Irene Zeigler's "Rules of the Lake" is written with a clean, simple style which goes hand in hand with the subjects the author has chosen. More elaborate prose would spoil the rural nature of these stories, and Marjorie Kinnan Rawlings did something similar in "Cross Creek." But unlike Rawlings, Ms. Zeigler's narrative never becomes precious. It's a look into the past from a contemporary and adult perspective. The stories involve Annie, a preteen girl living on a lake in rural Florida. Annie watches her older sister, Leigh, experiencing adolescent angst, only to find herself suddenly facing it as well. Annie and Leigh's father is a central figure, equally charming and inept in both his relationships with his daughters and his various brainstorms which rarely amount to anything.

My favorite of the 13 stories is "The Raft," and its companion piece, "The Stranger." In these two tales, Ms. Ziegler fascinates her readers with a balance of power between the sexes. In "The Raft," Annie challenges a neighbor boy, Petey, to a swimming race. If she loses, she agrees to strip naked for him. Annie knows that she is more than capable of beating Petey, and so totally controls him. Yet she remains vulnerable to the siren song of compassion and sexual attraction. Ms. Zeigler creates a situation that is filled with feminine power, yet allows Aniie to give young Petey a thrill that's both visceral and vicarious at the same time. In "The Stranger," she subtly shifts the balance of power in Petey's favor. Now more mature, Petey is in far more control of Annie than in the previous story. But after a short time in her presence, she has a palpable impact. By the end of the story, they have a whole new relationship that's built on the foundation of the old and a promise for the future.

I can't believe how close I came to missing out on this wonderful book. I checked it out of the library and started reading it the day it was due, thinking, "I'll give it a page, then it's outtahere." I paid the late fee. Ziegler has created in Annie Bartlett one of the most poignant, hilarious and beautifully crafted characters I have ever met and plunks her down in a setting so seductive, nostalgic and rich I can't wait to go back there to breathe underwater again, and experience Annie's imagined transformation into a mermaid. Not only did I buy this book for myself, but I'm buying it as gifts from now on. And to think I almost gave it back.

In its sensory details, Rules of the Lake recreates an earlier, largely undeveloped Central Florida. There's a backyard lake and an undiscovered natural spring. The pre-Disney tourist attractions are tacky. And in orange groves and the pleasures of fishing and walking barefoot, Irene's Ziegler's stories of childhood take the reader to a Florida that is now much harder to find. And, if that's all there was to the book, it would still be a pretty good read. But into this Florida Ziegler puts Annie Bartlett. To discover her is to rediscover the experience of being a child. Annie longs to be one of the popular girls with an ache that will make the reader relive terrible preadolescence. She longs to be loved by her father. She longs to understand adult mysteries that are as elusive as the shadows that swim in the backyard lake. And if the stories stopped there they'd be well worth reading. But of course there's more. The thread that holds together the stories and the images of Florida and Annie is the author's voice. It's a great voice. Sometimes it speaks in kid-real dialect and inner thoughts and sometimes it changes mid-sentence to deliver a zinger. Sometimes it's poetry. I saved my reading of Rules of the Lake for late evening just before sleep, and always closed the book with the "Ah!" of discovery.

really good monologue book for actors. lots of great stuff to choose from. I found tons of monologues that i'd never seen before. better than the usual actor monologue books out there.

This truly IS the ultimate monologue book! Any actor who is auditioning at all, really needs this book. These are wonderful monologues that the casting people haven't seen 1,000 times. It offers so many more choices than the other monologue books out there. This is a life saver!!! (Actually, I probably shouldn't encourage other actors to get this, but there is so much to choose from, that it will be years before casting people hear these monologues too many times)