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Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.
Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.
Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.
Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization. There is the reader's ease of use and the correcting misprints and mislination. I have no problem with this regularization of spelling or punctuation. But when an editor goes beyond normalizing and modernizing--when an editor interferes with the text then I have a problem.
Let me give two examples of the editorial interference that I am writing about:
King Lear 2-1-14 (p. 1184)
Bevington has:
Edmund
The Duke be here tonight? The better! Best!
This weaves itself perforce into my business.
The Folio has:
Bast. The Duke be here to night? The better best,
This weaues it selfe perforce into my businesse,
Even allowences made for modernization of punctuation and grammar would not account for Bevington's "The better! Best." Bevington glosses this to mean "so much the better; in fact the best that could happen." Nice try, but "The better best" of the folio is a double comparative, (which is a regular feature of Early Modern English) and not two separate adjectival phrases. Interestingly, the Quarto printing of Lear prints this scene in prose, and there is no punctuation between "better" and "best" in that version either.
A few lines down Lear 2-1-19 Edmund continues
Bevington has:
Brother, a word. Descend. Brother, I say!
Enter Edgar
But Bevington has reversed the order. The Folio has:
Enter Edgar.
Brother, a word, discend; Brother I say,
Bevington does not say why he changed the order, though to be fair other modern editors have done the same thing.
These two changes just a few lines apart go beyond regularization or modernization. They interfere with the text as presented in the 1623 Folio. And Bevington does not explain the changes. So next time you pick up this or any other modernized edition you should ask yourself "am I really sure what I'm reading is what Shakespeare wrote?"
As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.
The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.
One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.
The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.
The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.
If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.
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I discovered Dr. Link's book AFTER I had been diagnosed and had already received a second opinion on my own. He helped me sort throught the maze of chemotherapy treatments, and gave me the confidence I needed to make the right choices for me. I was so impressed with his book that I have donated copies to our local hospital to be given to women at the time of initial diagnosis.
If you are facing this nightmare of a journey, take this book with you...
With this book as an information guide, I was able to understand the options and protocol particular to my diagnosis. This is a must read for every newly diagnosed patient and those who support her.
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Piper writes about a God who is worth serving, worth going to the nations for, and who is worth suffering for. There is no greater cause in all the world than the glory of God and Piper eloquently describes how Missions is intimately connected to that cause.
Perhaps the most striking point in the book is the idea that God is passionate for his own glory. In fact that God is passionately establishing his glory in the nations. It is not that God is in constant need of affirmation, but that He knows that His glory is the "chief end of man"...and of God.
The chapter on Suffering is incredible. Piper's writing is as convicting as it is motivating. The reader is left asking the question "Do I believe in a God like this? Do I serve a God who is worth suffering for?"
God has honored his church with the privelege of joining Him in his work in the world. Piper is a man who understands this privilege, and who invites us to join Him as well.
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My first introduction to Pilgrim's Progress was as a child in parochial school. I had to do a book report on it in 5th grade and ended up reading numerous times for various projects throughout grade school.
The reader follows the main character--aptly named "Christian"--on his journey to the Celestial City.
Along the way, Christian passes through the many trials of life, symbolized by intruiging characters and places along the way. An early temptation is the "City of Destruction", which Christian narrowly escapes with his life. The various characters are perhaps the most fascinating portion of the book--Pliable, Giant Despair, Talkative, Faithful, Evangelist, and numerous others provide the reader with a continual picture of the various forces at work to distract (or perhaps, encourage)Christian on his ultimate mission.
Of course, the theology (for those of the Christian faith) of Pilgrim's Progress is a constant source of debate, the book is nonetheless a classic of great English writing.
It's not a quick read--that's for sure--however, I certainly would recommend that one read it in its original form. Don't distort the beauty of the old English language with a modern translation.
Getting through the book takes some work, less because of the story and more because of the depth of the allegory. Also, the dialogues between characters regarding salvation and righteousness often require a careful read. However, the story is exceptionally creative and thought-provoking, and the lessons that can be gleaned from it are timeless and worth the effort that needs to be expended. I recommend reading this one at least twice.
