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You meet lovable characters like Chris, the Commissioner for Information, and Ikem, the editor of the GAZETTE. These two friends stick together and fight for freedom in their country.
You meet the lovable African people, who have a beautiful culture and a great sense of humor. They are normal people like you and me, and all they want is for theirr government to listen to them.
If you don't like sad books, then this is probably not the book for you, although I do recommend it to every person who wants to open their mind and learn about the African countries that live in poverty because of their government. I give this book five stars!.
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That being said, this is a good way for a non-Nigerian to see how Nigeria's problems are perceived internally. Achebe is strong in his condemnation of tribalism, indiscipline and especially corruption and the prejudice agains the Igbo people. While condeming most current (this was written in 1983) politicians, he does praise the famous Aminu Kano and other politicians like Bola Ige, Bisi Onabanjo and Ernest Ikoli for putting the nation's interest first, not their own. Achebe looks forward to a time when such politicians would lead Nigerians, not divide them or waste their money needlessly.
Unfortunately, good leadership is not the only answer to Nigeria's problems. Nonetheless, this is still a worthy read.
In 63 insightful pages he has written a manifesto for the recovery of people of African descent world-wide, of which I am one. He talks about the need for leadership, the scar of tribalism, and a variety of social ills that, as he puts it, Nigerians have relegated to small talk and I am sad to say African Americans have turned into comedy.
This is a must read for people of African descent and anyone else who would like to understand and help. Just recently, I had the privilege of meeting and interviewing the daughter of former Nigerian President Elect Abiola. Her father died while imprisoned a few years ago. Now a congresswoman herself, she has high hopes for Nigeria, but sees similar social ills here in American and agreed that Achebe's views are accurate and needful.
The trouble with Nigeria and African America is that not enough people have read and applied the principles discussed in The Trouble with Nigeria.
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This was the first Achebe novel I had read since his classic Things Fall Apart. At first, I thought that Anthills suffered in comparison with that masterpiece, arguably the best known and most influential African novel. After finishing the book, though, I realized that Achebe had very deftly returned to and updated the themes raised in that book.
His protagonists are Ikem, a courageous and opinionated newspaper editor; Chris, his friend and predecessor as editor, now the somewhat-reluctant Commissioner of Information in a military-led government; and Beatrice, a brilliant, beautiful mid-level civil servant, also Chris's lover. Each studied abroad and is comfortable tossing off literary references and cultural cues from the West. At the same time, each is proud of and clearly shaped by his/her African heritage.
Kangan is ruled by a smart but narrow-minded military officer who rose to power following a coup. "His Excellency" is also coincidentally and not at all implausibly an acquaintance of all three main characters, bringing a very personal dynamic to the struggles they face as Ikem sharpens his already bitter criticism of the government, to the professional discomfort of Chris and the personal alarm of Beatrice.
I found the first half of the book a little hard to get through at times. The prose is often overwrought and the narrator changes from chapter to chapter, making it difficult to follow. Further complicating things is the frequent use of West African dialect, especially in dialogue between the lead characers and their less-westernized compatriots. While this brings a ring of authenticity to the work, it also requires close attention by non-African readers to divine the literal meaning of the deceptively familiar words. As the novel progresses, though, the confusing switch-off of narrators ends, the prose becomes sharper, and the storyline clearer.
Achebe sprinkles humor liberally throughout the book. The characters serve up a steady stream of clever, expressive African aphorisms. The most memorable of these are delivered by a tribal elder from Abazon in an impromptu tribute to Ikem. Achebe also paints vivid and funny accounts of a monstrous traffic jam, a confrontation with soldiers at a checkpoint, and an up-country bustrip. those who have spent any significant time on the continent will nod their heads and chuckle at these uniquely African scenes.
As in Things Fall Apart, the insidious influence of the West is depicted mostly indirectly. While there are no major European characters, the cynicism of Western expatriates and the cluelessness of Western journalists are reflected quite well in two minor characters, a British doctor who administers the local hospital and a visiting American reporter. More often, though, the specter of Western influence hovers in the background. One sees it in the alienation of the lead characters from their roots, most vividly in Beatrice's reminisces of her village childhood and university days in Britain.
In the end, Achebe seems not so much to be blaming the West for Africa's problems as pointing out the ways in which, years after independence -- and even longer since things first "fell apart" -- African societies continue to struggle with the legacy of colonialism. The villains are not Europeans but the opportunistic soldiers, politicians, and businesspersons who came to power afer the departure of the colonists.
Achebe's perceptiveness and skillful sketches of characters make this an important work, a period piece as representative of contemporary, post-independence Africa as Things Fall Apart was of colonial Africa.