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The problem is that the church elders have reasons for disliking the people Dan preaches love for. The chief elder, a "Judge" Strong, collects property and would like to possess a widow's farm. Matthews, becomes friends with widow and a local female pariah (who's father shot the widow's husband), which angers the elders.
The crux of this romance / western book is how much of an individual a minister is. To collect his salary, must he spout the elder's / church's law regardless of his moral feelings or does he have a right to disagree with the policies of the church? Ultimately, the church politics win and a great minister is forced back to his homeland (winning a bride in the process).
This book was rather deep. There were many wise paragraphs involving the purposes of church and religion. I think Wright felt that a belief in God and a practice of his teachings were more important than going to church for the sake of going to church. Dan Matthews finds out the hard way that all people don't believe this and that some of the church's doctrines have ulterior motives.
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This release was one of Mr. Wright's first -if not his actual debut novel, and it made a promise that his prolific career kept.
Don't miss this book!
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Against a backdrop of union politics in a factory town, the book takes a strong swipe at Communism while simultaneously decrying corporate greed. Ironically, this work-published in the 1920s-while strongly opposed to Karl Marx's ruinous philosophy never uses the word, "communism." The repeated references are subtle but unmistakable as when a "foreign" labor-organizing rabble-rouser says that his greatest allegiance is to the "Big Union."
On the other side of the coin, the criticisms of big business are limited to corruption and extreme selfishness. These vices are seen as invidious precisely because they abuse capitalism. The concept of getting rich via hard work is esteemed, as are the virtues of honesty, generosity, and devotion to one's fellow man.
One of the likable characters is murdered near the end of the book which is likely a device to show the horror of communism. In a disquieting move, a plea for the killer's clemency seems divagating at best and certainly unjustified given the story. Despite that flaw, the book is a worthwhile read as much for its linguistic potency as for the emotionally inspiring plot. "Helen of the Old House" is one more example of why the author of "Shepherd of the Hills" became known as the "Storyteller to America."
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The tale of an overly cultured gentleman who escapes to the untamed Southwest in an effort to become a true man lacks the trappings of modern tales of machismo. Rather it details the meatamorphasis of a citified plebian who follows his heart and embraces true responsibility, probity, and duty. Along the way he osculates the exciting episodes found in HBW's books and is influenced by the genuine characters who populate his oeuvre.
It seems every move that Mr. Wright ever made yielded a vibrant novel and fortunately his pereginrations took him far and wide. Few litterateurs have possessed a gift as keen as his in terms of creating a written diorama. When the book's action takes place at the rodeo, readers feel an impulse to get out of the way of charging steers. When Honorable Patches (a character's spur-of-the-moment pseudonym that sticks) gets into a fight, we duck his punches as a tropism. And in a later chapter as a careening car heads toward a trapped child, many readers will need to pause and catch an escaped breath.
A hagiography was published about Mr. Wright that bore the natural title "Storyteller to America." He conveyed the rudimentary as magical and invited readers to take part in daring quests from the safety of our easy chairs. "When a Man's A Man" is another one of his books that prove a grown-up allegory filled with suspense, romance, and excitement can be as pure as the desert air.
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Wright's 12 facets of life are: Occupation, knowledge, ignorance, religion, tradition, temptation, life, death, failure, success and love. A chapter is devoted to each subject. Wright writes about how these items affect a person and define their character. He also expresses his opinion about what they have become in modern life. It appears he was upset at the woman entering into the workplace and thought it was a travesty to the home life.
I only read about half of the book before becoming incredibly bored with it. There was no tension, no story, and the insights were rare and ponderous. This book might be worthy to pick up again and read a chapter, but reading it all the way through tested my patience and I had to put it down.
"There are Thirteen Truly Great Things of Life. No life can have less. No life can have more. All of life is in them. No life is without them all. They are: Dreams, Occupation, Knowledge, Ignorance, Religion, Tradition, Temptation, Life, Death, Failure, Success, Love, and Memories."
Although there is an entry for the man, and an entry for the woman, in today's Society, the man's entry is universal for both sexes. And my focus was primarily upon the Man's experiences. But the Woman's entries are well worth reading.
Woven through out the book are portions of shared childhood memories both visited when they went through each of the Thirteen Truely Great Things in Life, until the last two, Love and Memories. This they shared together. The entire book is an uplifting spiritual journey for all. I cherish my copy.
Publisher is The Book Supply Company in Publishers, Chicago. Copyright 1912
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While never critical of organized religion, the novel does point out how hypocrisy can too often be found in churches' inner organizations. Unlike Hollywood's commonplace Christian-bashing which always fingers the clergy, this novel celebrates an idealistic young minister up against some self-important lay people who wield too much power and militate too many church policies. It is the embrace of true Christianity that Wright's works often subtly embrace, done here in a more overt fashion.
Readers should beware that "A Higher Call" is the exact same book as "The Calling of Dan Matthews." A new title is the sole difference. To paraphrase the Bard, a book this uplifting by any name is still a good read.
The narrative repeatedly laments the success bestowed upon much so called "art" that debauches that title. Conrad LaGrange, the celebrated author, begrudgingly iterates that his wealth and esteem have been acquired by accentuating the profane and sacrificing the nobility of his profession. Reading of such a contretemps, it is hard not to ponder the likes of Madonna, Howard Stern, Roseanne Barr and host of other modern icons who've built their careers on the meretricious rather than the meritorious.
As usual Harold Bell Wright displays his masterful command of the written word. Few other authors can match him when it comes to unfolding action in a manner that engages the reader from the first sentence to the satisfying conclusion