E.T.A. Hoffmann (1776-1822) was an early exponent of stories imbued with a supernatural twist. His career encompassed several significant endeavors, from music and painting to practicing law. While working in the Prussian civil service, Hoffmann continued to work as a musical instructor. Eventually, he left the service to pursue his first love, working as a music critic, director, and conductor (he changed one of his names to Amadeus in tribute to the famous composer). When Hoffmann realized he would never create great works of music he turned to writing. Within a short time, his short stories gained much attention, eventually influencing later writers such as Edgar Allan Poe, Franz Kafka, and Robert Louis Stevenson. Tchaikovsky's 'The Nutcracker' is based on one of Hoffmann's stories.

This Hoffmann story issued by Hesperus Press, entitled 'Mademoiselle de Scuderi,' does not contain an overtly supernatural theme. Instead, the reader finds within these pages a cracking good murder mystery set in Paris during the reign of Louis XIV. A knock at the door of the Scuderi residence in the middle of the night serves as the impetus for an investigation into a series of murders occurring within the city limits. The murders involve some of the wealthiest people of the time, and the king himself is eager to find out who is responsible for the crimes. Moreover, the murderer is stealing jewelry from the victims, jewelry made by one of the top craftsmen in the country named Rene Cardillac. This jeweler is one odd duck, a man who possesses a fierce jealously about all of the ornaments he creates. As more and more people fall victim to the unknown killer (or killers), Louis creates a special commission called the 'chambre ardente' to investigate this blatant crime spree. Will the people responsible be brought to justice or will the killings continue unabated? What will happen if an innocent man is unjustly accused of the crime?

Enter Mlle. de Scuderi, an aging woman who moves in the top circles of Parisian society. The aforementioned knock on her door brings her into the center of the intrigue. This good lady who writes novels and poetry that even the king enjoys immensely finds herself approached by Olivier Brusson, an apprentice to Cardillac who has a strange story to tell. For Brusson, Mlle. de Scuderi is the only hope he has if he wishes to remain among the living. What seems to be a simple case of murder and greed soon blossoms into a tragic love story that will require the assistance of none other than Louis XIV if it is to survive.

The foreword to this version of the story, written by Gilbert Adair, argues that Hoffmann's little tale of murder constitutes the first detective story in western literature, predating Edgar Allan Poe's 'The Murders in the Rue Morgue' by many years. The problem with this claim involves the role of Mlle. de Scuderi. Adair attempts to invest this figure with shrewd deductive powers, even comparing her with Agatha Christie's Miss Marple. Regrettably, the story does not bear this argument out. Mlle. de Scuderi does little in the way of concrete investigation. Rather, people come to her in order to relate events because of the influence she carries with Louis. More than once she is not even sure who is guilty or innocent. In short, it would seem that Poe's reputation is safe.

Since the story is only eighty-two pages long, further divulgence of plot points or characters will probably ruin the story. If you have any interest in reading Hoffmann's work, buy a collection of his stories so you get more bang for your buck.