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This was enjoyable and easy to read. It started with his childhood, then moved on to his career, and finished with his retirement. The book is very well organized as it follows a timeline of his life. The way which the author describes Ali's rise to the top, is the strongest part of the book. The descriptions were clear and easy to relate to. The author talked more about Ali's success and not enough about the struggles that got him to the top.
I gave this book five stars because it is informative and entertaining. I would recommend it to others because it gave a thorough overview of who Ali really is. I believe that the message the author is trying to send is that if you work hard you can accomplish your goals. It is in my opinion that this is an important message to give to readers. I believe that the author was successful in getting his message across to the readers.
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"Isfahan is half the world" is not just a wonderful boyhood tale, it is an essential introduction in to the origins of the problems of modern Iran. Sayyed Mohammad Ali Jamalzadeh was one of the major modern Iranian writers, and his father was in the eye of the typhoon of the violent reformer vs. tradionalist and laicist vs. islamist debates in Iran at the beginning of the 20th century.
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Anyway - the book is really good - not 5 star, but 4 - I would have liked MANY more pictures of Cassius and more stories too - I was left wanting more - which is normally a good thing - but here it felt somewhat incomplete
Don't missunderstand - I would buy this again and buy it as gift for folks - if you don't have it - get it - it will make you smile
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--Floyd Patterson (with Gay Talese), "In Defense of Cassius Clay," August 1966
"Boxing is a dialogue between bodies. Ignorant men, usually black, and usually next to illiterate, address one another in a set of "conversational" exchanges... It is just that they converse with their physiques." -Norman Mailer, "Ego," March 1971
This is an excellent book, not only for those interested in perhaps the greatest boxer of all time, but for people interested in the separate and combined effects of race, the 1960's, and the subjectivity of writing. For example, it appears that Patterson and Mailer held contradicting opinions about Ali's talking, and, much this book's fun is how Ali served as a projective test for the attitudes and values of others--Mailer in particular is a hoot.
Ali's larger-than-life persona draws such literary heavyweights as Amiri Baraka, the humorist and essayist A.J. Liebling, Mailer, Joyce Carol Oates, George Plimpton, Irwin Shaw, Gay Telese, Garry Wills, and Tom Wolfe. Ali is a symbol, yes, but an individual too, and the better essays show him as a multifaceted, intelligent, and controversial person. Three interviews ("Black Scholar," uncredited, June, 1970; "Playboy," uncredited, November 1975; "Sport," Joe Torres, December 1981) let the champ speak for himself.
The book is full of great writing (except for Hunter S. Thompson's annoying self-aggrandizing piece and Wills' non-illuminating intellectualism), and offer snapshots of Ali from 1962 through his post-Atlanta Olympics acclaim in the late 1990's. A blend of facts and iconography, the book is a fascinating look at Ali both inside and outside the ring. (Some pieces were edited for this book, but there is a bibliography on source material. With 16 pages of photos, no index, and an introductory essay by the editor.) Very highly recommended!