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As with all the Narnia Chronicles, on the level of children the story functions as a perfectly comprehensible and exciting fantasy adventure, but on an adult level it imparts powerful spiritual truths about Christianity by means of numerous recognizable Biblical allusions. "The Voyage of the Dawn Treader" presents the beastly Eustace as a vivid portrait of a sinner as a helpless dragon that needs Christ to take off the scales of his old nature and dress him in the clothes of a new nature (p.115ff). Eustace' post-conversion confession that "I'm afraid I've been pretty beastly" is true in more ways than one. Aslan's table has eucharistic overtones. But the highlight of the book and one of the highlights of the series is the metaphorical journey of the Dawn Treader. By portraying time as a place, Lewis uses the geographical journey to the end of the world as a metaphor for a journey to the end of time, where water is "drinkable light" (p.248), and where the dawn of the day of Christ's kingdom awaits. Appropriately in keeping with the Biblical significance of the number seven as a number of fulness, it is after visiting six islands that the Very End of the World is reached.
This book also contains the key to the spiritual significance of the whole series: the role of Aslan. This becomes evident when Aslan says "This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there." About the real world, Aslan observes "There I have another name. You must learn to know me by that name." (p.270). This is an apparent inconsistency in the Narnia Chronicles, because none of the characters actually seem to know Christ in the real world - Eustace doesn't even know Adam and Eve ("The Silver Chair" p.40). Yet it is clear that Lewis wants our understanding of Aslan in the world of Narnia to lead to a growing knowledge of Christ in the real world.
Aslan is of course symbolic of Christ: "He is the great lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia."(p.118) As always, in all the upheavals and conflicts of Narnia, Aslan is the one constant, and it is his vital involvement that enables the children to complete their Narnian quest, just as it is Christ who inspires, comforts, guides, and saves in the real world. Narnia may exist only in Lewis imagination and ours, but these underlying truths about Christ ensure that a journey to Narnia is never without profit for the real world.
The main characters that readers will recognize are King Caspian, Edmund, Lucy, and Reepicheep. Sadly, Peter and Susan have since become too old to reenter Narnia; but the story does amazingly well even without them. Here, Eustace, who will reappear in "The Silver Chair", is introduced for the first time. They are an interesting bunch, all providing something essential to the story, especially Reepicheep (whose character and personal history are developed further) and Eustace (who experiences a wonderful kind of redemption).
The Dawn Treader is a ship King Caspian built in order to fulfil an oath made on his coronation day to find the seven lords and friends of his father that his uncle Miraz had sent to explore the Eastern Seas. Every two chapters or so, the Dawn Treader stops at an island, where its crew and passengers have a small adventure-within-the-larger-adventure, discover the fate of each of the seven lords, and learn good moral lessons. For instance, one island, called the Dark Island, is a place where dreams come true. It may sound wonderful, until you realize that the dreams that come true are not the pleasant daydreams, but the nightmares. After the last island, the passengers even reach, or very nearly reach, the End of the World.
Though I compared this book to Homer's "Odyssey" in the title of this review, I must add that it can also be likened to John Bunyan's "The Pilgrim's Progress". This voyage is not guided by fate and devoid of reason, but is blessed by Aslan (who symbolizes Jesus) and is full of meaning and purpose. It does not merely represent the passage through life, but the passage through life _as a Christian_. That may be why one reviewer complained that this novel is overly preachy. Yet we readers are human, after all, and in need of being preached to now and then. Another thing that may surprise readers is the chivalry with which Lucy, the only girl on the ship, is treated by the men. Though it not "politically correct," as Eustace himself points out at the beginning, it has a certain rightness to it.
Remembering how the March girls in Louisa May Alcott's "Little Women" played at being good in imitation of the character Christian in "The Pilgrim's Progress", only to realize that their game was really a way of life, I can say that it would be wonderful if children today could apply the allegories in "The Voyage of the Dawn Treader" in the same way. Parents, take note: it is easier to ask a child, "What would Edmund tell you about forgiving someone who has done wrong, like Eustace?" than to launch into a weary sermon about forgiveness that they may not remember anyway. There are more archetypes in this book, and in all stories about Narnia, than C.S. Lewis himself must have realized: and children can only benefit from knowing them as they grow up.
