WE MOST BE VERY CAREFULL. USING THIS WORD MEANS THAT GREECE IS VERY OLD STATE WHICH IS NOT. MACEDONIA STILL EXSIST FOR OPOSITE OF HELLENIC CITY-STATES . AND SO WE MUST MAKE A DIFFERENCE BEATWEAN THOSE NATIONS - MACEDOINAN AND HELENIC

This is a historical book and I don't see any relation between its contents and the political comments of the previous reviewers. It refers to ancient Macedonia i.e. the northern greek kingdom and NOT the modern slavic coutry (ancient Paeonia) that uses the same name since 1945. So, there is absolutely NO reason to start a debate here. If you are interested in politics please go rate a book about modern diplomacy etc.
This book is an excellent choice for its price if you are interested in greek history. This historical period is not so 'glorious' compared with the previous classic greek periods and hence not my favorite one. I have not read more than 10 books about the hellenistic age and thus I can not claim there are not better books. Yet, I found the book interesting, well documented, and well written.
It's sad to see that some people vote 1 or 2 for a good book just because it uses the name 'macedonia'. When it refers to ancient greece, slavs vote it with 1. When it refers to the modern slavic state, greeks vote it with 1.
This makes it really difficult for the rest of us to select a book! Please stop it now.

The Macedonia of the ancient world is not the country known as "Macedonia" today. The people there have absolutely no connection with the people of the ancient land. They are of Turkish and Albanian blood. The closest one can get to the ancient Macedonia is the people from the area of Greece known as Macedonia. Very big difference.

A great romp through TR's hometown -- NYC

This book seems to cover most of the right topics for explaining how MIDI works. However, I find the organization of the book very confusing and the advertised "plain English" missing. Where was the editor when this book was being written? Just a little more organization and better writing clarity could have made a huge difference.

The title of the book is "How MIDI Works" but the first three chapters barely mention MIDI as the system requirements of computers are explained. Eventually, when we get to Chapter 4, we see a discussion of "Multiport MIDI Devices". However, even at this point, MIDI has not even been defined. Only when we get to Chapter 9 do we start to see a definition and a real discussion of the MIDI interface and its data and control formats. However, I still have not found a concise summary of the MIDI format as it is sprinkled throughout the book but never really summarized. I would expect a book with this title to function well as a reference source for MIDI information. I looked for MIDI in the index but found there is no index!

It appears that the title of the book should have been "How to Build a PC-based Recording Studio" since that is what the book actually attempts to deliver. MIDI is just one technology that gets discussed among all the other ins and outs of putting together a PC-based audio system. I'll need to look elsewhere for a good reference on MIDI.

This book was "OK" at best. Like others have mentioned, it is kind of organized oddly as MIDI isn't even mentioned until a third of the way through. The title is semi-misleading because it strays from MIDI quite a bit from time to time to explain other things. And also as someone mentioned, he has a bad tendency to mention terms and concepts well before he actually explains them.

Also, it's already seriously outdated as far as system specs, software, etc...

One more complaint: This book is full of blatant advertisments for the author's other business ventures as well as the music school where he teaches, and also for Gigasampler/Studio which is mentioned SEVERAL (I mean SEVERAL) times in every chapter and shown in nearly all diagrams, and even goes as far as having an entire chapter dedicated to Gigasampler/Studio. If you were a complete newbie reading this, you would be convinced that having Gigasampler was the only way you could make music on your computer.

But, I'd say that the information is mostly straight forward, easy to understand and finally when it gets into actually talking about MIDI, has some good info. This book had potential, but the little things really add up to make it sub-par in my opinion.

I'd give it 2.5 stars if I had the option.

I am so excited that I found a music book that could help me with all the midi stuff. I needed somthing and this book is it. I gives you list and pictures of equipment that you could buy to make systems that work. It explains all the reasons for each piece of hardware and what their use is in the computer. For me it shows me how to buy the correct type and how much computer hardware. This book really has been great!

The self-styled "H.R.H. Prince Michael" claims a descent from "Bonnie Prince Charlie Stewart", the young pretender. Fact is that Bonnie Prince Charlie married Louise of Stolberg. He did recognize an illegitimate daughter, Charlotte, who may or may not be an ancestress of Michael. However, Michael claims that he also descends from a "Prince" born to Marguere de Lussan, and he claims that she had married Bonnie Prince Charlie. This marriage never took place and Charles Stewart never recognized a child by this woman.
To make his claim to royal descent even more ridiculous, Michael has added the completely fake genealogy of the Holy Blood, Holy Grail book to his book, thus claiming descent through the Guises and the Merovingians from Jesus Christ himself! This claim is completely absurd.

However, if you do not mind about historic accuracy, the book is quite pleasantly written and it is clear that the author loves Scotland. Besides the silly genealogy stuff, it contains a series of biografies of Scottish Kings.

