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It must be admitted, though, that the greatest horror in this book is not in any of the scripts but in a sentence in Dave Siegel's introduction which reads (and I quote): "...in 1961...[Cole] destroyed his own recordings of the program, feeling they had lost any further commercial value." Aaaaaaaaargh!!!!!!! And this was a guy who was very proud of his work in radio and kept bound volumes of his WITCH'S TALE scripts. He was one of the first (possibly THE first) radio writers to actually copyright his scripts. This destruction of his recordings must have come at a personal low ebb in his life. But how sad, and what an irretrievable loss to future generations of old-time radio fans and scholars. Which is all the more reason why Dave Siegel's book is an important publication in its field of study.
As one that has participated in the specification and programming of the language I have enjoyed DNC's style and light discussion of a serious topic. Try it and you'll see that you are capable to define 3D elements in no time.
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Elvis Cole is an L.A. Private Investigator who collects Jiminy Cricket as well as other Disney memorabilia. He is hired by Ellen Lang to find her husband and child. He learns that Ellen Lang's husband is dead and that a drug lord has kidnapped her son. The criminal will give the son back to his mother as soon as he gets back the cocaine that Mort allegedly stole from him, Another problem that Elvis faces is that Ellen has disappeared.
What follows is a lot of shooting and fighting in the search of Ellen's son. I was not convinced by Crais' characterization of Ellen. She has a lot of emotional problems and low self-esteem that after a few days with Joe Pike (Cole's partner), she is a stronger woman. Cole is [cynical] who likes to live for the moment and finds the humor in anything. Pike is just Pike. He is the strong and silent type who is ready to go into action into a pinch without hesitation. Who cares about the consequences?
The Elvis Cole novels seem to be a good series to start when one wants to give their logic circuits a break.
The tough, wise-cracking Viet Nam veteran Cole is an appealing protagonist, and the quirkiness of his survivalist sidekick Joe Pike adds a bizarre and colorful element to the story. Crais is an excellent writer with an eye for the ironies of contemporary American life and a wry sense of humor, and these skills enrich the book immeasurably. Make no mistake about it, this is a can't-put-it-down read that stands head and shoulders about the typical work of private eye pulp fiction.
I was disappointed, however, in the simplicity of the plot itself. There really was precious little "mystery" at all in the story, and very few of the surprises-one-might-have-foreseen-from-a-tiny-clue-early-on that one comes to expect from a first-rate practioner of the genre such as Michael Connelly. Where a true mystery offers such unexpected twists and turns, Crais offers a surfeit of blood, guts, and mayhem. Elvis Cole is forever getting himself into difficult situations from which he can extricate himself only through popping someone in the nose, spraying blood everywhere (of course), or by shooting a whole bunch of bad guys. The body count in this book is alarmingly high, to tell the truth.
I would add that although I realize that the sudden plunge into bed by the hero and whatever attractive woman happens to be handy is a standard part of the private eye genre, Crais' handling of this aspect of the novel is nothing special.
Overall, this is a lively read that shows Crais to be above average in his literary skills (certainly on a par with Robert Parker, whose work is highly uneven). This first effort, however, is simply not a fully satisfying *mystery*. Still, I'm definitely going on to read his second book.
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Let me say straight off, that I'm no supporter of increased governmental powers. I'm one of the breed that feels that the less government influence there is in our lives, the better. Having said that, if one of my loved ones had been victim of these monstrous events, I would want to give my government ANY reasonable powers they asked for in order to bring the perpetrators to justice and to prevent repeat attacks. Personally, if they strayed into questionable territory, I would be glad to turn a blind eye and say a quiet thank you that other people's family, friends and colleagues were safe.
Maybe the Constitution is wrong. Maybe Americans should give more power to their government agencies to fight this new terror. For sure the 'opposition' (Taliban, Ghaddafi, Saddam etc.) don't give a monkey's cuss about human rights. I'm not suggesting that the free world - the democratically elected governments - sink to those levels, but sometimes you've got to fight fire with fire. To try to outwit these murderous vermin without the full approval of the Constitution is like trying to outbox a championship fighter with one hand tied behind your back.
Terrorism & The Constitution raise some interesting questions that are considerably more pertinent now, that when the book was written. I strongly urge you to read it and consider how you should change the Constitution to bring it in line with the new reality.
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The introduction really sets the scene for the show and makes one wish that Mr Cole had'nt destroyed any of his recordings of WT! The illustrations are real gems and enable one to put faces to these voices of so long ago..
Miriam Wolff's contributions are particularly interesting, in view of the fact the she played old Nancy herself between 1935-1938.
The stories themselves are enjoyable and show how deeply Cole was influenced by gothic horror tales and the pulp fiction of his time. Even if one was'nt interested in Old Time Radio, the stories themselves are well worth the price of the book.
I would'nt be surprised if Old Nancy herself, bought a copy for her 185th birthday and is reading it out to her cat Satan!