First written as the third CHRONICLE OF NARNIA, I believe it is better read as the fifth, because of the timewise order. But the account can be read anyway wished, and the reader will still get much out of it. But I'm getting ahead of myself, so I shall slow my pace and begin where it is proper to begin--at the begining.
In PRINCE CASPIAN (Book #4 new order, Book #2 old order) a false king holds Narnia's throne, and while he held it, he sent seven Narnian Lords looking for land beyond the eastern Lone Islands. To the false king Miraz's intent, none of them returned.
When the true king, Caspian X, took the throne, he took an oath to set out for a year and a day to find the seven lords and bring them back to their homeland of Narnia if they are alive, or, upon finding them dead, avenging them if possibble. And this story is that story, of the voyage to find the Seven Lost Lords of Narnia, during whitch the crew encounter dragons, water that can turn anything to pure gold, merpeople, magicians, and the whole assortment of magical creatures out there in the utter east, where they not only search for the Lords, but also for Aslan's country because "where the water grows sweet, that is the utter east."
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This book is a great adventure and is a real page turner. It goes beyond a fairy-tale with a much more deeper meaning. The symbolism is fantastic in this book. I really liked it and people of all ages can appreciate it.
The book is about four children from England who are going to a wise grown-up's house to spend the summer at. During the time, they discover a magical wardrobe in the house that leads to a huge country called Narnia, in which they become Kings and Queens. The names of the children are Peter (the oldest), Susan (the 2nd oldest), Edmund (the third oldest), and Lucy (the youngest). One day it is raining outside and they decide to go explore through the house since they can't go outside. When they're exploring they decide to play hide-and-go-seek since the house is huge. Lucy, hides in a wardrobe and discovers there are fur coats that lead to the country Narnia. As she goes in, she discovers there is a center lightpost, where she meets a faun and goes off with him to eat. She was there for hours, then finally, (I don't want to give the secret of the fuan) she decides to go back to the house. When she gets back, she told the others about it and they did not believe her. She was in the country for hours, but then she found out that it had only been a few seconds. Narnia time is different from real time.
Next game, Edmund goes into the center lightpost and a witch on a sledge comes by. She offers him food and to tell the others to come (This witch is evil for real but lies to Edmund to get him to bring the others. I don't think I should tell why though, ruins story). When Edmund comes back, he lies to the others about the country and Lucy gets upset.
Later in the story, they all go in and find it. They find out that they have to save Narnia from the witch's evil spell (It's always Winter), so they meet a great lion named Aslan. Aslan helps him to kill the witch and the spell breaks. Then they become Kings and Queens of Narnia.
That is a brief description about this novel. I would love to write more but the maximum words are 1,000. I highly recommend this book for anyone, even adults. If you ever get the chance, go ahead and read.
To C.S. Lewis:
You are the greatest author I have ever known of. Thank you for making this book. I wish I could meet you someday.
Kellen Kornegay
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I thought the most compelling part of the book was the beginning when Jill meets Aslan in his land beyond the sea. Having read of this region of the Narnian world in Voyage of the Dawn Treader, it was rewarding to get a further view of it.
I eagerly read this book to the end, but I didn't find myself provoked by it as I had been the other Narnian chronicles. Don't skip it if you want to read them all, choose The Horse and His Boy and The Lion the Witch and the Wardrobe if you're only going to read a few.
Like the other novels in this series, the Silver Chair is very well-written and enjoyable. It is accessible for children as well as adults, and can provide entertainment to people of any age. Christian references run rampant here, especially with Aslan as a Christ figure (he uses his blood to perform healing and rejuvenation). Besides being a sort of Christian allegory, this book also comments on the school system, and points out the absurdity of 'modern' private schools who don't even teach their students that they are sons and daughters of Adam and Eve. The Chronicles of Narnia are timeless classics, both for their literary and narrative value and for the just plain good values they teach.
Where do I begin? The book goes beyond comprehension, and brings a new light to allegorical fantasy. I think it especially good that C.S. Lewis injected allegory into children's literature, a thing that seems seldom done these days. This story is a delightful layout of the Book of Revelation in Narnian terms, with the final battle (meaning the end of Narnia as we have known it), and the renewal and creation of a brand new world, without pain or suffering: the heaven of Narnia.
