My first instinct was to claim that whilst this book is wonderful, it does not quite meet the precedent set by "Watership Down". However, this is not really the case. "The Plague Dogs" is simply a far more adult, mature read than "Watership" and whilst it can by no means be described as easy reading, it is certainly worth that extra bit of concentration. The writing style is amazing as always, and the storyline gripping and fascinating. Adams' ability to switch from the perspective of the two dogs, Rowf and Snitter, to the humans is incredible. The book's witty contributions, gripping story line and happy ending make a wondeful story without diminishing any of the underlying concerns. It is an incredible masterpiece, and should be devoured eagely by dog-lovers and book-lovers alike!

I read "The Plague Dogs" after I'd read "Watership Down," which is also written by Richard Adams. And while perhaps "The Plague Dogs" is a bit more difficult of a read than "Watership Down," and may lack the narrative flow of his first book, it is a tremendous novel, nonetheless. His central characters, two fugitive dogs from a testing laboratory named Rowf and Snitter, are distinctly drawn and reminiscent of some of the great tragic characters in English Literature. Their flight from captivity will draw you in from the moment they escape the laboratory, and will continue to hold you breathless as they ellude their captors and seek a new master. The novel works on two levels: both as a commentary on the mistreatment and abuse of animals in laboratories, as well as a look at humans from an animal's point of view. Be warned, however, you may not like what you see. On a negative note, the author often slips into a confusing slang, common to the area in which the novel takes place, when creating dialogue for certain characters like the lab workers and the Tod. At times, the lingo can become tedious and the reader may be tempted to skim over it. Also, the background information leading up to the introduction of Digby Driver midway through the novel can seem unnecessary; however, skipping over these aforementioned parts only denies the reader essential information and dilutes the novel from the author's translucent vision. With that said, Mr. Adams is at his lyrical best when the story focuses on the dogs and away from their human counterparts. Mr. Adams's ability to write from an animal's perspective remains unchallenged in fiction today. Not only is Mr. Adams a gifted storty-teller, but his mastery of the English language is hypnotic. "The Plague Dogs" and "Watership Down" are two masterpieces of modern literature that will haunt the reader long after the final page has been read. On my best day I aspire to be as human as a character in a Richard Adams novel.

"The Plague Dogs" isn't nearly as accessible as "Watership Down" & it's not a children's book. Don't start reading Adams with this book--start with "Watership Down." ... Some of the dialect (especially that of the Tod) will be very difficult for American readers (though it was slightly toned down for American editions) & it's perhaps hard to follow if you've never heard the real thing, but even it is brilliant. I have heard the real thing & Adams captures it perfectly. It works best if you read it quickly. ... Adams does some wonderful experimentation with the writing in the book, experimentation that draws on a vast literary heritage & demonstrates very wide reading, experimentation that is itself a tribute to his literary forefathers. ... The characters, especially the canine ones, are very well-drawn (I'm tempted to call my next dog Rowf). ... Good plot twists, evocative geographical description, a singularly haunting passage about a ghost, great description of snow. ... The animal experimentation theme is very well done, not overstated (all of the experiments Adams described were real) & while it's obvious where Adams stands, he has the guts to balance the debate with an unexpected portrait of a dying child. ... The true brilliance of this book lies in the ending, which is just an absolute work of art, drawing together narrative strings, switching narrative styles, switching points of view, speeding up & slowing down (& even incorporating the author's tribute to his own friends without becoming excessively idiosyncratic) until it becomes positively lyrical. The book is worth it for the ending alone ... & Adams is a master of making the incredible credible so we willingly suspend disbelief ... maybe because Rowf & Snitter are so well portrayed we sorely want them to live. Not an easy read, but SO good.

