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This guide provides execllent information about local sites throughout Beligium. It gives very clear guidance concerning what you can find and access information. It also helps you to locate the sites with indexed maps and diagrams.
I have found that this and the other DK Guides are bit weak in providing guidance about what to see. That is, it offers little qualitative information--everything sounds equally wonderful. And we all know this is not necessarily the case.
So I always find another guide that has more opinions and recomended tours to determine what to see. I espiecially look for guided the provide suggested walking tours. This has worked out well for the most part. I use other guides to plan the trip and the DK Guide in the country.
It has very usable maps although sometimes too limited in scope and you may require a local map to get around beyond the central city. Also, because the book is a bit heavy and too large to fit in a jacket pocket after the first day or so I leave it in the hotel and rely on the local map when walking about.
The one topic I find most reliable is DK's restaurant recommendations. The two places I tried in Brussels were fantastic and offered everything that the guide described. I have had equal success with DK's restaurant recommendations in other cities/countries.
I think this is an indispensible travel guide as long as you know what you are using it for--planning or background info, etc.
It gives you information from the wolrdly famous French wineyards to tips about travelling in to the Romanish sites spread over around the country.
Its write style is very accesible to everyone who wants to start travel books reading and deep explore the frontiers around the globe.
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This book also uses a combination of old and outdated terms for grammatical formations and terms that the authors coined themselves or are found only rarely! You wouldn't be able to understand any reference grammar after attempting to learn with this book because of the terminology. Also, the modern Hebrew pronunciations are given for the letters and vowels and not the pronunciation given by most books, the one that was used by the Masoretes (Scholars who added the vowel-points and accents to the text). One is therefore left without a solid grounding in Masoretic phonology. The only thing that the authors can be commended on is the glossary of terms relating to the book and the Bible, but why by the book just for the glossary?
Here are several things to be careful about, though: (1) You should be comfortable with the Hebrew alphabet before even starting the lessons, or else you might be frustrated and feel like your progress is slow. (2) It teaches inductively and gradually, exposing rules little by little. If you are dependent on seeing all pertinent rules about a given aspect of a language at once, then it might be confusing. (3) The content may seem dry and technical if you can't concentrate without being entertained. Any excitement you experience will be from personal discoveries through the lesson, and not from induced humor from the authors themselves.
Most importantly: Know the Hebrew alphabet first! I hated this book before I knew it, but once I got past that, I started over and saw the genius of its presentation. :) I gave it 4 stars instead of 5 because it's not for everyone.
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Just wondering. "Introducing Postfeminism" is a good book except the part on psyhcology i didnt really think it was too introductory. But nevertheless a great read and introduction to a complex subject.
I was over at the lovely downtown home of a couple of friends and, toward the end of the evening, was handed this cute little dark blue book with a very becoming pink Madonna-inspried getup hanging on an equally pink rod gracing the cover.
The book is "Introducing Postfeminism" by Sophia Phoca and Rebecca Wright. As postmodern feminism (here-termed 'postfeminism', since philosophers prefer their big words small) has always been of supreme interest to yours truly, I immediately opened the volume and began to glean therefrom the attendant humor I had thoroughly expected.
Interlaced with poppy cartoons of the 'great thinkers' of postfeminism, engaging the world in a variety of oddball venues, are pages of terrific summation of the movement, its implications for society, and its parallels in psychology and philosophy.
If you're unfamiliar with this Zeitgeist-creating movement, this is THE book to begin with-- everything's there: from Freud to Saussure to Irigaray to Paglia to Foucault to Haraway.
Oh, sure, they all seem harmless enough, but read this through and you will appreciate just how sweeping the cultural notion of "celebrating differences, not equality" has become. It's equally amazing to see exactly what counts as "evidence" for feminists-- just about anything observable or not. Check out pages 110-111, where the hymen is described as existing "both within and outside the body"; "it can be metaphorically broken or remain intact."
Postfeminists, like psychoanalysts, have an odd tendency to generalize biological gestalt to social universals: a Lacanian celebration of implicit social roles coded within the genitals. Indeed, much of postfeminism has been about "deconstructing" (a very specific term, really) these roles and reconstructing them into something new and, presumably, more socially viable.
Haraway, for example, suggests that females should relate to the CYBORG being: "Cyborg replication does not rely on organic sexual reproduction or the organic nuclear family. The cyborg is both animal and machine; both fiction and social reality. The cyborg breaks down the traditional humanist barriers: human versus animal, human versus machine and physical versus non-physical. The cyborg is the 'illegitimate child of patriarchy, colonialism and capitalism'."
Mhm... but before you run off to start installing brain-chips and artificial limbs (portrayed nicely in the book at p. 142), you might consider that since women alone can be "virtual reality", they alone are entitled to the special status as cyborg-- watch out boyfriend, eh?
Paglia suggests that Madonna is the 'ideal' postmodern woman who is both fully feminine and sexual but totally in-control...
Oh yes, and did you know that cinema is inherently masculine because it is voyeuristic?
Madcap psychobabble, or important social trend? Decide for yourself folks but enjoy the ride in this VERY appealing, very well written, and highly entertaining book!
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