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"The Snail House" will take everybody back to that safe warm world, where you sat on Grandma's knee and had stories told to you.
It is both a fantasy and a reality for children to see the world around them at different size scales. This might have something to do with little person's low-eyelevel perspective. Most young children play in a miniaturised world, Little boys with the toy cars and trains, or little girls with their baby dolls. Playing on the floor or out in the garden, small things look large, and big things look huge.
In this story, Grandma transports the children to a world where they live in a snail's shell house. They have three adventures. The great earthquake when the apple fell; baby gets lost when she climbs the dandelion; and the day the thrush almost got their snail but was scared away by a cat.
One of the charms of the book, is the way the children interrupt their Grandma as she tells the story, and ask questions and make suggestions. Does that sound familiar?
We are never that far from the real world. On each page, outside the frames that contain Grandma's story we see the children with their grandmother or shown scenes close by her house. We are reminded that traffic is humming on the distant road and "headlights are gleaming in the gathering dark".
This is one of those rare picturebooks where the story and illustrations mesh perfectly. The story within the story is a neat device, perfectly matched and supported by the illustrations, which show both the "real world" at Grandma's house and the "story book" micro-world of the adventures with the snail.
Gillian Tyler's portrayal of the miniature scenes in the garden is superb. The details and activities going on beyond the written story will intrigue and capture the attention of all youngsters.
There is just a hint of mystery in the story. In the last scene, we see young Hannah out on the verandah "standing yet, gazing into the muffled blackness of the garden".
"The Snail House" shows us that gentle, lyrical writing, and charming and soft but detailed pictorials still have an important part to play in making a children's picture book work successfully. It is a refreshing change from a lot of the garishly, overly styled, supposedly smart and sometimes very cynical children's books that we often see.
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Don't count your chickens until you've got them in your sack Fast Fox.
Fox counts to six, but there's more. He's going to need a bigger sack.
There are 10 little chicks sitting around the table loaded up with tasty party treats. Mother Hen is in the kitchen icing the cake. Good old Slow Dog is helping with the party games.
Let's play hide and seek, then its blind man's bluff. Now it's time for big bouncy castle.
Fox sees a perfect way to catch the chickens. One by one, they bounce into his sack as they tumble off the castle. The tenth little chicken was too scared to go bouncing. Slow Dog showed her how.
Slow dog bounces right on top of Fast Fox and all the chickens escapes.
We think the story is over. The party is definitely over and Fast Fox has gone home to his house.
But ! There is the Fox counting chickens again. He's up to 99.
Ah! It's in his dreams.
Young children will love the "Fast Fox, Slow Dog" books. There's is quite a set of stories in this series now.
The stories are fun. There is nothing too scary here, despite the Fox's sharp teeth and his insatiable appetite for chickens. Good old Slow Dog always comes to the rescue.
The drawings are bright and cheerful with clever layouts of text and pictures. Allan Ahlberg's kid's books have a broad appeal. Look for more of his books. You'll love them and so will the young ones.
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