
Used price: $8.50
Collectible price: $22.00
Buy one from zShops for: $23.96




Used price: $3.99
Collectible price: $10.59


But, as it turns out, Donald's iconoclasm is a bit false. He reexamines Lincoln's more controversial points, and casts his verdict with the purveyors of the Lincoln legend. Did Lincoln imprison thousands of people without charges or trial? He did, but they deserved it. Did Lincoln destroy the Constitution by starting a war without the approval of Congress? Yes, but he had to abrogate the Constitution in order to save it.
Donald starts out bravely but in the end, cops out in favor of sentimental Lincolnism. I thought it a bit disappointing.


List price: $26.00 (that's 30% off!)
Used price: $12.00
Collectible price: $15.34
Buy one from zShops for: $12.70


While they worshiped YHWH as God (and Christians worshiped Jesus/Ihsous as God's son), they did not rule out the existence of other gods (though Paul may only have suggested the existence of other gods without actually believing in their existence). Hence, they were henotheists, not monotheists. YHWH was the God or only God for them, but the nations had their gods, too.
Someone needs to put this "myth of monotheism" to rest. I'm doing my part.

Excellent Book on the Story and Trials facing Abraham, Esther and a Convert in the Jewish Community...

I have since purchased his spiritual journey The Lord Will Gather Me In and would liken it to a Jewish Seven Storey Mountain. David has become one of my favorite writers and his refreshingly honesty about his faults and his willingness to keep on his spiritual journey gives me hope about my own.

Used price: $9.50
Collectible price: $10.59




Used price: $17.45
Collectible price: $21.18


The book begins with an overview of the system of Indian administration as it had developed by 1860. It was dominated by the political spoils system and by corruption resulting from the power accorded to the Indian agents. As a master of the art of pragmatic politics, Lincoln used the system -- as he needed to do--to hold the Union together-resulting in tragedy for too many of our country's Indian wards.
The book discusses the Five Civilized Tribes of Oklahoma (then Indian territory) and their relationship to both the Union and the Confederacy. The story picks up focus, though, in the discussion of the Minnesota Sioux rebellion, the summary trials and capital sentences of over 300 Sioux Indians, and Lincoln's remission of the death sentence in all but 39 cases. Nichols tells this story well, perhaps giving Lincoln's actions less credit and less courage than they may deserve.
The book discusses Lincoln's attempts in 1862 to reform Indian policy, which were defeated by War exegencies and by Congressional inaction.He discusses a famous meeting held between Lincoln and the Indian chiefs in 1863 in the White House, again perhaps undervaluing Lincoln's intentions and the difficulties he faced.
He discusses the policy resulting from the Sioux war of concentrating the Indians under the control of the military with unsuccessful and inhumane results in Arizona and New Mexico. The book also includes an account of the too little known Sand Hill Massacre in Colorado in 1864.
The treatment of the American Indians does not constitute one of our nation's or of President Lincoln's prouder accomplishments. Professor Nichols is correct that this story deserves to be known as part of our history. The book ties Lincoln's treatment of the Indians to prevailing ideologies at the time involving a disprespect of cultural differences, to westward expansion, industrialization, the political patronage system, and, first and foresmost, the Civil War. Even Nichols appears to acknowledge that given the War, there was little that might have been done differently at the time in the way of systematic reform.
As is unfortunately the case with most histories of Indian affairs, it is easier, as Nichols does, to find a great deal of deserved fault than it is to develop answers, as he does not. This book is still worth reading as a good history of Indian affairs during the Civil War era.

Used price: $1.25
Collectible price: $15.84
Buy one from zShops for: $2.75







"Levinsky" is a rare example of the novel that works both as history and as literature. Cahan's firsthand observations of late 19th century industrial America and of the immigrants' struggles to adapt to life in a new land are compelling in their own right. But this is no mere slice of life realism. Cahan created complex characters who face conflicts beyond the struggle to survive.
Cahan's main character, Levinsky, spends the first part of the book struggling to master the Talmud in his village in Russia. Here Cahan introduces us to Levinsky's incisive mind, one that will serve him well when he goes to America and begins to serve a new master: business. In the opening section, Cahan also develops one of several beautifully drawn supporting characters: Levinsky's mother.
By novel's end, we realize the irony of the novel's title. On one level, Levinsky's story is a classic tale of rags-to-riches, American-style success. On the other, his story is one of failure to achieve the rich, personal, intellectually stimulating connection with others that he has craved since childhood.
This great novel deserves to be on the short list of indispensable American fiction. One seeking to understand the roots of our country would be hard pressed to do better than to read it.






