I'm a pretty big nut when it comes to Sumerian gods and goddesses, so this book was a no brainer. I also have "Inanna: Lady of the Largest Heart," which I would highly reccommend in addition to this book for those who want to learn more about Inanna and Sumeria.
This is mostly a collection of short hymns to Inanna, and show her gentle side. Some of the hymns are rather explicit in their descriptions of sex, something kind of out of character for a goddess of love (and of war, let's not forget!). A lot of the poems are really heartwarming, for lack of a better term. I'd actually read some of these to my girlfriend for "romantic poetry," and we both enjoyed them (even though she isn't really into the Sumerian stuff).
There are a lot of copies of the ancient Sumerian tablets and images of Inanna, which will really help you get a clear picture of her.
The second half of the book is information about Inanna and Sumeria, not exactly really interesting for me, but well written. This would be the best book to pick up for those interested in Inanna, then check out "Lady of the Largest Heart."

The result of a collaboration between Sumerian scholar Noah Kramer and folklorist Diane Wolkstein, this book is a thoughtfully annotated translation of the major Sumerian cuneiform texts devoted to the goddess Inanna-among the oldest religious texts in the world. It is illustrated with black-and-white reproductions of ancient Sumerian art, mostly on clay tablets.

Our understanding of Sumerian culture continues to grow as new texts are found and our perceptions change. This book was published in 1983, and included material unknown to the general public at the time. There are four major stories of Inanna told here: "The Huluppu Tree," "Inanna and the God Of Wisdom,"
"The Courtship of Inanna and Dumuzi," and the extended epic "The Descent of Inanna." Seven hymns to the goddess round out the collection.

In "The Huluppu Tree," we meet the adolescent Inanna, expectantly awaiting the attainment of her queenship. The Huluppu tree, which she has planted and tended as a symbol of her hopeful authority, becomes infested with evil creatures, like personal demons, that will not depart and bring her to despair. She eventually appeals to Gilgamesh to vanquish the demons, and they exchange gifts made from the wood of the tree, bringing them both to greater power.

In "Inanna and the God of Wisdom," Inanna, now sexually mature but still youthful and unproven, is welcomed by Enki, God of Wisdom, who acts the role of proud grandfather, giving a feast in her honor. Enki's magnamity increases as he drinks, and he ends up offering Inanna all the magical keys to human civilization. Inanna, with enthusiastic politeness, accepts the gifts, and then makes a quick exit, getting a head start before Enki thinks better of his generosity and sends his monsters in pursuit of the errant goddess. Inanna, with the help of her trusted companion goddess, gets passed the monsters and arrives in Uruk with
her magical cargo, where she comes into her full power. Enki, apparently wise enough to let go of his greed in the face of fate, acknowledges Inanna's victory and ascendance.

In "The Courtship of Inanna and Dumuzi," Inanna, after some initial resistance, enters into an erotic courtship with Dumuzi the shepherd. This text is strangely alluring, moving with untroubled ease from sexual frankness to touching detail. (The scene where Dumuzi knocks on the door of Inanna's house for the first time feels like it could have come straight from a modern teenager's diary). After the marriage is consummated, Dumuzi curtly informs Inanna that he's going to be very busy being king now-don't wait up, hon. This poignantly rapid slide from courtship to neglect sets the scene for events in the next narrative.

In "The Descent of Inanna," the goddess, now Queen of Heaven and Earth, finds herself drawn to enter the underworld, realm of the dead, ruled by her evil and somehow tragic sister-self, Ereshkigal. One by one, she is stripped of all the symbols of her power at seven gates, to be left naked and alone before the Queen
of the Underworld, who kills Inanna with a single blow and hangs her on a hook to dry. Inanna has planned her own rescue in advance, though, and escapes to the surface, thronged by demons intent on finding someone to take her place. Inanna will not surrender to them her loyal sons, but when she returns to find her husband Dumuzi, not in mourning, but proudly sitting on his thrown and dispensing authority, she strikes him down and sends the demons after him. The tale of Dumuzi's flight is nightmarish and filled with dream imagery. Thanks to the efforts of his compassionate and self-sacrificing sister, and the softening of Inanna's own anger, a Persephone-like bargain is reached, and Dumuzi is allowed to return to the living for half of each year.

