious issue with the Grant's is the index. The major entries are not in boldface text. This is such a small detail (it wouldn't have cost them a cent more to make) that makes locating things much quicker. For example, there are hundreds of items under the entry "Nerves", yet "Nerves" is not in bold-faced text. That is inexcusable, considering the fact that most of the structures we study are muscles, nerves, arteries, fascias, processes, fossas, i.e. things that must be found under major entries. Believe it or not, it makes finding a topic in the index a real hassle. There's nothing to distinguish major entries from the items found beneath them, except for the indentation.
Although some of the problems with Grant's are small, they cause problems when you have to repeatedly deal with them. Anatomy is tough enough as is without having inconveniences from your atlas. On occasion, you'll find a picture in Grant's that is more descriptive than Netter's, but rarely. In general, Grant's is a lowsy book, which should be used only as a supplement to Netters in cases where you want a more lifelike picture.
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One thing different about the current process of globalization, the authors claim, "is that a number of poorer countries, led by China and Mexico, now have the infrastructure to house practically any industrial or service operation...." What's wrong with that? They object that "...Ford, Boeing, and other global corporations are now setting up state-of-the-art manufacturing plants in countries where wages and other costs are kept extremely low through repression." We can all agree that repression is a bad thing. We may differ on where it's happening. For instance, according to the index of economic freedom constructed by the Heritage Foundation (what the authors call a "corporate think tank") and the Wall Street Journal, China is "mostly unfree" (but not "repressed") and Mexico is "mostly free." "Repressed" countries include Zimbabwe, Iran, Cuba, Iraq, and North Korea. Corporate capitalism does not appear to be causing problems in those countries by any stretch of the imagination. Vietnam is among the repressed, but it's difficult to see how workers who produce sneakers for the Nike company would be better off if Nike weren't there.
Much of the book is devoted to criticizing "globalization claims." Although some free traders will justifiably dismiss this criticism, in my view the authors' attacks will work to strenghthen the case for free trade. Put differently, any economist who wants practice defending free trade can find it reading this book. Warning: the bile may rise in you.
To their credit the authors provide an abundance of endnotes to support their case. They offer some criticism a free trader would appreciate. For example they object to export subsidies and IMF bailouts of banks with troubled loans to developing countries. They even profess to reject protectionism. However the alternative they recommend, "fair trade," is better described as "managed trade."
The authors minimize the role of consumers in the process of globalization. Corporations would not achieve their goals if consumers weren't buying their products. The authors also fail to recognize the importance of property rights in economic development. If the governments of poor countries established and protected property rights, the people would get wealthier. Given that these authors reject international trade and investment as a cause of our prosperity and cannot tolerate disparities of wealth, they'll always remain idealists with axes to grind.
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This book takes you into the life of a self absorbed man who thinks of only ME! ME! ME! ME! and the aftermath/consequances of not caring when a girl he is with OD's on drugs.
This book was good just curl up and see what the drug life is like for scene down in Florida. It is something that will make you think long after the last page is turned.
It will also leave you feeling as if you had done the drug fiesta that happens at the end of the book with them. For the list cover price, it is cheaper than doing the drugs itself.
Apart from just freaking me out, Sweet Demon Love Baby by Lee Anderson ... contains my favorite opening line ever...Beginning with a line like that, you have to admire the writer's attempt to get that bookstore browser's attention, huh?
The reader is then dropped into the dead center of a Miami Beach fashion party, a gathering of beautiful people and those that celebrate them. Y'know: People you feel jealous of while simultaneously looking down your nose at. It's during this party that we are injected into the start of what will become five turbulent days in the lives of four models.
First, we meet Drexel, a shameless hedonist and womanizing jerk. Later at the party, he abandons an overdosing girl in her hotel room, thus eventually incurring the wrath of her filthy-rich father. It is his predicament which propels the plot, helping make the novel into the page-turner that it is.
The next model is Ophelia, his co-dependent girlfriend, whose name, I'm guessing, is some sort of Shakespeare metaphor. Of all the characters, she serves as the most tragic, suffering from astoundingly low self-esteem, especially considering that she gets paid to have her picture taken. She also suffers from a serious cocaine addiction since, as she pathetically puts it: "It's the only diet drug on the market that's proven to work."
Then we have Ty, a black model who is Drexel's best friend. Ty shares Drexel's urge for excess, only he has a nettlesome conscious about it, serving as the Super Ego to Drexel's Id. Not enjoying even half the career success of his friend, Ty also seems to represent the continually uneven regard for African-Americans in the fashion/entertainment industry. (For instance, note the adjective "black" before "model" in the first sentence of this parapgraph.)
The fourth character, Pascaline, is a new model whose career is on the rise until she meets a high profile photographer. He promises to help take her career to the next level. All he asks in return is that she make a little visit to him alone at his hotel room one night, explaining to her: "It's not that big of a deal, all right? Think about the business you're in. You have to expect situations like this."
There are also two subplots involving the alcoholic detective covering the case of the overdosed girl and the frazzled owner of a failing modeling agency, whose point of view is provided through diary entries. While both serve to counterpoint the out-of-control lifestyles of the other characters, their plights, while necessary to the plot, aren't nearly as interesting.
Some lines in this novel though are nearly unforgettable, approaching poetry. In one scene, on the verge of a nervous breakdown, Ophelia speaks slowly, "imagining her words as letters on a string being unspooled from her throat." In describing Pascaline's beauty: "Eyes the color of shallow surf, lashes thick as thorns, sandy-blond hair coiling and uncoiling in hectic curls around her shoulders, flat, diveted, nut-brown torso lassoed by a butterfly bellychain." On the dance floor of a nightclub, "crisp cones of colored light twirled and flashed about them in dramatic ray-gun duels."
Owing much to Joan Didion, Anderson's writing is lean, so lean that the first three pages can be disorienting. But once the reader catches their breath, adjusting to the streamline style of Anderson's prose, the novel turns into quite the ride. While the pornographic, in-your-face opening paragraph did throw me off at first (It will throw you, too...Bet me.), this book is genuinely one of the most fun reads I've had in forever. And deeply disturbing. And bleakly hilarious. And very, VERY intense. I actually haven't had anything mess with my head like this book since the first time I saw Natural Born Killers. In other words, I cannot recommend Sweet Demon Love Baby enough. (By the way, that quirky, elliptic title comes from the fictional brand name of a designer perfume, mentioned only briefly by one of the characters. How did it merit the book's title? I have no clue. But whatever.)
When learning that the subject of this book was fashion models, I was expecting (read: hoping) for a relaxing expanse of fluff to pass my evening with. But no such luck with this particular read. Anderson does much more than simply dispel the glamour of modeling. He demonizes it, even to the extent that I'm now having nightmares which involve naked fashion models with hypodermic needles in their arms, covered in blood, and having sex with knives. While there is no such scene in the book (well, not exactly), trust me: You'll understand what I mean once you've read it, too.