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time, edited by Peter Guzzardi, consists of a collection of material found on Adams's hard-drive after his untimely death in 2001, together with various earlier essays, stories, interviews, etc. It forms a tribute to the creative genius of Douglas Adams (and a last chance to squeeze some money out of the Hitchhiker franchise).
The book begins with a prologue, originally written by Nicholas Wroe for The Guardian, and an introduction by Christopher Cerf. After that, the collected material by Douglas is arranged into three parts, entitled, appropriately enough, "Life," "The Universe," "And Everything." The third part contains, among other things, some unfinished chapters from the next book that Adams had been working on before he died. That book was to have been entitled The Salmon of Doubt. These chapters have been edited together from several different versions that Adams had left behind, and forms only a short beginning, frustratingly, of the whole story, ending as it does abruptly in the middle. As the result stands, it is a story about Dirk Gently, but Adams had earlier confessed himself stuck, having found that the ideas he had been working on were more suitable for a Hitchhiker story, than for a Dirk Gently story. His plan was accordingly to write the sixth Hitchhiker book, and incorporate the best ideas from what he had already written on the Salmon of Doubt. Sadly, he never got a chance to do this.
Among the other material in the book, there are two pieces of writing that were of special interest to me. The first one is a reprint of an interview that Adams gave for American Atheist, and the other is a printed version of an extemporaneous speech that Adams delivered at Digital Biota 2, Cambridge, in which he gave his view on the origin of the concept of God.
The material collected in this book shows Adams at his funniest best. The chapters of The Salmon of Doubt that he had finished gives as a glimpse of what would have been another triumph of comedic writing for Adams, had he only been given a chance to finish it. The book ends with an epilogue written by Adams's close friend, Richard Dawkins.

There is a particularly English (ie the Country as opposed to the language) method of writing that, even as it describes sci fi, fantasy or simply The Bizarre World in general, cannot help but conjure images of village greens, stately homes, cups of tea, and cricket matches; PG Wodehouse, Michael Palin, Terry Pratchett and Evelyn Waugh are all exponents of this art, but Douglas Adams was one of my favourite, if not most prolific, authors in this style. His sad death last year has provided his publisher with an excuse to publish this, final, collection of his work.
And quite a mixture it is; here are prologues to books, introductions to events, eclectic newspaper and magazine articles, short stories and one unfinished novel, the work in progress known as 'The Salmon of Doubt', a Dirk Gently book. Would he have approved this book? Well, given that he was willing to pen an introduction to PG Wodehouse's unfinished 'Sunset at Blandings', the evidence very much points (at least, in my mind) to the fact that he would.
Even as an introduction to his work, this book is worth a read - it opens with a biographical portrait and the selection of material covers most of his written life. For Adams enthusiasts, the book is goldmine - perhaps not the mother lode, but certainly a mine containing enough nuggets to make you happy with the purchase.
One point - it is not really 'hitching the galaxy for one last time' as implied on the cover; there is only a short Hitch Hikers story here, and it has appeared elsewhere.
However, to summarise: if you've never read Adams before, this will leave you seeking more. If you already know him, this an affectionate if varied romp through his literary history.

I purchased Douglas Adams' posthumous book exactly one year and one day after his extremely untimely passing. I have always thought that there is something inherently wrong about losing one's idols. "Salmon of Doubt" is a prime example of how wrong it truly is.

"Salmon of Doubt" is so absolutely and quite wonderfully Douglas.

This collection of articles, interviews, random thoughts and unfinished novel is an genuine treat to read. His unmistakable voice shines through on each and every page. For someone who professed to agonize over the whole "writing thing", Douglas did it with a style that is often imitated, yet never will be duplicated.

I was delighted to see "Cookies" make its way into this collection. I laughed when he included in the 4th Hitchhiker's novel, and was fortunate enough to hear him retelling this true story. He had everyone at this Chicago hotel bar in absolute hysterics some years ago, reliving the moment. I have never forgotten it.

"Maggie and Trudie" also stands out as one of my other favorite entries here. As does "The Private Life of Genghis Khan". The interviews included also give a further glimpse into this marvelously gifted man.

There is no doubt in my mind that the ever-so brief "Salmon of Doubt" story/novel itself would have been a joy to read had he been around to finish it. It would have worked perfectly well as the next Dirk Gently (or possible 6th HH) novel. I found myself reading this portion quickly, watching the pages dwindle and knowing it was going to abruptly end. It did. Now I'm left wondering what happened to Dirk and Desmond the rhinoceros. It's going to bug me till the end of time. Which I am sure would thrill Douglas to no end.

I'll have to ask Douglas when I see him at the Restaurant at the End of the Universe how it all ends.

I'm glad that I own this book but potential buyers should be aware that this is a history of Avedon's work, not a stunning presentation of his photographs. The book contains hundreds of images but most of them are small in size. The images are arranged chronologically with some associated text. The book also contains two essays about Avedon and a detailed bibliography listing press accounts about him. There is also a helpful list of the various books that Avedon has published.

I would recommend his other titles -- "In the American West" for example -- if you want to see the full-size, stunning photographs for which Avedon is famous.

The book is OK. Nevertheless beware: there is more text than photographs. And they are tiny in most cases. He who prefers to read about photographs rather than to see them will be pleased. I am little disappointed.