The hymns that round out this book are an exciting glimpse of the actual religious practice of the Sumerians. Especially interesting for modern Pagans is the annual ritual wedding between goddess and king.

I'm someone who tends to be rather skeptical about the ancient precedents of modern goddess worship, but these texts caught me off my guard. They are amazingly modern (or is it timeless?) in their content. The goddess actually grows psychologically and spiritually through the series of narratives, and the
portrayal of the sexual dynamic between men and women rings uncannily true across four millennia. Inanna's story is the original heroine's journey. And, unlike most of her male counterparts, she doesn't need to kill anything to attain her spiritual victory. (Well, almost. Dumuzi gets a serious lesson in raw goddess power!). Her character seems to flow from woman to goddess and back again so smoothly, that it is impossible not to feel a living religion in these texts, one in which there was an intimate dialog between the powers of the goddess and the human experience of her priestesses.

These original texts are better than any modern retelling of Inanna's story I have come across, not just because they are more "authentic", but because they are hauntingly moving. Unlike the familiar mythology of the Greeks and Romans, which has come down to us in a more or less "literary" style, these works seem
more spiritual, even liturgical. Repetition is combined with a directness of wording, and the result is often very powerful; there is a primal intensity about them. They disarm you with their open, almost child-like language, and then leave you sitting, mute and amazed, in that timeless central cavern of the human experience.

Diane Wolkenstein revives ancient poetry that reminds us of a Goddess tradition, long lost to the Western world. In conjunction with Samuel Noah Kramer, a noted scholar on Sumer, she works with the subleties and ambiguities of the texts to reveal experiences long ago pressed into clay and forgotten.

This book is a collection of stories & hymns, translated from the cuneiform by Kramer. Wolkenstein, an expert in folktales, mythology, & storytelling, worked with his translations to craft an essence of the myths that reads coherently; confronting the reader with stories that are at once archaic and contemporary.

Numerous relief images from ancient Sumer enhance the "otherness" of the text. Rhythms and repetitive lineation loudly proclaim the exotic nature of this sacred poetry. And yet, at the heart of these stories, lie essential & archetypal material, which underlies the lives of each of us. I like this feature of the book best--I can read these ancient hymns and find a resonance within my modern soul. Wolkenstein and Kramer have well accomplished what they set out to do.

One notable feature of this poetry is the erotic content. Whether veiled in metaphor:

"At the king's lap stood the rising cedar."

or explicit:

"As for me, Inanna, / Who will plow my vulva? / Who will plow my high field? / Who will plow my wet ground?"

this erotic sacred literature of a vanished people stands in stark contrast to the purified verses of the canonical Judeo-Christian scriptures. Long before religion villified sexuality, we read--we experience in this poetry--that it was an honored sacrament, inseparable from spirituality.

The book concludes with chapters on Sumerian history, commentary on the material and translation, notes on the artwork, and a bibliography for further research. It contains an useful index.

This book is appropriate as a translated primary source for undergraduate work about the ancient Near East or mythology. It is a great source for those seeking to explore (and reclaim) the history of the Goddess, and for those who just can't get enough good Sumerian poetry! Five stars for an excellent balance of the literary with the scholarly, for breathing new life into a lost tradition.

(If you enjoyed this review, please leave positive feedback. My other reviews can be read by clicking on the "about me" link at the top of this review. Thanks!)

By the author's own admission, these stories weren't necessarily the best-told she encountered while researching folk tales in Haiti. The flat page lacks the beauty of the oral tale, and some of these stories may have been a little weak in the telling; but on the page they reveal a great deal about Haiti, and are a fascinating read besides.