No family or home should be without these great books. While their influence is obviously Christian, secular sections of society can also enjoy them since the author never talks about God or Christ directly, but uses imaginary creatures and words to replicate them into the world he created. With wonderful pros C.S. Lewis has communicated his feelings perfectly to the reader, both Christian and non.
Overall I would definitely rate "The Last Battle" as one of the best in the Narnia series. It still amazes me that these books are 50 years old and so timeless - here, here to C.S. Lewis!
As with all the Narnia Chronicles, on the level of children the story functions as a perfectly comprehensible and exciting fantasy adventure, but on an adult level it imparts powerful spiritual truths about Christianity by means of numerous recognizable Biblical allusions. "The Last Battle" obviously represents the final conflicts leading up to the end of the world and the return of Christ, complete with signs predicting his coming. Appropriately it features an antichrist that "apes" the real Christ with its terrible result - "he had never dreamed that one of the results of an ape's setting up a false Aslan would be to stop people believing in the real one." (p.92). Behind the antichrist is the very real power of the devil: "People shouldn't call for demons unless they really mean what they say." (p.104) "The true Tash, whom they called on without knowledge or belief, has now come among us, and will avenge himself." (p.203) Complete with apocalyptic imagery of the sun going blood red (p.196), there is a final battle which ushers in eternal life, painted by Lewis in vivid colours. The suggestion of a kind of limited universalism as Aslan accepts the unbeliever Emeth's service to the false god Tash as service rendered to him (p.205) is particularly puzzling, but is a minor weakness. So too is the perplexion notion that "Susan ... is no longer a friend of Narnia" (p.169). The concept of Narnia as the "Shadowlands" in contrast to the true Narnia is more Platonic than Biblical, but still has some merit. But there are many memorable insights, such as the reference to Christ's birth: "a stable once had something inside it that was bigger than our whole world" (p.177).
But it is especially the delighful picture of the blessed afterlife that brings the Narnian Chronicles to a fitting and final climax. As King Tirian observes Jill in the afterlife: "It was Jill: but not Jill as he had last seen her, with her face all dirt and tears and an old drill dress half slipping off one shoulder. Now she looked cool and fresh, as fresh as if she had just come from bathing." (p167) The blessedness of eternal life is far greater than the best that this world offers: "If you had once eaten that fruit, all the nicest things in this world would taste like medicines after it. But I can't describe it. You can't find out what it is like unless you can get to that country and taste it for yourself." (p.172) As the unicorn Jewel says: "I have come home at last! This is my real country! I belong here. This is the land I have been looking for all my life, though I never knew it till now." (p.213) Here the Narnian faithful are reunited with the memorable true Narnians from all the preceding Chronicles. But the center of this beautiful world is Aslan himself: "There stood his heart's desire, huge and real, the golden Lion, Aslan himself..." (p.183) The final paragraph marks a fitting and final end to the Narnian Chronicles: "And as He spoke He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this the end of all stories, and we can most truly say that they all live happily ever after. But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the coer and the title page: now at last they wre beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before." (p228) What more can be said?
As always, in all the upheavals and conflicts of Narnia, Aslan is the one constant, and it is his vital involvement that enables the children to complete their Narnian quest, just as it is Christ who inspires, comforts, guides, and saves in the real world. Narnia may exist only in Lewis imagination and ours, but these underlying truths about Christ ensure that a journey to Narnia is never without profit for the real world. Those who believe these very real spiritual truths about Jesus Christ know that like Narnia, the real world will also draw to an end and usher in the age of eternal life for true believers. "All worlds draw to an end, except Aslan's own country" (p.111) and those who know Him will indeed live forever.
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While it is a book in a series meant for children, The Horse and His Boy can be read on a higher level if you understand the references to Christianity. Even if you do not, the book is still quite enjoyable. An exhilarating plot, in addition to magical characters, makes you want to never put it down. The Horse and His Boy is in my mind the finest of the Narnia books, even if it is not a major part of the overall chronicle. You will not find a better book about talking horses and a runaway slave/prince.