This is a wonderful collection. I have found myself going back to it again and again. I'm not sure Adam Gopnik was such a good choice, although he is a lively writer; but the other New Yorker art critic, Peter Schejhal (sp?) would certainly have been better, as entertaining as Gopnik but more focused and memorable. But this is just a small complaint; overall, I love this book and hope that every library in the world someday owns a copy.

The first half of this book is a good introduction to colour theory, though it could be a little intimidating to the colour novice. The rest of it seems to be a product catalog, though if that's what you need it excels there. There's useful bits about configuring color management for various applications but little about how you actually *use* this technology in print production. It's also very expensive, but considering how little published information on color management exists, it's not too unreasonable.

Dr. Richard Adams and Joshua Weisberg have succeeded where many (if not most) books on color reproduction fail. The GATF Practical Guide to Color Management simplifies color reproduction and gives you the one source you'll need to generate color easily, accurately, and without frustration. Every desktop or high-end color publisher MUST get this book. And, if you're in doubt... just remember that GATF has been a leader in printing and graphic arts technical sciences for more than 74 years. They not only wrote the book --- they ARE the book. ( 1998 Editor's Choice AWARD Winner, The Design & Publishing Center, Graphic-Design.com )

After reading the author's most recent work, followed by one somewhere in the middle, it was intriguing to read Richards' first novel. Written, amazingly, when he was only 23, The Coming of Winter foreshadows the splendid writer Richards has come to be.

This first of his New Brunswick (Canada, not New Jersey) novels is a potently quiet tale of a clutch of near-silent, deeply brooding people. At the apex is young Kevin Dulse, whose twenty-first birthday and marriage are approaching within two weeks' time. As are all the characters, Kevin's inner life is deftly depicted in all of its inchoate anger, integrity and confusion. The men in this book all have active lives of the mind but seem congenitally unable to articulate their thoughts and feelings. The women are only slightly more adept at expressing themselves.

What makes the novel so readable is the exquisitely observed minutiae of everyday life in a small town whose major employer is the mill. Kevin's observations while working a number of jobs at the mill, his determination to do even the lowliest job thoroughly and well, make him entirely human and sympathetic. His inability not to go out drinking with his friends is annoying--to him and to the reader--and yet he cannot stop himself.

In the course of the two weeks covered by the novel, Kevin takes any number of steps forward into maturity, into adulthood. The details of his mother's efforts to prepare for her son's wedding with only a week's notice are beautifully realized and touchingly real.

A quiet book with considerable subtext, my only complaint (and this is primarily an editorial flaw) is the shifting from one character to another without indication of which character is in focus. It makes for confusion as one shifts about, trying to glean from the text just who is holding center stage at a given moment. This is, otherwise, a remarkable achievement for the very young author. And his subsequent books demonstrate how wonderfully well Richards has developed as a writer. I've yet to find any one of his many novels less than fascinating.
Highly recommended.

I remember having these Fairy Tales read to me at bedtime when I was little. I bought the same book to read to my son. The stories are bit anachronistic and may not meet modern standards of being politically correct, but we love them anyway.

For those who have read Shogun by James Clavell, you might be surprised to find that it was based upon a true story, the story of Will Adams. This book is an easy read and recounts the adventures of Will Adams, the first non-Japanese Samurai and founder of the Japanese Navy.

This is going to be short. After having read "Living On The Edge" I thought I was getting another tale of life as a fisherman.Instead, what I got was life as a fisherman at town council meetings. The book is currently being used under the short leg of my pool table. ...

Being a New England fisherman (hehe-rather, woman) I found the day-to-day lives of the fisherman very interesting-who knew scallops had blue eyes? However, I had a difficult time following the time frame of events because of the way Mr. Carey jumped around. I couldn't even tell exactly what year this book was taking place without some re-reading. The politics involved are sickening in the amount of time wasted and the fact that the committees could get nothing accomplished, evidenced with the ongoing cod crisis in New England today. Too bad none of the politicians involved happened to read this book.

If you read The Perfect Storm and came away wanting to know more about the commercial fishing industry, this is the book. Carey explains the views of the men and women who risk life, limb, and fortune in the waters off Cape Cod. He also explains the tedium of public hearings and governmental rule making which impact the lives of the fishermen.

I spent the summer in a rented house overlooking the commercial fishing fleet in Bodega Bay, California. I often wondered what happened on those boats once they left the harbor, and what regulations governed them. Against the Tide explains it all.

By way of criticism, I found the characters a bit hard to follow and the discussions of the regulations a bit tedious, but overall I learned a lot.