If only this book had been available when I was a schoolboy (post war) and had been taught as our history. Scotland will gain strength from knowing that her true Prince is back to fight for her freedom. This is a Royal House believing in 'Service to the people'. A movement has now been organised around the Prince and Scottish politicians are finally taking note of what visions Prince Michael has for Scotland. I attended one of his lecture (the hall was full, people stood for lack of chairs) and it was the best evening I have had for a long time. The house of Stewart has NEVER died out. If you believe it has, you are a fool. It is alive, kicking, it is modern, relevant, politically aware and ready to make waves. It will also bring Scottish Independence quicker than we think. Scottish businesses are linking with him in an attempt to be more fully and more efficiently represented. It is a breath of fresh air which Scotland has craved for these past many years. It is the most exciting read the end of this century has had to offer. From Scotland to Scots the world over.

"The Forgotten Monarchy of Scotland" by Prince Michael Stewart of Albany. Passionately written and researched by the the author, who`s passion is fueled by the fact that it is his own family and personal identity he is establishing in the face of a two century old conspiracy who`s source is one of the most powerful governments on earth.

Forgotten Monarchy is a minutely detailed reacessment of the history of Scotland and the emergence of the Royal Scottish family. We have all heard the old adage that history is written by the victors, well, here in Prince Michael`s book are told the details concealed by the English who wrote the victor`s history we were all taught in school. One of these surprising details is the revelation that the Stewart dynasty did not become extinct as the textbooks would have us believe.

Not just dry stories here, the details have modern significance and particularly relevant to a Scotland recently voting to have their own Parlament , not had since 1707.

Of major importence to the book is the detailing of Westminster`s conspiracy against the Stewarts in exile. Included are documents that prove that Bonnie Prince Charlie had prodigy, and they were recognised as such by governments and Royal families of Europe throughout the 19th century.

In places, Forgotten Monarchy reads like a mystery, it has everything you could want in a good mystery, conspiracy in high places, destruction of documents, attempted political assassinations. It all sounds unnervingly very modern but this conspiracy started in the 18th century and has continued to this day, fairly successfully I might add.

There are those who have publicly maintained that the claims of Prince Michael and his family are all fantasy, made up of whole cloth. If they have the courage to actually check out the documentation presented in this book they just might change their tune.

Finally, Forgotten Monarchy is an engaging story of a 17 year old man raised in Belgium who moved to Scotland in 1976 becau! se he felt that his destiny lay there in the land of his forebeares.

The last 22 years have been quite an experience for Michael Stewart, for most Scots as well as the rest of us in the english speaking world, had no idea the Stewart family had survived in exile.

Shortly after arriving in Scotland, young Prince Michael paid a visit to Lord Lovat, who also had no knowledge of the Stewarts in exile. When the Lord Lovat realised who this young man at his door was, he asked "What on earth are you doing here?"

The 17 year old`s reply is best told in his own words; "I could think of no better reply than to quote the well remembered words of Prince Charles Edward, and answered..........I am come home"

Behind David Lean's directorial masterpiece 'Lawrence of Arabia' (1962) lay a series of attempts to film T. E. Lawrence's life, most of them centred around the abridged version of 'Seven Pillars of Wisdom', known as 'Revolt in the Desert.' Chief amongst the filmmakers eager to produce this epic was the great Alexander Korda, who bought the rights to both books and also to several biographies that contained their material. Korda was asked by Lawrence himself not to make the film while he was alive. Five months later, Lawrence was killed in a motorbike accident and Korda began his preparations. Locations were scouted, scripts were drafted, and several actors were tested to play the lead. Walter Hudd (who had played the Lawrence-based character Private Meek in 'Too True to be Good') and Leslie Howard were the favourites, although Cary Grant and Laurence Olivier were also considered. The Foreign Office thwarted Korda at every turn, protesting that it would be ill advised to show the Turks in an unfavourable light with the ongoing political unrest in the East. After a dozen attempts to make the film, Korda let it slide. This book is tripartite: part one sketches a brief history of the attempts to film 'Lawrence of Arabia' and includes pictures of all the key players. The second part is an interview given by Leslie Howard on how he would play Lawrence; and thirdly, the final script (1938) of the Korda epic is reproduced. While it is a laudable piece of work, the book fails to hang together and emerges as two articles and a film script that are linked by the same subject, but have no cohesion. Part One is far too brief for the reader to gain an understanding of the forces arrayed against Korda and his project, and it would benefit from more research and more expansion on the views of the various directors and actors engaged for the film in its different stages. Part Two is simply the Howard interview with no editorial comment offered. Part Three, the script, also has no analysis. This is surprising, as it is rich in allusion and with peculiar sequences that (to modern eyes) detract from the overall pacing of the film. It relies heavily on 'Seven Pillars' for dialogue and description, with little or no modification. To those who are acquainted with the Robert Bolt script of the Lean film, the Korda Lawrence is but a pale shadow: eloquent passivity rather than "nothing is written" man of action; cold detachment rather than anger and angst in crucial scenes (Tafileh, the Turkish hospital); the smug imperialist rather than the tortured anti-imperialist. Korda's Lawrence was intended to be heroic, a ( ) puff-piece with a serious bite, but looking at the script today, he seems shallow, self-important and obnoxious. The real Lawrence evaded any attempt to capture him by constant shifts in personality, presenting a different face to each person he met. It would appear that the celluloid Lawrence of Korda's vision was the same; and, as such, defeated him wholly.