Folk tales reveal a great deal about a culture-what it values, how members of the society relate, what their beliefs are. These tales do exactly that. While they aren't as clear-cut, with a defined beginning, middle, and end, as American readers have become accustomed to, they do give away a great detail about Haiti. Life is unfinished; hardship is to be embraced and studied; the spirit world is right here at hand, not a million miles away above the clouds.

Even on their own, they stand as a monument to the creative act and the power of the human intellect. These stories will infect your head like a virus, spreading and replicating, until you have to pass them on. Read them casually, and you will be enlightened. Study them seriously, and you may be transformed.

If you're looking for stories with pat, solid endings, this is not the book for you. But, if you're looking for something that reflects the eccentricity and style of Haiti, then this is it. The stories are magical and you can almost see the people telling them for themselves! Kric?

I lived in a remote village in Haiti for five years and found this book while home in the USA for a visit. I found its stories unusual and charming -- and authentic! When I returned to Haiti I had a wonderful time with my Haitian friends as I related the stories I had read in this book and they would finish telling them with me and share how their mothers and fathers had shared these same stories with them.

The beautiful illustrations help make this book one of my favorite childhood stories. It is a heartwarming story of a little mouse who is an artist. She captures her dearest friends in a painting, in which they all see just themselves. "Little Mouse's Painting is a story that can be enjoyed by everyone.

When searching for just the right gift, I remembered this lovely book. Little Mouse's Painting has everything you may be looking for in a book for young children. Beautiful illustations, sweet as pie story and a lesson to learn for young and old. Little Mouse paints a picture and all her friends see something different in it. It will become a family favorite.

This is a wonderful book for children to read or have read to them. I have used it many times when talking about the ingenuity of children and bolstering self esteem. It discusses the intuitive knowledge that children possess to solve problems if they are given the unfettered opportunity. I highly recommend this book to anyone with children between pre-kindergarten and 6th grade. Well written and imaginative.

The same Catholic family that gave me Once Upon a Dinkelsbuhl had a crazy uncle that would make tapes of himself reading childrens' books for us. The thing, the crazy thing, was that he would usually change the endings into horrible tragedies-like The Little Engine That Could who made it over the mountain just in time for her brakes to go out so that she went ripping through the town running over the children, chopping off their arms and terrifying the dolls and teddy bears so that they wet themselves and no one, I mean no one, got any lollipops. So, The Cool Ride in the Sky was on one of these tapes, and while it didn't have a twisted ending, the whole thing was so bleak and hot and Buzzard such and awful guy that I was sure Uncle Willie had made it up. Not so friends. He read the thing word for word, as I discovered for myself when I stumbled upon it in the library a few years back. So, Rabbit is truly pathetic, Monkey utterly conniving, Buzzard just as horrible as can be, and the whole thing freaky and wonderful as Uncle Willie.

Diane Wolkstein is a consumate storyteller. I only wish I could hear her read/tell these stories aloud. In this book, she brings to life lovers who have been gone for millennia! The Song of Songs has never sounded so alive and passionate. You search with Isis and pine with Iseult. Read these stories, then do yourself the favor of reading them out loud (to yourself or to anyone who'll listen)

It has now been more than four decades since the Statue of Hans Christian Andersen was unveiled in New York City's Central Park. There have been many tellers entertaining the old and the young alike every summer since 1956...but I believe Diane Wolkstein - who made her début in 1966 - will be the most fondly remembered. Hans Christian Andersen in Central Park is the storyteller's first album (made in 1982), and it should serve as the best introduction to anyone hearing her or Andersen's stories for the first time. Aided by musicians Shirley Keller, Janet Stuart, and Rachel Zucker (the storyteller's daughter), Diane Wolkstein's voice carries the listener through six of the Danish master's tales - not just familiar ones such as "The Ugly Duckling" and "The Emperor's New Clothes" but also such finds as "The Goblin and the Grocer" and the uproarious "Hans Clodhopper." I love it when a great story is told well, and Wolkstein - who was named "the official storyteller" of New York City in the late 1960's - is that city's greatest treasure.