Richards, and this book, had been praised to the skies both by professional critics and personal friends, so I overcame my prejudices against long, depressing family sagas and read it.
I will say that Richards is a very talented writer, and there are turns of phrase I will never forget. I also loved a few of the characters, in particular Autumn, the narrator's albino sister. However, I felt afflicted most of the way through the book. It seemed that there was far too much misfortune to believe for this one poor family. It's not that I had trouble believing that someone as good as Sidney Henderson would be exploited (nor did I find his character unbelievable, since his goodness was practically a disease in itself) but so many of the misfortunes seemed to relu on coincidence, and they came at the Hendersons unrelentinly.
Moreover, the conclusion was almost Dickensian in its mania to tie up every loose thread, and connect all sorts of characters in unlikely ways. And yes, I was touched by it, but I was infuriated afterwards.
Nonetheless, now that book is finished with, I do have a desire to read some of Richards other books. I just hope they will be a little less overwrought.

I got this book for Christmas, and after reading the first few pages, which were pretty dull, I was ready to put it down. But I kept reading, and am I ever glad I did! The story is about a poor family in the Maritimes, and is told by the oldest son, Lyle. His family, especially his brilliant and gentle father, is subjected to extreme injustices almost unrelentingly, as others see Sydney as an easy target. Despite it all, Sydney insists on helping the very people who hurt him. Lyle becomes a very bitter and angry young man, and his solution to life's problems is to fight back, something his father refused to do. This story is outrageous and depressing, and the ending is bittersweet at best. Not the kind of book you'd expect to steal your heart, but the overriding grace and goodness of Sydney Henderson did just that. Richards is an extremely talented writer whose characters seemed almost more real than real people. I'd definitely recommend this book.

Here is a book about poverty, both of the spirit and of the pocket. Written in spare, tidy prose with exceptional characterizations, it is a dark tale periodically shot through with veins of pure gold; moments of such exquisite sweetness (in the character of little Percy, or the aging but quietly heroic Jay Beard) that they are painful. There is nothing stock about the narrative or about the characters who are among the most fully realized I've ever read. The good people (the Hendersons) are all forgivably flawed in some small way. And the bad people are understandable in their angry manipulations, in their negative strengths and human weaknesses. This is not light reading but it is potent and powerful, an evocation of the lengths to which the very poor can be driven. Lyle Henderson, son of the Job-like Sydney, narrator of the family history is a most believably tortured and loving soul. One hopes, throughout this book, for affirming moments that never materialize. Yet there is such truth here that I found it impossible not to keep reading.

I am dismayed that I didn't know of the award-winning David Adams Richards before reading this book, but I will certainly be reading his other books at the first possible opportunity. The author's talent is rare and wonderful; his eye is clear and he wastes no time on frilly adjectives. This is prose (and truth) at its purest--a truly remarkable achievement.

My highest recommendation.

You will get to know some members of a small mining town in New Brunswick, all struggling to figure themselves out, find love, and place themselves in a difficult world.

I had some trouble getting used to his unique style of writing - David Adams Richards writes as if observing his characters and describing their actions and thoughts as if he's from another land altogether. This was very distracting for me, and tended to take away my flow of reading. On the other hand, it was also challenging, in that it made me think about the characters and what their words and actions meant.

The last 20-30 pages are by far the best of the entire novel and well worth the read.

Slow going at times, but it wraps up nicely and the reader is feeling as though everything is as it should and always has been.

What I recognize in my second adventure into this author's work is a particular truth--which is that (at least in my Canadian experience) poor communities have a singular commonality. There is a language, both spoken and experiential, about being poor that transcends its environment. In Richards' books, poor in Toronto sounds and feels a lot like poor in New Brunswick. While the physical aspects are very different, the population isn't. And there was something so familiar about some of the characters that I felt as if I'd known them in my childhood.

Poor angry, alienated to the point of sickness Adele; her mother, lovely, determined Rita, making the best of her marriage to alcoholic Joe--who just may be one of the most perfectly rendered characters I've ever encountered. One cannot help but love and feel for Joe, battling his demons and temptations that all reside within bottles; stammering, powerful Joe with his big body and battered, but still functioning heart; Joe the unlikeliest of heroes.

There is such a cast of characters in this book; they have their hopes and miseries and they all intersect at one point or another as time eases away unnoticed and fate makes itself felt in every way in the hushed, shattering beauty of a blizzard.

David Adams Richards is the consummate observer, translating his visions into quiet, apparently effortless prose; placing people before us in all their flawed splendor so that we might view the human condition and reflect upon our similarities and differences.

My highest recommendation.