I urge you tolook at a remarkable book by the English Puritain John Bunyan(1628-1688), "The Pilgrim's Progress", which is one of the great evangelical Christian classics, though clearly that is not why it interests me and should interest you (although I AM interested in the puzzle that is the religious sense, which even the irreligious feel, and this book can give remarkable insight into that as well).
Rather its fascination lies in the pilgrimage it depicts, or in the fact that human traits, vices, virtues, &c are PERSONIFIED as particular individuals who are their living and speaking epitome, and who are encountered along the way in revealing situations.
Bunyan's hero is appropriately named Christian. Someone once wrote that "Christian's journey is timeless as he travels from the City of Destruction to the Celestial City, meeting such characters as Pliable, Talkative, Giant Despair, Evangelist, Worldly-Wiseman, Faithful, Ignorance and Hopeful."
At first this personification is merely amusing, even a bit annoying (as caricatures or truly stereotypical people can be); but after a while I found myself enthralled because I realized that the effect of this odd literary device was to give unmatched insight into the nature of such traits. The force of the whole thing comes from the fact that one journeys about in - literally INSIDE of - what is both a comprehensive and finite moral and psychological landscape (a "psycho-topography"), very much as though one were INSIDE the human mind and your "Society of the Mind" was embodied in the set of actors. This is more or less the opposite or an inversion of the 'real world' of real people, who merely SHARE those attributes or of whom the attributes are merely PIECES; in "Pilgrim's Progress", by contrast, the attributes are confined in their occurrence to the actors who are their entire, unique, pure, and active embodiment, and humanness, to be recognized at all, has to be rederived or mentally reconstructed from the essential types.
The effect, for me, was something like experiencing a multidimensional scaling map that depicts the space of the set of human personality types, by being injected directly - mentally and bodily - into it by means of virtual reality technology.
So Bunyan's book has something of the interest to a psychologist, neuroscientist, or philosopher that Edwin Abbot's "Flatland" has to a mathematician.
I don't mean to overpraise "Pilgrim's Progress", of course; it was written for theological rather than scientific purposes, and has conspicuous limitations for that reason. But its interest to a student of the mind who looks at it at from the right point of view can be profound.
- Patrick Gunkel
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Reading this book, you are at the beginning of philosophy. There are beautiful dialogs concerning the most profound questions anyone can ask.
An advantage of this particular book is that for a reasonable price you can own Plato's complete works in modern scholarly translations. The volume is skillfully edited and there are handy notes.
Plato is one of the few philosophers who can be read for pleasure. His influence on Western thought is immense. As Whitehead says, subsequent Western philosophy is just footnotes to Plato.
Here are some of the works collected in this volume -
Apology - Socrates defense of his life
Phaedo - a defense of the immortality of the soul
Euthyrpo - a criticism of the Divine Command theory of ethics
Republic - the ideal commonwealth, what is justice, theory of ideas
Meno - the recollection theory of knowledge
Timaeus - Plato's story of the creation of the universe, his cosmology
Except for some of the shorter works, (Euthyphro, Apology, Symposium), Plato's works are not easy to read. Some works are so dense and difficult that you can't see the point of his argument (e.g., Parmenides). If you need some help interpreting Plato, a good introduction to his work is G.M. Grube's Plato's Thought. It provides clear exposition on a number of subjects, including the theory of ideas, the nature of the soul, education, and statecraft.
One needs to decide whether Plato's thought is vital today or just historically important. Those who treat Plato as important today fall into one of two groups. There are those who think he is the source of that evil called Western Civilization. Post-modernists see modern philosophy as a series of rhetorical tropes started by Plato. They hold him responsible for the metaphysical nonsense espoused in philosophy today about reality, objectivity, and knowledge. If you think Plato is total nonsense and think his characters Protagoras (man is the measure of things) and Thrasymachus (might makes right) are largely correct, you might want to compare his work to Derrida or Nietzsche.