Not only is White Wave a story of a farmer who loses something and someone he loves, it is a perfect story for others who have lost a loved one. It makes us remember and remind ourselves we all have a story, and how we live our lives will depend on the story others will tell about us. As an elementary teacher, I have read this story aloud hundreds of times. It is still as moving to me as it was the first time it was read aloud to me and a group of adults at a reading conference more than 25 years ago.

I like this book of Esther because it is all what God knew what was going to happen. My first favorite part is when the king crowned Esther Queen of Persia. That was God's plan. Later, a man named Haman wanted all the Jews killed. God wanted Esther to save her people. My second favorite part is when Esther shows up to the king uninvited. Esther had the courage to do that. But, will Esther save her people in time? Read this book to find out.

Esther's Uncle Mordecai is the gate keeper.He raised Esther from a baby. My favorite part of the story is when Esther becomes queen of Persia. My favorite part of the story is when he laughed. When he was done laughing, he said "Esther, you are now queen of ersia". I like the book Esther because it is taken from the Bible. The comments are the same as in the Bible. If you really like the Bible story, I insist that you read this book!

Esther was an ok book. It is easy to read. It was about
this girl named Esther and how she became a queen and
saved her people. I recommend this book to anyone.

The Legend of Sleepy Hollow is a scary tall tale told in the quiet town of Sleepy Hollow. It all starts out when Ichabod Crane(an intelligent school teacher) goes to a party at the Van Tassel's house. At the party a mean guy named Brom Bones tells a scary tale, about a headless horseman from the Revolutionary War. It was told that he roamed the night looking for his head, which he lost in battle. That night Ichabod had to ride home, he was very frightened. Lets just say Ichabod was never seen again, the only thing found the next day was his hat.
The legend of Sleepy Hollow is a great thriller. You can tell the tale at night, when you have a sleepover, or around a campfire. The book has a good story line and can be easily followed. I hope you don't get too scared when you read about the Headless Horseman...

"The Legend of Sleepy Hollow and Rip Van Winkle" brings together these two classic stories by Washington Irving. The text of this Dover Children's Thrift Classic is accompanied by the whimsical illustrations of Thea Kliros. Both tales are set in the Dutch-American communities of rural New York State.

"Legend" tells the story of Ichabod Crane, a schoolteacher who lives in an area purportedly haunted by a terrifying spectre: a headless horseman. "Rip" tells the story of a farmer who has a remarkable paranormal experience while wandering in the mountains.

Each story explores the intersection of the supernatural with everyday life. The stories are full of vividly drawn characters and are rich with the local color of rural Dutch American communities. Issues such as folk beliefs, geography, history and oral tradition are well handled by Irving.

Irving's playful, earthy prose style is a delight to read. Passages such as a description of a Dutch-American feast are memorable. Funny, ironic, and poignant, these tales are true classics by one of the most enduring figures in American literature.

First off, this review is of "The Legend of Sleepy Hollow and Rip Van Winkle" published by Dover Children's Thrift Classics, $.... While most reviews might concentrate on the merits of the stories themselves, this review is meant to support the benefits of purchasing this particular edition over others.

That said, the first thing I would like to comment on is the price. You can't ask for more of a bargain that to pay less than a ... of America's most popular and well known Revolutionary War era stories. Great for anyone on a budget, or parents who want to expand their child's library but don't want to break the bank on something they may only read once. ....

Secondly, I would like to mention that this book contains BOTH "The Legend of Sleepy Hollow" AND "Rip Van Winkle" in their respective unabridged entirety. Both are relatively short, entertaining, and easy-to-read stories that supply a great introduction to period literature, beliefs, and storytelling for children and adults alike. While these are not Washington Irving's only writings, they are perhaps the most well-known.

As a former teacher, I have the following suggestion: If you live in the New York metro area, this book would be an excellent jumping off point for a trip to Washington Irving's homestead, "Sunnyside", in Tarrytown, NY, for which you can find plenty of information online. There are several other "living history" sites in the area as well.