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I don't know why Taunton has allowed it to fall out of print, but they need to bring it back.

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You will learn everything from theme to plotting to building believable characters.
I highly recommend The Writer's Digest Guide to Good Writing.

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The story is charming and simple. Before the letters of the alphabet can go off to school to become "Charley's Alphabet", they are delayed by the loss of the lower case i's dot. All of the letters must help to find the missing dot ... or find a way to make the dot return so that they may get to school in time for Charley, the boy who needs them.
Bruce Wood is the illustrator on this book and he has continued the family legacy of producing bright, captivating illustrations which are just begging the reader to look more closely. Indeed, there is a story in the pictures alone. My own eight-year-old daughter read the book and then immediately went back through and looked at the pictures, pointing out little details in each illustration. This is a wonderful book. I can't wait to introduce it to my class.


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Not a "how-to" manual, it has allowed me to use less guesswork and to broaden my professional knowledge - which helps me win customers over 'the other guys'.
This is NOT an easy bed-time read. It is filled with tables, formulas, charts and photos to help get the points across - which Hoadley is able to do well enough in his text with real-world examples and comparisons. But I was a little discouraged (and I doubt it could be helped) by the way this book resembles those dreaded textbooks of my university days.
This book is relevant, realistic, and practical. If you are serious about understanding wood, this book should at the top of your list.

I would advise someone who is interested in woodworking, to use this book in addition to the others they may have pertaining to woodworking technique. When you get into the building of projects, and see wood "behavior" then this book will all the more make sense. The relationship of how it was sawn and cured, and in what section of the tree it came from, and be relational to why the wood did what it did. It is the easiest to learn that way.
I found it to be a fascinating read. It is like fine art. At first you say, wow that is great. Then as you see it more and more, you come to appreciate the layers of laws that apply to the medium, and gain all the more from it over time.
For example you may marvel at being able to make a perfect fitting mortise and tenon joint, but do you know what the best possible orientation of growth rings in that form of joinery. One way it is apt to split, another way, it will last 100 years. It may not be as much fun as whether Bosch or Makita makes the best router, but inevitably it will result in a long lasting product. It is a fascinating read. Something that should be put on the shelf as a reference source. Read it ahead of time, and read it afterwards to explain, why this thing did that.
Is this the science of wood? Sure it is, but it is done in such a way that, if you don't mind digging through learning the terminology, so you can understand the higher laws of wood joinery and the like, resulting in knowing what may have taken an old master a lifetime to learn. Parts of it are an easy read. Everyone will glean valuable experience from it. It is not so simple that you can have a beginner explain every sentence, but the learning curve is rewarding.
I find Hoadley to be a technician, as opposed to a salesman. Technicians are interested in purely the scientific understanding of the fundamentals, and the relationship of behaviors to bring about the desired result. A salesman is interested in the excitement and appeal of the project, but not the depth from which Hoadley covers the subject. I must admit, that at times it is a dry read. It can best be described by taking a small amount of text from the book. Here is two sections on mortise and tenon joinery. He starts out with this: "Fastening of end grain to side grain joints can be accomplished with a high level of success using mortise and tenon joinery" Later in the same subject he states, "The improvement in mechanical advantage obtained by increasing height is offset by increased dimensional conflict between longitudinal and transverse grain orientation." There you have it. If we knew the terminology that he uses, we could better understand the meaning of the second sentence. What it means is that if you increase the height of the joint, you create a wider surface area, and that creates a stronger joint, but that is offset by the additional expansion and contraction movement in a wider piece of wood. Since the boards in a mortise and tenon joint are typically joined together with grains running against one another, this is a major consideration. We knew that! :-) I had to read that sentence and ponder it before I knew what he meant. At times it reminds me of learing the computer. At times it is frustration, but with understanding, which is a breakthrough, come elation. This book will take you to higher laws and levels.
I guess I am getting wordy. I am excited about this book. As Woodenboat states it on the back cover, "Clearly the best book available on the subject."
I highly recommend you to buy this book. It is an easy read, and it is a complex read, all wrapped up in one book. Each time you reference it, you will derive more and more information from it. It is like fine art. A lifetime of knowledge isn't gained in a single sitting. No matter how many years you spend in woodworking, this book will be right there with you, ever unfolding the true relationship of the product we have come to love; Wood!

Or take this simple woodworking situation: you are building a towel rack from two side pieces of white pine drilled to accept a maple dowel. Exactly how much wider should the hole be than the dowel so that expansion and contraction due to moisture changes in the bathroom won't split the sides?
A little time spent with this book will give you the ability to answer questions like these, quickly, exactly, and with authority. No more guessing about the effects of moisture, temperature, finish, and loads on wood: just look up the data in the clear and handy tables and graphs Hoadley provides and do the simple calculations (it's multiplication and division, folks, with nothing harder than an occasional exponent).
Almost every chapter contains revelations for the newcomer to woodworking. Early on we learn not only that wood changes size with moisture, but by how much (according to species), in which directions, how this affects its shape, and what are the common and best techniques to compensate for or design for these changes when building anything with wood. Later we learn how to relate these moisture changes to humidity--there's a clear and handy chart, as well as an easily memorized rule of thumb--and how to build and calibrate a simple shop hygrometer. In another chapter Hoadley applies this information to a discussion culminating in valuable information on sanding and finishing wood.
The many applications to an understanding of all things wooden make this book stand out for the casual reader, while the detailed, systematic explanations of the whys and hows make it ongoingly useful for anyone who crafts quality things from wood. It is the ideal supplement to an entire library on the how-to's of woodworking, because with the information given here, you will be equipped to make intelligent choices of how to select, cut, assemble, and finish a project of any size and complexity.
The only nit I have to pick has to do with the presentation of mathematical formulas: it's miserable. For instance, in one place the expression "D/O" stands for a single quantity rather than a value "D" divided by a value "O". Potentially confusing, yes; but what compensates for it is the clear descriptions and examples in the text: these are so good, you can totally ignore the formulas and not miss a thing.
Overall, Hoadley's long, thoughtful experience with all aspects of wood, from the engineering through the creative, shine through consistently. That's why I give this one five stars and I'm buying more copies for friends.