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Used price: $25.58
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Vincent, the main character, uses the telling of his story as a way to absolve and purge himself of his experiences with Lilith, a patient he cares for at the mental center where he works. He not only falls in love, but becomes "obsessed" with her. The second half of this novel mostly centers on his attraction to her, and how he compromises his duties as Lilith's caretaker with his feelings of love for her, a woman she herself describes as "mad."
I don't want to give away too much of the story, but the prose in which it is told is both excellent and sensitive. I can't tell you how this book got under my skin! This novel succeeds in disturbing the reader, such is the brilliance of the text. It is seldom that a book really affects me as this one did. Salamanca portrays the story as if it really happened, as if it is a work of truth rather than fiction.
It's a sad story, but one conveyed through beautiful language. Indeed, there were many passages where I felt like crying while reading them. As much as a reader can, you care for Vincent, and you care about what happens to him, and worry (as he does) about his ultimate destiny. He's a directionless figure, who just wants to succeed at something, and make a good life for himself filled with meaning, as his absent mother wished him to do.
I urge you to read this book. And I ask, as another reviewer here does, "Why is this book neglected?" Perhaps you will read it and ask yourself the same question.
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But. (You knew a but was coming.) But *Lilith* is Salamanca's second novel. It was originally published in 1961. It partakes of a tradition which Anne Williams, in her really excellent study *Art of Darkness*, has called Male Gothic. The woman, Lilith, is beautiful, desirable, clever, all in a rather unearthly way, and the author clearly loves her; but the *narrator*, who's rather a different being, is destroyed by her. That is, like her namesake, she's sublime in proportion to the degree to which she is also diabolical. Masculine principle destroyed by contact with diabolical femininity, which is associated with landscape, language, beauty: that's Male Gothic, and that's also the pattern of this book. Those evil/desirable women do in those hapless men again.
Let me hasten to remind you that a) I still love the book, in part because the AUTHOR is kinder to Lilith than the NARRATOR can be, and b) that this book was published 30 years ago. Do I blame the author for following a pattern which isn't very kind to the idea of womanhood? No, positively not. And one very good reason not to, if you need one, is because, yes, he got better. In his later works, the women become more earthly, less diabolical, more human, less like muses. In a way that only good authors do, Salamanca has deconstructed his own patterns and called them into question.
Critics, by and large, loved *Lilith* where they scourged *Southern Light* and the recent *That Summer's Trance.* Admittedly *Lilith* is easier reading, and perhaps a better book for those who don't know Salamanca's work to begin on. (Among other qualities, *Lilith* is much shorter.) But I wonder too whether those critics weren't more comfortable with demonized women than with more complicated ones, and whether the devastation that ended *Lilith* didn't strike them as a more suitable punishment for abandon than the very different situation which ended *Southern Light.* In *Southern Light* the author declines to destroy those who have worked horrors; he even allows them (dare we say it) to be redeemed. In *That Summer's Trance*, devastation once again ends the book, but not as punishment for abandon, but for (sorry) abandoning abandon, for selling out. Now let's take a wild guess here: why, do you suppose, might readers in a consumer society prefer to be told that abandon, rapture and passion end in destruction than to be told that selling out ends in destruction? Any thoughts?
I'm sure you all know the answer to that as well as I do. So that's my final word: by all means buy *Lilith*, read *Lilith*, love Lilith. But if you do love it, be brave: have a try at the newer, longer, scarier books too, the ones whose message, despite the changed medium, is really much more radical.
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Used price: $0.41
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An incridible photo of the last day concert with roses in each seat.June 27,1971- `Thank You And Farewell' was writed in the marquee after the last show with Allman Brothers Band,Moby Grape,J Geils Band,Mountain among others.
In the page 141 are include a list of all shows at Filmore East march 8,1968 throught June 27,1971.
Today ! 2001, in the place that was The Filmore East are the `Emigrant Savings Bank ' and the front bricks ( upper side) are the same,a `living organism' there, full of memories like us.
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List price: $16.95 (that's 30% off!)
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Used price: $22.99
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If you can find this book, buy it and pass along to anyone who wants to know what being a firefighter is really all about. Descriptive, accurate and pulls no punches in the job-warts and all.
Highly recommend it, even if only to read true adventure which novelists can't match.
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Used price: $2.55
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The narrator himself is a terrific creation: sneaky, pompous, arrogant, and yet also somewhat likeable despite it all. And so too are the lover's parents and the dog herself--it all has the ring of reality about it. This is a minor delight, but a delight nonetheless.
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Used price: $0.70
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When I rented this book from the library I expected nothing of it.But boy was I wrong.This is one of the most amazing books Ive ever read and is definitely my all time favourite book. I had to purchase it for my collection. Susan R Sloan deals with the topic of rape with such sensitivity .Also the book is not written in your typical best seller style.Being from India you can totally identify with the kind of society potrayed in the 60s cos that's how the society in India is now.The way Karen s family blames her and ostracizes her for bringing shame to the family is how a lot of people would react.
Anyway the book is not only about her suffering but its also one of the best revenge thrillers .The ending is really gonna shock you.This is one book which all my college pals and even our mothers swear by it.Once you ve purchased this book you ll keep on passing it on cos you want to the whole world to read itI also recommend An Isolated Incident by the same author.The best thing about Susan R Sloan books are that you can read them again and again and they get better each time.
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Used price: $8.00
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The book was very inspiring to me as a future priest. Gene's love for the faith and the Church inspired and rekindled my somewhat dry faith (a strange phenomena that happens to us seminarians as we undergo formation). Gene's spiritual life, commitment to celibacy, love for the liturgy, friendships, all helped to mold my own life and viewpoints. I highly recommend this book to all of us seminarians who need a spark, a ray of hope during those bleak dark nights that we seminarians undergo. Groeschel's book about Fr. Gene inspires us to continue on our call and strive for holiness in the priesthood. I couldn't help but cry when I read the section on how Gene died...such a holy death! I plan on visiting my hometown (my dad still lives there) and pay a visit to his grave.