Used price: $18.97
Buy one from zShops for: $16.23


The book is a collection of four lectures given in the subject's honor in 1995 on the tenth anniversary of his death. The final lecture and the latter part of the third are highly mathematical and technical and clearly intended for a professional audience.
But for me, the first lecture by Abraham Pais is worth the purchase price alone. Pais was not only a contemporary physicist, but also a close friend and as close to a confidant as was possible with such a reticent man.
Through Pais' eyes, we see a mathematician turned physicist who was very different from the man to whom Dirac is most frequently compared, Albert Einstein. Einstein was a physicist first, mathematician second. Dirac was exactly the opposite. Einstein became a social and political critic, Dirac never strayed far from his study. The two were similar in that both viewed mathematical beauty as primary and both hated the modern remake of quantum mechanics (after the initial theory) for very similar reasons. This last point was interesting as Dirac was the first one to combine all his contemporaries' work on this improved quantum physics into a formal mathematical structure. His resulting equation, called naturally the Dirac equation, is classic Dirac, short and sweet. It combined Einsteinian relativity with the new quantum theory and Dirac considered the result to govern most of physics and all of chemistry. Stephen Hawking, the renowned theoretical physicist, says in his introductory memorial address to the book, "If Dirac had patented the equation ... he would have become one of the richest men in the world. Every television set or computer would have paid him royalties." For this work, Dirac shared the 1933 Nobel Prize with German physicist Erwin Schroedinger. One unexpected consequence of this work was a mathematical conclusion that defined a "negative energy" matter (aka antimatter) solution. Simply put, he had discovered a universe noone had imagined. To this day, we see the effects of this discovery from medical necessities (PET scan imaging-Positron Emission Tomography) to science fiction (Star Trek).
The quotations and anecdotes Pais chooses are well placed and often very funny. They are also supported by the images of Dirac portrayed in the sketch on the cover and in the few photographs scattered through the first two lectures. They reveal his character well. He saw mathematical and physical realities so clearly that he simply could not understand why others did not see them as well. The photo of him "listening" to future Nobel Laureate Richard Feynman in Maurice Jacob's section is one of the most amusing of the collection.
In the second lecture, Jacob shows the path of discovery and effect on latter day experimental physics of antimatter. He goes too long in spots but is generally fine.


List price: $18.95 (that's 24% off!)



The novel opens with Surratt's 1916 New York Times obituary and then shows us diary entries he had written a few days before. In his initial entry, Surratt reveals that he has been plucked from shipping-clerk obscurity by none other than D.W. Griffith, who wants to put the reminiscences of the long-forgotten historical figure on film for an epilogue to his new movie, "The Birth of a Nation." He considers Griffith's proposal: "Perhaps," he writes, "it was time to tell the full truth about the Lincoln assassination." And with that, the septuagenarian opens up his diaries from the fateful months of 1864-65, offering up the observations and narrations of his younger self.
At 21, already a failed playwright, Surratt has just landed a job as a photographer's assistant that both affords him gainful employment and helps him avoid the draft. It was a strong recommendation by his friend Booth (one of the country's most popular actors) that got him the position, and, as he finds out, the favor comes with strings attached. According to Robertson's somewhat defensive five-page essay on his sources, Surratt wasn't actually a photographer, but the author's invention is welcome -- it enlivens both the novel and Surratt's character and allows for some remarkable bits about the Civil War photographer's art: the metal rack that painfully hol! ds subjects' heads and bodies still; the delicate glass-and-chemical work to produce photographic plates; and "the bane of the photographers' art" -- the light-absorbing fabric called bombazine. Surratt's boss complains that "with the fashion in ladies' dress, a pretty maiden of twenty who comes to my studio in her best bombazine outfit becomes . . . a fleshy blob of a face swimming in an inky darkness."
The truly fascinating element of the novel, though, is the relationship between Booth and Surratt, who is torn between obligation and independence, struggling for control over "Booth's presence in my life." Robertson's Surratt is a reluctant cipher, a humorless man searching for a cause; it's all too easy to fall under Booth's sway. He's aware of this influence, disturbed by it, fights it. He frets about his place in Booth's shadow even as his friend worries that "he is not the great man onstage" that his father, Junius Booth, was. At times Surratt reflects upon "how lucky I was to be able to call a man like John Wilkes Booth my friend." But he's fully aware that Booth is a "subtle manipulator and egotist"; even as he marvels at his friend's generosity, "I couldn't help wondering what Booth wanted."
It turns out that what Booth wants is help with a wild scheme: He intends to kidnap President Lincoln as a prisoner of war, to stop all the killing; his primary concern is that the Union army is bent on humiliating the South. His safety compromised, Surratt turns against his friend: "Booth has reduced my life to comical farce, and a low bumbling comedy. . . . I fear he is a loose cannon, and sure to get me killed -- and over something about which I am utterly disagreed with him on. Why did I ever think Booth was my friend? How can I now disassociate myself from him?" He tries to disentangle himself, deciding that "with the return of peace I will back away from Booth, and turn once again to my own hopes, my own future." But, of course, eventually it's too late, and Booth commits "the one act that would write! my name forever in the history books, and, I prayed, make the South whole again."
This last bit is from Booth's diary, written during his flight after Lincoln's murder. Booth's entries are by turns contemplative and thrilling -- and, considering the harried circumstances of their writing, a little too glossy to seem genuine. Indeed, both diaries read more like meticulously edited historical fiction than contemporary journals. They're far too nuanced and accomplished, laced with italicized flashback phrases and artful foreshadowing. The entries conclude with teasing cliffhangers. There are no missteps, no unsurety, no spontaneity. They don't *sound* right. Surratt's recollection of even throwaway dialogue is too pitch-perfect to be real, as when Booth tells a colleague: "Lewis, there is also a sideboard at the bar with pickled eggs, oysters, and beefsteaks for sandwiches. . . . You must get yourself something to eat. It's all right." Not even Truman Capote would have remembered these lines! Many readers have trouble when an author gives us an unreliable narrator, but sometimes a narrator can be *too* reliable.
The upside to the writing's shininess is that "Booth" is very smooth reading -- though I can't resist pointing out a rare stumble, when Surratt describes his dread: "I felt a cold shiver in my bowels, as if the shadow of death had sent a chill wind through them." Somehow I doubt Robertson was aiming to instill an image of wind in Surratt's bowels. But this type of lapse is unusual. "Booth" is a gripping, enlightening read that's well worth the time of even those who don't often pick up historical fiction. And for Civil War aficionados: Don't miss this one.