As with all the Narnia Chronicles, on the level of children the story functions as a perfectly comprehensible and exciting fantasy adventure, but on an adult level it imparts powerful spiritual truths about Christianity by means of numerous recognizable Biblical allusions. By means of Shastah's adventures, "The Horse and the Boy" marvellously shows how by the providence of God, Christ is behind all the events of our life, even hurt and pain, working for good (p.175), as Shastah comes to realize when he says "It wasn't luck at all really, it was Him!" (p.180). But the talking horse Bree also has things to learn, and in his case it is pride and self-conceit that must be abandoned.
As always, in all the upheavals and conflicts of Narnia, Aslan is the one constant, and it is his vital involvement that enables the children to complete their Narnian quest, just as it is Christ who inspires, comforts, guides, and saves in the real world. Narnia may exist only in Lewis imagination and ours, but these underlying truths about Christ ensure that a journey to Narnia is never without profit for the real world.
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As the book opens, the Pevensie children (Peter, Susan, Edmund and Lucy) are suddenly called back to the magical land of Narnia from a British rail station. They return to find that the land of Narnia is suffering from the oppression of the evil Telmarine King Miraz who rules with an iron fist. The king's nephew, (and son of the murdered rightful king) Caspian, has discovered the truth about Narnia and has fled the palace in fear of his life. In his flight, Caspian encounters some "old Narnians" who used to live freely before the Telmarines came to rule Narnia. Under the Telmarines, the old Narnians have been facing extermination. After initial mistrust, the old Narnians agree to stand with Caspian in an attempt to reclaim his rightful throne from his uncle and to save those that are left of the old Narnians from certain death. A struggle then ensues.
It is in the middle of this struggle that the Pevensies are called back to Narnia, where they once ruled as Kings and Queens. They encounter Caspian's loyal friend Trumpkin the dwarf. Trumpkin relates Caspian's story to them. The children agree to help Caspian. Together, the dwarf and the children set off to come to Caspian's aid.
It is on this journey that the Pevensies and Trumpkin learn the old lesson that "The mind of man plans his way, But the LORD directs his steps." (Proverbs 16:9) Forced to take a different route back to Caspian's camp than the one Trumpkin took from it, the children and the dwarf become confused and lost. They strive to the utmost limits of their human strength and find that it is not enough. It is in the darkest hour of this struggle that Lucy thinks she sees something on the horizon...a Lion.
What follows is a test of Faith for all involved. Lucy, being the youngest of the children and possessing the most "child-like" faith, overcomes her doubts. She is then visited by the Great Lion Himself, Aslan (Lewis' allegorical representation of Jesus). In one of my favorite scenes in all of the Narnia books, Aslan and Lucy discuss the lack of faith shown by the others and what must be done:
"Now child," said Aslan, when they had left the trees behind them, "I will wait here. Go and wake the others and tell them to follow. If they will not, then you at least must follow me alone."
This piece of dialogue is one of the reasons why Lewis is one of my favorite authors. In the span of three sentences in a children's book, Lewis captures the essence of Christ's universal call to be His disciples. Another amazing thing about Lewis (and another reason why he's a favorite author of mine)...is that the book grows progressively more spellbinding and instructive from that point in the story on. Prince Caspian is, like many of Lewis' books, a whole education crammed into a tiny little package--all told in a warm and humorous way. I encourage you to get a copy today. Then read it. There is a lot to be learned from this book.
As with all the Narnia Chronicles, on the level of children the story functions as a perfectly comprehensible and exciting fantasy adventure, but on an adult level it imparts powerful spiritual truths about Christianity by means of numerous recognizable Biblical allusions. Lewis intended 'Prince Caspian' especially to portray the restoration of true religion after corruption. But it also portrays spiritual warfare, showing the importance of our sufficiency being in Christ and not in ourselves. As Aslan says: 'If you had felt yourself sufficient, it would have been a proof that you were not.' (p220) It further demonstrates the folly of atheism and importance of living by faith and not by sight, since God's invisible nature does not mean he does not exist (p.150). The notion of Aslan's perceived increase in size has profound spiritual implications about increasing one's respect and awe of Christ: 'But every year you grow, you will find me bigger.' (p148) Such important moral lessons about the role of faith in Christ are typical of Lewis' style in the Narnia series...