Then there are the Hellenists. They think that Plato said it all and nothing (or not much) more needs to be said. You usually get Alfred North Whitehead's quote here about philosophy being a series of footnotes to Plato. If you are so enthralled, you might want to try Allen Bloom, Stanley Rosen, or Leo Strauss.
Personally, I think both readings are wrongheaded for the same reason. In the 19th and 20th centuries especially, philosophy has made conceptual advances on Plato. Frege's logic, Kuhn's history of science, Peirce's communitarian pragmatism, and Wittgenstein's later language theory step beyond Plato.
If Plato is important today, it is for what he started, not what he says. He began the philosophical fields that are still popular areas today, including metaphysics, epistemology, ethics, and politics. And he invented the character of Socrates, through which he developed the notions of dialectic and definition. For these reasons alone, Plato's works should be read carefully and often. The fact that you get all of them here in one relatively inexpensive book (at least in terms of price per work) should be incentive enough to buy it.
The translation is free-flowing and up-to-date. If you can read English, buy this book. If not, learn to and then buy this or have someone read it to you. It is that good and that important.
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Wilkerson describes in his book how essential it is to meet the unloved where they are, rather than waiting for them to show up in church all dressed up and ready to worship within the ranks of the clean and respectable. He also rightly emphasizes the importance of follow up, how one can't just expect to go out and distribute tracts or preach from street corners without also developing real, loving relationships with people and ministering to their needs, both spiritually and physically.
Now that Teen Challenge International has grown to over 200 centers around the world, it is interesting to note that the struggle in recovery ministry continues to be much the same: It's extremely difficult to get people to reach out in love to those who have never been loved, and it's nearly impossible to get church members to venture outside their doors to love their neighbors as they love themselves.
I praise God for Rev. Wilkerson and the way that he listened to God and ventured out in faith. I thank him for sharing the story of his work.
These days, so much has changed. A local pentecostal preacher once told me that he went to Leeds one Saturday; that he was so disgusted by the beggars, and used to see the same ones all the time, how awful that they should always be there; and once he got real close up to one, who was (from what he told me) probably very weak, maybe even dying, lying on the ground, got about six inches away from their ear, and shouted at the top of his voice, "GET A JOB!!!"
Stand this in contrast with the Wilkerson man. This guy, realizing that the zonkos and beggars know that they're sinners, possibly scarcely realizing anything else at all, goes and gives them a bed for the night - feeds them - gives them a bath and warm clothes. The tells them that God knows them and has already fixed up a plan for them - that to the God who made the sun and the outer planets, THEY matter - "whosoever will" can come and drink from the waters of life, that they can repent, and be made blameless before the king of kings.
[Life isn't cheap to this man.]
Then the guy fixes up this organisation called "teen challenge", held together by almost no money at all, but lots of prayer, who pulls loads of dropouts and folks who are very nearly dead from all over the place and stands them on the the higher ground...
Man, this book is so good. I know that these days, many of the big churches... (I used to be in Perth, Western Australia) and there was this huge church near to the Casino. The car park was full of BMWs, and all the evidence was that the church was really inwards looking, far too concerned with "signs and wonders" to remember about the plan of Salvation at all. So much for the lost, no place for them. When I went to Yorkshire, I was amazed how the church had similarly split along these lines - those who preached the gospel, the same one as David Wilkerson preached - to the lost sheep - (go and READ this, will you) and those who prayed for (and maybe got) bigger houses, fatter share options, sports cars, foreign holidays, etc. The contrast is huge.
Read this book and find out what the cost of discipleship to Christ really means - how many days and nights of prayer it really takes to move those mountains - and what faith is REALLY about. And the failures, when Sonny does not come back, and all the disappointments when it doesn't seem to go to plan and they're just about to get kicked out of the building...
I was brought up with this book, and as far as I can remember, I have worn out probably six copies. Time I got myself a new one....