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I did read the rest regardless tho because I sometimes like the way Mr. Abrahams weaves his stories and characters.
But right away comes another glaring out of characterization. Nat, who has fallen in love with Izzie and can tell her apart from her twin sister -easily- suddenly fails in recognizing Grace when the girls switch places at the last minute (Izzie becoming the kidnapped instead of Grace).
I think Mr. Abrahams would of done this story a favor if he'd of toned down Freedy (the bad guy) with his Andro/speed/bodybuilding obsession and gone into and expanded on the Freedy and Professor Uzig connection. Professor Uzig being Freedy's "Father: Unknown".
Also, why would Nat be prosecuted for attempted extortion? The kidnapping wasn't his idea! He came down against it but the twins had acted before he saw them again. Why didn't Izzie come to his defense?
All 'n all this reads like an unfinished draft. I don't see how something like this could of made it past anyone! especially anyone in the business. Too many discrepancies. Too many
avenues left unexplored.


I was looking for the suspense since, on the cover, Stephen King is quoted as having said that Peter Abrahams is his "favorite American suspense novelist." I really didn't find suspense. However, I found a good plot with likeable characters. While this book takes place in college - a boarding school, if you will - I kept thinking that Inverness was NOT Hogwarts...
Nat is a young man who wins a scholarship that takes him from his working-class town to Inverness College. Freedy is a young bodybuilder thug. Their paths parallel but never quite meet until...
Nat happens upon Grace and Izzie, very rich twin sisters who attend Inverness (and very different from Patti, his hometown sweetheart). The three students hatch a kidnapping scheme to try to obtain some much-needed money from the girls' father. However, as we learned as children, if you Cry Wolf often enough, when a crisis emerges no one will believe you.
While seldom actually "suspenseful," "Crying Wolf" was nonetheless a good book and a good purchase. I do recommend it; and I will be looking for more books by Peter Abrahams



The main character Roy seemed so clueless. The author's constant uses of "What?", "I don't know what you mean", and Roy's constant state of bewilderment was almost laughable. He had no clue of what people were saying around him. In fact, a whole page is dedicated to someone trying to clue him in. For example when Roy was told his whole department was let go he didn't get it. Even though all of the furniture, computers, and cubes were gone Roy was still wondering when he was going to start his new job as the boss of a department that was missing. The conference call with NY was classic, Roy ripping his shirt off because he couldn't breathe... correction Curtis's shirt, because Roy forgot he was wearing a UGA Football T-Shirt. The ending made no sense. I should write a book if they publish this junk.



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In becoming a part of the liberating movement and associating with major players of the time, Peter Abrahams analyzes and delivers a thorough understanding black intellectualism -- its roots, its resolution, its pioneers, its personalities, and its path.
"So [Marcus] Garvey redefined colour to serve our interests. He wanted his black folk to be equal of al other colours. He wanted all blacks - and for him it included all shades of black - to be as proud of their colour as were the whites of theirs: no intermarriage, no mixing of blood."
The means by which Black freedom fighters have used to liberate their populace has often left the rest of the world questioning their respective methodology. Hence, Abrahams also questions Garvey's "Back to Africa" movement, and the antics of Jomo Kenyatta in waging the Mau Mau war in Kenya. We gain insight through the author's query of these leaders and their lives.
"One of the saddest experiences in my life has been to watch, over time, some fine men being changed over circumstances." Abrahams gives his recollection of Kenyatta and the Mau Mau war.
"On that first journey back to Africa, when she was still in bondage, Kenyatta was an old friend from our London days. We walked the beautiful mountainous land together, met the people, shared out ideas with them, were close to them - which was why so many fought and died for the vision of the freedom and land he promised them. More than 11,000 mainly Kikuyu died in what the British government and the white settlers called the Mau Mau rebellion and the blacks called their freedom struggle. It was both a physical and propaganda war, with the propaganda at times seeming the bigger war. Kenyatta, in particular, and the Kikuyu in general were demonized."
Abrahams was born in South Africa in 1919 and just upon entering his manhood, became a seaman as a means to earn a living, thereby escaping the many evils of apartheid in his homeland. He eventually settles in England and there he begins his political journey as a writer and messenger of the free African word in a not so free world for any type of African.
He lives through World War II, which was not a black war, and at this time, many Africans begin to adopt socialist and communist thought, also finding liberation in Marxism. Today, it is difficult to imagine the rationale behind such actions. In that day however, the support blacks gave to these institutions also opened doors. These doors led to more forums where Africans from the Diaspora were able to meet and develop strategies for African emancipation.
Abrahams gets to meet other black literati including Langston Hughes, Richard Wright and W.E.B Dubois. These men were his friends, and he goes into detail about their personalities, how their lives shaped their writing, and thus their unique epistle to the world.
Abrahams also discusses the dependence of Africans in the Diaspora on the institutions of the very people that enslaved them. Explaining that vicious cycle, he constantly defines the many levels of racism, from all angles, black or white.
The first half of Abrahams account is extremely lively and filled with the drama of Africanist movement. His discussion of the use of language, especially English as a freedom tool provides a unique slant on the contribution blacks have made to literature and communication in general.
His hypothesis on Black living comes from experience, and is indeed worth reading to gain a new perspective. It would suffice if the book continued on this path, with Abrahams perhaps following through on the lives of some of these leaders.
This book however is an autobiography, and thus half of it is about Abrahams' life in Jamaica. Not to discount Jamaica for any of its beauty, but the reader is led into a literal trap, which seemingly takes a while to recover from. Meaning the reader is led to believe this is a thorough, account on who our African leaders are, how they did it, and perhaps why Africa is in its current state.
Indeed Abrahams provides some of these answers, and brilliantly so, which makes the book hard to put down. But, when Abrahams begins his account of life in Jamaica, one is led to believe he will eventually change the course of the book, and continues to describe African thought. This expectation comes chapter after chapter, and indeed, sadly, it means reading about Jamaican as well as West Indian politics, and Abrahams' role as a journalist there.
The book becomes somewhat of a disappointment, but as reflected in its title "The Black Experience in the 20th Century," the novel is about his experience as a Black man, and "Black" thought, as this account of his life gives a window into the lives of leaders in the African Diaspora, from Africa, to the United States, to Europe and eventually the West Indies.
...

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This is a poorly written, hard to understand Anatomy text, which lacks sufficient detail to actually be understandable, and which contains attempts at "humour" which are, at best, weak. The book is an appalling waste of money, and provides no useful grounding in Anatomy. The diagrams are poor, the explanations vague and the whole book simply not useful for the purpose which it is meant to serve. Do not under any circumstances buy this travesty.


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